SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E Young"/1) | (@(roleclean,performerclean) "E Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3271 matches on Performance Comments, 895 matches on Performance Title, 750 matches on Author, 603 matches on Event Comments, and 46 matches on Roles/Actors.
Event Comment: king's "On 28th March 1795, I saw the Opera Aci & Galathea by Bianchi. The music is very rich in parts for the wind instruments, and I rather think one would hear the principal melody better if it were not so richly scored. The Opera is too long, especially since Banti has to keep everything going all by herself; for Brida is a good youngster with a beautiful voice but very little musical feeling; and Rovedino, and the good old Braghetti, and the wretched Seconda Donna-they all deserved, and received, not the least applause. The orchestra is larger this year, but just as mechanical and badly placed as it was before, and indiscreet in its accompaniments; in short, it was the 3rd time that this Opera was performed, and everyone was dissatisfied. It happened that, when the 2nd Ballet began, the whole public suddenly became dissatisfied and yelled 'off-off-off,' because they wanted to see the new Ballet which Madam Hilligsberg had given at her Benefice 2 days earlier. Everyone was embarrassed-there was an interval lasting half an hour-until at last a dancer came forward and said, very submissively: 'Ladies and Gentlemen: since the performer [sic, instead of proprietor] Mr Taylor cannot be found, the whole Ballet Company promises to perform the desired ballet next week, for which, however, the Impresario must pay Madam Hilligsberg #300.'That satisfied them, and they then yelled, 'go on-go on;' and thus the old Ballet was performed' (Haydn, 293)

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Performances

Mainpiece Title: Aci E Galatea

Dance: End I: New Divertisement, as17950228; End II: Paul et Virginie- [see17950326

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950411

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

Performances

Mainpiece Title: Piramo E Tisbe

Dance: As17960209

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: Le Bouquet (performed for the first time on Tuesday last) in which a Pas Deux, a Pas Trois by Didelot-Didelot, Mme Hilligsberg, Mme Rose; End Opera: Les Trois Sultanes, as17960301

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Le Bouquet, as17960315End Opera: a new Ballet (taken from the Incas of Marmontel; composed by Onorati) Alonso e Cora-Didelot, Mme Rose, Mlle Parisot, Mme Hilligsberg

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Le Bouquet, as17960315End Opera: Alonso e Cora, as17960402, but Gentili

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Divertissement-[, as17960310 End Opera: Alonso e Cora- [see17960405

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Little Peggy's Love, as17960421; End Opera: Alonso e Cora, as17960412

Performances

Mainpiece Title: Zemira E Azor

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

Performances

Mainpiece Title: Zemira E Azor

Dance: As17960723

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Hyppomene et Atalante- [see18000304

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: As18000422

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: As18000422

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: As18000419

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Laura et Lenza, as18000513

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of Il Due Fratelli Rivali

Dance: End: a new Divertisement Bayadaire-Didelot, Deshayes, Laborie, Mme Hilligsberg, Mme Laborie, Mlle Parisot; End 2nd piece: a new ballet, Rinaldo e Leonora-; accompanied a part of the Dancing on the harp and piano forte-Mlle Parisot with a rondo composed by Latour (BUC, 602). For other perfomers see18000624

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: new Divertisement Bayadaire, as18000529; End 2nd piece: Rinaldo e Leonora- see18000624

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: End I: A New Bacchanalian Divertisement Ballet, as18000422; End Opera: Rinaldo e Leonora, as18000530

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of I Due Fratelli Rivali

Dance: End: Le Mariage Mexicain, as18000225; End 2nd piece: Rinaldo e Leonora, as18000530

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: As18000607