SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E and C Dilly"/1) | (@(roleclean,performerclean) "E and C Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1375 matches on Event Comments, 973 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Virgin Unmask'd

Dance: I: By Mlle Anne Roland. III: Revellers by Essex, Mrs Walter, &c. v: Grand Ballet by Denoyer, &c

Performance Comment: III: Revellers by Essex, Mrs Walter, &c. v: Grand Ballet by Denoyer, &c .
Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [The Prince present.]

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lottery

Dance: I: Ballet by Mlle Anne Roland. III: Grand Ballet by Denoyer, &c. V: Le Badinage de Provence by Poitier, Mlle Roland, &c

Performance Comment: III: Grand Ballet by Denoyer, &c. V: Le Badinage de Provence by Poitier, Mlle Roland, &c .
Event Comment: By Command of his Royal Highness the Duke, and her Royal Highness the Princess Caroline

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Colombine Courtezan

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer. III: Revellers by Essex, Mrs Walter, &c. IV: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performance Comment: II: Russian Sailor by Denoyer. III: Revellers by Essex, Mrs Walter, &c. IV: Le Chasseur Royal by Denoyer, Mlle Roland, &c .

Performances

Mainpiece Title: The Relapse

Cast
Role: Amanda Actor: Mrs Butler

Afterpiece Title: Colombine Courtezan

Dance: I: By Mlle Anne Roland. II: Revellers by Essex, Mrs Walter, &c. III: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performance Comment: II: Revellers by Essex, Mrs Walter, &c. III: Le Chasseur Royal by Denoyer, Mlle Roland, &c .
Event Comment: By Command of His Royal Highness. Receipts: #96 8s. [Prince of Wales present.]

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Afterpiece Title: The Necromancer

Dance: By Mlle D'Hervigni, from Paris, the first time of her appearing on the English stage. Serious Ballet by Mlle D'Hervigni, &c. Dance of Sailors, as17351128 A Comic Ballet called Les Puisans by Lalauze, Mlle D'Hervigni, &c

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Harlequin Restor'd

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Performance Comment: III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c .

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Contr1vances

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Dutchman and Frow by Le Brun and Miss Brett. IV: A Grand Ballet (revived): The Fat Farmer and his Family, with Fat Farmer-Harper; Sons-Thurmond, Pelling, Davenport; Daughters-Mrs Walter, Mrs Pelling, Miss Brett. V: Revellers by Essex, Mrs Walter, &c. End Afterpiece: Harper's Drunken Man

Performance Comment: III: Dutchman and Frow by Le Brun and Miss Brett. IV: A Grand Ballet (revived): The Fat Farmer and his Family, with Fat Farmer-Harper; Sons-Thurmond, Pelling, Davenport; Daughters-Mrs Walter, Mrs Pelling, Miss Brett. V: Revellers by Essex, Mrs Walter, &c. End Afterpiece: Harper's Drunken Man .

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Contrivances

Performance Comment: As17360325 but Robin and Betty omitted .

Music: Select Pieces

Dance: I: Dutchman and his Frow by Phillips and Miss Brett. II: Pierrots by Delamagne and Villeneuve. III: Fat Farmer and his Family, as17360406 IV: Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: II: Pierrots by Delamagne and Villeneuve. III: Fat Farmer and his Family, as17360406 IV: Rover by Essex, Mrs Walter, Miss Mann, &c .
Event Comment: By Command of His Royal Highness the Duke. Benefit Lalauze. N.B. The whole Performance will be over by Ten. Receipts: money #97 19s. 6d.; tickets #33 19s

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Delane; Imoinda-Mrs Horton; Governor-Bridgwater; Blandford-Chapman; Stanmore-A. Hallam; Driver-Mullart; Aboan-Stephens; Widow Lackit-Mrs Martin; Charlotte-Mrs Stevens; Lucy-Miss Bincks; Daniel-Hippisley .
Cast
Role: Blandford Actor: Chapman

Afterpiece Title: Le Mar1age Force; ou, Les Fourberies d'Arlequin & de Scaramouch

Performance Comment: Arlequin-De Fompree, who has not appeared upon any Stage in England these Ten Years; at which Time he had the Honour of being received by the Nobility and Gentry with great Applause; Pierrot-Lalauze; Scaramouch-Pasquarielle; Pantaloon-Garrelli; Colombine-Mlle D'Hervigni; Sylvia-Mlle Delorme .

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

Performance Comment: II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c .

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Flora

Dance: Clown by Nivelon. Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from Orestes) by Glover, &c

Song: Chancon a Boire by Leveridge and Laguerre

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Pit and Boxes put together. London Daily Post and General Advertiser, 6 May: There was an exceeding great Audience, and great Numbers of Quality both in the Boxes and Pit. Their Highnesses' Box was handsomely ornamented with white Damask, adorn'd with Silver Laces and Fringes; over the Canopy was the Figure of Hymen, with a Label on which was this Motto: Concordia Cordium. Daily Journal, 6 May: The House was so full about Five o'Clock, that several Gentlemen and Ladies, unable to go to their Seats, was obliged to depart

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Sands Actor: Miller

Afterpiece Title: The Fall of Phaeton

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Performance Comment: II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c .
Event Comment: Benefit Mrs Pritchard and Miss Mann

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Harlequin Restor'd

Dance: I: Black Joak by Phillips and Miss Mann. II: Rover by Essex, Mrs Walter, Miss Mann, &c. III: Damon and Phillida, as17360430 IV: Shepherd's Mount by Essex, Mrs Walter, Mrs Anderson, &c. V: By Mlle Anne Roland

Performance Comment: II: Rover by Essex, Mrs Walter, Miss Mann, &c. III: Damon and Phillida, as17360430 IV: Shepherd's Mount by Essex, Mrs Walter, Mrs Anderson, &c. V: By Mlle Anne Roland .
Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Cast
Role: Arundel Actor: Anderson
Role: Pandulph Actor: C. Cibber
Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17460308 but Miranda-Mrs Giffard; Marplot-Cibber; Sir George-Giffard; Sir Francis-Phillips; Whisper-Oates; Patch-Mrs Cross; Scentwell-Mrs Bridges.
Cast
Role: Miranda Actor: Mrs Giffard

Afterpiece Title: The Conspiracy Discovered; or, French Policy Defeated

Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Event Comment: To the Author of the General Advertiser: Sir: I beg leave by means of your paper, to acquaint the friends of Tom Harbin, that he intends shortly to have a Benefit at the Theatre Royal in Covent Garden: Having in consequebce of the advice of many of them, apply'd himself to Mr Rich, on that account who very generously and readily said he would contribute anything in his power to serve him; and as one night of the week might be better than another, (as his Interest lay) he gave him his choice, whereupon he chose Wednesday, as being a night of most leisure amongst people eminent in trade, on whom the city depends. He persuades himself that those who have laughed with him, will not laugh at him for requesting a favour (which his circumstances could never be supposed to put him above accepting) from persons of affluent fortunes, which the generality of his friends are; and who Experienc'd good nature, he doubts not, will serve him on this occasion. In a few days Publick notice will be given of the time, the Play, &c. I am &c. Jack Friendly, Grigsby's Coffee House, Nov. 7, 1748. [See General Advertiser, 8 Nov. See also 14 Dec.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Damon and Phillida

Cast
Role: Arcas Actor: Anderson
Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Townley-Ryan; Manly-Delane; Lady Grace-Mrs Barrington; Basset-Anderson; Mrs Motherly-Mrs Cushing; Myrtilla-Miss Young; Trusty-Miss Haughton; Sir Francis-Arthur; Lady Wronghead-Mrs Bambridge; Squire Richard-Collins; Moody-Dunstall; Miss Jenny-Miss Minors, being her first appearance on that stage; Lady Townley-Mrs Woffington.
Cast
Role: Basset Actor: Anderson

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Lying Valet

Song: Miss Jones

Dance: The Little Swiss

Event Comment: Mainpiece: By Desire. Afterpiece: A new Musical Entertainment went off pretty well--some Noise &c. (Cross). Published at 3 o'clock that afternoon and sold at the theatre for 6d. (General Advertiser). No admission behind scenes or in Orchestra on account of the entertainment. [Music by C. Burney. Text by Moses Mendez]. Receipts: #120 (Cross)

Performances

Mainpiece Title: Alchemist

Afterpiece Title: Robin Hood

Performance Comment: Principal parts-Beard, Reinhold, Wilder, Mas. Mattocks, Miss Norris, Miss Clive. Robin Hood-Beard; Graspall-Reinhold; Glitter-Wilder; Leander-Mas. Mattocks; Clarinda-Miss Norris; Primrose-Mrs Clive; Scarlet-Bullbrick; Little John-Messink; To conclude with a New Forest Dance- (1st Edn.).
Cast
Role: Leander Actor: Mas. Mattocks

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Hob in the Well

Event Comment: Publish'd at 3s. The Actor, in One Pocket Volume. A treatise on the art of playing, interspersed with Observations on the performances of Garrick, Quin, Barry, Berry, Macklin, Ryan, Havard, Woodward, Foote, &c; Mrs Cibber, Mrs Pritchard, Mrs Woffington, Mrs Ward, Mrs Elmy, Mrs Green, Mrs Clive, Miss Bellamy, &c. Also some anecdotes of Betterton, Booth and Wilkes and other celebrated performers; together with occasional remarks upon managers and audiences, and upon the principal Tragedies, Comedies, Masques and Farces. Printed for R. Griffiths in Paul's Church-yard. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Dunstall and Mrs Dunstall. Mainpiece: Not acted these two years. [See 25 Jan. 1751.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Dunstall, 1st time; Ford-Ryan; Page-Ridout; Fenton-Gibson; Shallow-Collins; Caius-Stoppelaer; Slender-Bennet; Rugby-C. Smith; Evans-Arthur; Mrs Page-Mrs Barrington; Anne Page-Mrs Baker; Simple-Bencraft; Robin-Miss Mullart; Mrs Quickly-Mrs Pitt; Pistol-Cushing; Nym-Holtom; Bardolph-Wignel; Host-Marten; Mrs Ford-Mrs Bland.
Cast
Role: Mrs Ford Actor: Mrs Bland.

Afterpiece Title: The Double Disappointment

Dance: IItalian Peasants, as17531120; Les Taileurs, as17531210

Event Comment: This day publish'd at 3s. The Actor; or, A Treatise on the Art of Playing. A New Work written by the Author of the former [See dl 30 Oct. 1753]; and adapted to the present state of the Theatres. Containing impartial Observations on the Performance, Manner, Perfections, and Defects of: Garrick, Barry, Woodward, Foote, Havard, Palmer, Ryan, Berry, Mrs Cibber, Mrs Pritchard, Mrs Woffington, Mrs Gregory, Mrs Clive, Mrs Green, Miss Nossiter, Mrs Bellamy, &c., &c., in their capital parts. Printed for R. Griffiths

Performances

Mainpiece Title: Judas Macchabaeus

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Double Disappointment

Dance: As17550430