SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E and C Dilly"/1) | (@(roleclean,performerclean) "E and C Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1375 matches on Event Comments, 973 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A new grand Serious Opera, with Chorusses [1st time; SER 2, by Lorenzo DaPonte]; the Music composed here by Bianchi

Performances

Mainpiece Title: Cinna

Dance: As17980210

Performances

Mainpiece Title: La Cifra

Performance Comment: [Principal Parts by Morelli, Bonfanti, Viganoni, Sga Angelelli. Cast from libretto (E. Jackson [1798]): Rusticone-Morelli; Sandrino-Bonfanti; Milord Fideling-Viganoni; Leandro-Braghetti; Eurilla-Sga Angelelli; Lisotta-Sga Colombati.
Cast
Role: Sandrino Actor: Bonfanti
Role: Leandro Actor: Braghetti

Dance: As17980306

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]: Adelvolto-Viganoni; Egardo-Benelli; Orgando-Rovedino; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Orgando Actor: Rovedino

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Event Comment: Afterpiece [1st time; MD 2, by Andrew Franklin. Larpent MS 1224; not published; synopsis of plot in Universal Magazine, Oct. 1798, pp. 275-76]: The Overture and Musick composed by Florio. Books of the Songs to be had at the Theatre. Account-Book, 8 July 1799: Paid Florio for the Outlaws #20. Receipts: #258 5s. 6d. (163.10.0; 92.16.6; 1.19.0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Horatio Actor: Holland

Afterpiece Title: The Outlaws

Performance Comment: Characters by C. Kemble, Holland, Biggs, Kelly, Sedgwick, Dignum, Caulfield, Trueman, Maddocks, Hollingsworth, Sparks, Master Chatrerley, Bannister Jun., Mrs Crouch, Miss DeCamp, Mrs Sparks, Miss Leak. Cast from European Magazine, Oct. 1798, p. 258 and Larpent MS: Duke-C. Kemble; Count-Holland; Don Alvarez-Biggs; Anastro-Kelly; Cavaldo-Sedgwick; Marco-Dignum; Francisco-Maddocks; Muleteers-Hollingsworth, Sparks; Child-Master Chatterley; Jasper-Bannister Jun.; Countess-Mrs Crouch; Martia-Miss DeCamp; Dorca-Mrs Sparks; Clara-Miss Leak; unassigned-Caulfield, Trueman.
Cast
Role: Count Actor: Holland
Related Works
Related Work: The Outlaws Author(s): Andrew Franklin
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog Or Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performance Comment: End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.]This was included in all subsequent performances.]
Event Comment: Mainpiece [1st time: MD 5, by James Boaden]: With new Musick [by Michael Kelly], Dresses, and Decorations. [Scenery by Capon (Theatre Notebook, XIX, 14).] Morning Chronicle, 16 Jan. 1799: This Day is published Aurelio and Miranda (2s.). Receipts: #271 16s. (218.15.0; 51.19.6; 1.1.6)

Performances

Mainpiece Title: Aurelio And Miranda

Performance Comment: Characters by Kemble, Barrymore, C. Kemble, Bannister Jun., Wewitzer, Archer, Webb, Evans, Maddocks, Sparks, Ryder, Wentworth, Mrs Siddons, Mrs Powell, Miss Tidswell, Miss Wentworth, Miss Heard, Mrs Sparks, Mrs Bland. Cast from text (J. Bell, 1799): Aurelio-Kemble; Raymond-Barrymore; Lorenzo-C. Kemble; Christoval-Bannister Jun.; Pedro-Wewitzer; Zingaro-Archer; Claude-Webb; Lopez-Evans; Hilario-Maddocks; Bonaventure-Sparks; Servant-Ryder; Juan-Wentworth; Miranda (Eugenio)-Mrs Siddons; Agnes-Mrs Powell; St. Agatha-Miss Tidswell; Teresa-Miss Wentworth; Antonia-Miss Heard; Leonella-Mrs Sparks; Zingarella-Mrs Bland.
Cast
Role: Miranda Actor: Mrs Siddons
Role: Zingarella Actor: Mrs Bland.

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Cory.
Role: Josephine Actor: Mrs Bland

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Event Comment: A Serious Opera; the music by Paisiello. To begin precisely at 7:15 on Saturdays, and 7:30 on Tuesdays [see 30 Mar. 1799]. "The curtain rose to the moment, and the whole was over at a quarter past eleven" (Morning Herald, 31 Dec.)

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]): Adelvolto-Viganoni; Orgando-Rovedino; Egardo-Benelli; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Orgando Actor: Rovedino

Dance: As17981226

Event Comment: "[Allegranti] in an evil hour came again to England, and reappeared in Cimarosa's Matrimonio Segreto. Never was there a more pitiable attempt: she had scarcely a thread of voice remaining, nor the power to sing a note in tune: her figure and acting were equally altered for the worse, and after a few nights she was obliged to retire, and quit the stage altogether...But she was at least remembered to have had a voice, and was looked upon only with compassion" (Mount-Edgcumbe, 39-40). "The opera of last night was also enriched by the first appearance, on any stage, of a young lady, a daughter of Signor Rovedino...She was received with the warmest applause" (Morning Chronicle, 10 Apr.)

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Mme Allegranti (1st appearance in England [since 13 May 1783]). See17990413 [Cast adjusted from libretto (E. Jackson [1798]): Il Conte Robinson-Morelli; Geronimo-Rovedino; Paolino-Benelli; Carolina-Mme Allegranti; Elisetta-Sga Pastorelli; Fidalma-Sga Rovedino.]

Dance: As17990330

Performances

Mainpiece Title: The Castle Of Montval

Performance Comment: Characters by Kemble, Aickin, Holland, C. Kemble, Barrymore, Packer, Fisher, Mrs Siddons, Mrs Powell, Miss Heard. [Cast from text (R. Phillips, 1799), and European Magazine, May 1799, p. 328: Old Count-Kemble; Count of Colmar-Aickin; Count of Montval-Holland; Marquis of Vaublane-C. Kemble; Lapont-Barrymore; Blaise-Packer; Ambrose-Fisher; Countess of Montval-Mrs Siddons; Matilda-Mrs Powell; Teresa-Miss Heard; Prologue-Powell; Epilogue-Mrs Powell. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Count of Montval Actor: Holland

Afterpiece Title: Blue Beard

Cast
Role: Beda Actor: Mrs Bland
Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red Cross Knights

Performance Comment: Characters by Aickin, C. Kemble, Barrymore, Clarke, Palmer, Wathen, Davies, Caulfield, Trueman, Davenport, Abbot, Chippendale, Lyons, Suett, Miss DeCamp, Mrs Bland, Miss Palmer. [Cast from test (Geo. Cawthorn, 1799), and European Magazine, Sept. 1799, p. 187: Count de Ladesma-Aickin; Ferdinand-C. Kemble; Roderic de Froila-Barrymore; Guzman-Clarke; Garcias-Palmer; Lerida-Wathen; Lanusa-Davies; Bertran-Caulfield; Antonio-Trueman; Percy-Davenport; Ripperda-Abbot; Leonardo-Chippendale; Servant-Lyons; Popoli-Suett; Eugenia-Miss DeCamp; Rosa-Mrs Bland; 1st Woman of the Harem-Miss Palmer; Vocal Parts-Trueman, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick, Ms Bland, Ms Griffiths, Ms Edward, Ms Hale, Ms Menage, Ms Gawdry, Ms Benson, Ms Butler, Ms Leserve, Ms Norton, Ms Masters; Prologue-Trueman. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Purse

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: 1st piece: 15th time [i.e. in continuation of the reckoning for the previous season]. 3rd piece: to conclude with a Representation of the Moraiv, with the Interment of the Body of Captain Cookv by the Natives. With the original Scenery, Music, Dresses and Decorations. Receipts: #238 4s. (235.15; 2.9)

Performances

Mainpiece Title: The Birth Day

Related Works
Related Work: Die Versöhnung Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Performance Comment: English Capt. Cook-Farley; Lieutenant of Marines-Claremont; Mate-Atkins; Boatswain-Hawtin; Midships-Simmons, Mills; Sailors-Lee, Curties, Abbot, Howell, Vials, Wilkins, Goodwin, Coombs, Noble; Lieutenant (with a song)-Townsend; Natives of 0-why-e Otago-Bologna Jun.; King-Bologna; Priest-Whitmore; Islanders-King, Platt, Blurton, Dyke, Wilde, Whitmore Sen., Klanert, L. Bologna; Etoe-Delpini (1st appearance these 2 years); Emai-Mrs Parker; Females-Ms Watts, Ms Gilbert, Ms Norton, Ms Castelle, Ms Iliff, Ms Leserve, Mrs Bologna, Ms Cox, Ms Carne, Miss Bologna, Ms Dibdin, Ms Burnett, Ms Sydney, Ms Masters, Ms Lloyd, Ms Whitmore.

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Event Comment: Mainpiece [1st time; CO 3, by Andrew Franklin]: The Scenery, Machinery, Dresses and Decorations entirely new. The Overture and Musick composed by Florio. The Scenes, designed by Greenwood, and painted by him, Banks, and assistants. The Machinery, Dresses and Decorations designed by Johnston, and executed by him, Gay, and Underwood. The Female Dresses designed and made under the direction of Miss Rein. Books of the Songs to be had at the Theatre. "With thy exception of Pizarro, this is one of the most magnificent spectacles the stage has for some time produced. The dresses...are attended with particular accuracy to the costume of the country...and the scenery is locally correct" (Monthly Mirror, Mar. 1800, p. 173). "As a singer [Mme Mara's] powers are indisputable; but as a performer she exhibits herself in a light which alternately provokes our ridicule and pity. Her delivery is an absolute libel on the profession. To the defects of a foreign pronunciation she joins a natural impediment of speech, which partakes too strongly of a lisp to warrant her bearing part in the prose dialogue of a play. What could possibly induce her to appear before the public under such disadvantages, unless she did it in compliment to the composer, we are at a loss to conjecture; nor less are we puzzled to account for the supineness of an audience which can patiently tolerate such puny efforts" (Dramatic Censor, I, 347-48). Morning Chronicle, 14 June 1800: This day is published The Egyptian Festival (2s.). Receipts: #320 18s. 6d. (277.6.6; 42.8.0; 1.4.0)

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: Egyptians. Raymond, Holland, C. Kemble, Suett, Dignum, Caulfield, Cory, Surmont, Roffey, Mme Mara (1st appearance at this Theatre), Mrs Bland. English. Powell, Kelly, Bannister Jun., Sedgwick, Sparks, Webb, Ryder, Grimaldi, Miss Stephens, Miss DeCamp. Cast from text (J. Ridgway, 1800): Egyptians Mustapha Muley Bey-Raymond; Ali Hassan-Holland; Myrteza-C. Kemble; Uscola-Suett; Yezid (Chief of the Arabs)-Dignum; Jaffa-Caulfield; Priest-Cory; Kedah-Surmont; Zemira-Mme Mara; Nigra-Mrs Bland; English Governor-Powell; Boomly-Kelly in text: Trueman (see18000313; Longbow-Bannister Jun.; Mainstay-Sedgwick; Cook-Sparks; Officer-Webb; Violetta-Miss Stephens; Jackina-Miss DeCamp; unassigned-Roffey, Ryder, Grimaldi; Chorusses-Maddocks, Wentworth, Evans, Fisher, Danby, Danby Jun., Cook, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Drake, Ms Saunders, Ms Jacobs, Ms Benson, Ms Butler, Ms Chippendale, Ms Coates, Ms Gawdry; Slaves-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.
Related Works
Related Work: The Egyptian Festival Author(s): Andrew Franklin

Afterpiece Title: The Liar

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: St

Event Comment: Benefit for Sga Bossi DelCaro. 2nd ballet: 1st time; composed for the occasion by Dupret; the music by Bossi, composer and leader of the Band at the Opera House. Of Age To-morrow [advertised on playbill of 30 May] is obliged to be deferred on account of the indisposition of Bannister Jun. Morning Chronicle, 30 May: Tickets to be had of Sga Bossi DelCaro, No. 1, Great Suffolk-street, Charing-cross. Receipts: #327 5s. (212.10.0; 61.13.6; 2.18.0; tickets: 50.3.6) (charge: #215 13s. 7d.)

Performances

Mainpiece Title: The Castle spectre

Cast
Role: Kenrick Actor: Holland

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

Performances

Mainpiece Title: Elfrida

Performance Comment: Principal Characters-Benelli, Rovedino, Viganoni, Mme Banti. [Cast adjusted from libretto (E. Jackson 1798]): Egardo-Benelli; +Orgando-Rovedino; +Adelvolto-Viganoni; +Siveno-Braghetti; +Osmondo-DeGiovanni; +Elfrida-Mme Banti; +Evelina-Sga Rovedino.
Cast
Role: Orgando Actor: Rovedino

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Event Comment: 1st piece: In one Act; 1st time at this Theatre [acted 19 June 1784]. 2nd piece [1st time; D 3, by Charles Kemble, based on Le Deserteur, by Louis Sebastien Mercier. Authors of Prougue and Ephlogue unknown]. Morning Chronicle, 1 Aug. 1800: This day is published The Point of Honour (2s.)

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Afterpiece Title: The Flitch of Bacon

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. L. C. list 5@139, p. 129 names Flora's Vagaries; L. C. 5@12, p. 17 names Rule a Wife, and Have a Wife. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Charles II to Madame, Whitehall, 14 Dec.: I can say no more to you now for I am called to goe to the Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 227)

Performances

Mainpiece Title: Women Pleased

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. It is uncertain, however, just when this performance occurred. The L. C. lists at Harvard (see VanLennep, Plays on the English Stage, p. 19) suggest that the three performances at the head of this list belong to the spring of 1672 rather than the spring of 1671. If this is correct, this performance of Sir Solomon is out of place in the list, for it can hardly be placed at 14 Nov. 1672, yet it is surprising that, so soon after the opening of dg, the Duke's Company should act at court, especially when the King and Queen attended dg on the following day, 15 Nov. 1671. This performance of Sir Solomon should be judged as an uncertain one

Performances

Mainpiece Title: Sir Solomon Or The Cautious Coxcomb

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: the King and Queen &c Two Boxes. See VanLennep, Plays on the English Stage," p. 18. See also Tuesday 14 Nov. 1671

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Event Comment: The Duke's Company. It is uncertain whether this performance and those for 13 and 28 March belong to 1670@1 or 1671@2. They are on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347), but VanLennep's discovery of an L. C. list for the Duke's Company covering March 1670@1 but not including these plays led him to believe that they Pertain to March 1671@2. See VanLennep, Plays on the English Stage, p. 19. On 9 March 1670@1 or 1671@2 Henry Herbert qranted permission to the Duke's Company to act The Lady Errant. See The Plays and Poems of William Cartwright, ed. G. Blakemore Evans (Madison, Wisc., 1951), p. 85

Performances

Mainpiece Title: Hannibal