SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E L"/1) | (@(roleclean,performerclean) "E L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 509 matches on Event Comments, 313 matches on Performance Comments, 234 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Fond Husband Or The Plotting Sisters

Performances

Mainpiece Title: A Fond Husband

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Sir Popular Wisdom Or The Politician

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. There is no certainty that this is the first performance, but a licensing date of 28 Jan. 1677@8 and Mrs Behn's statement in the Preface that she hurried the play into print suggest a premiere not far from this date. Edition of 1678: To the Reader: I Printed this Play with all the impatient haste one ought to do, who would be vindicated from the most unjust and silly aspersion, Woman could invent to cast on Woman; and which only my being a Woman has procured me, That it was Bawdy, the least and most Excusable fault in the Men Writers, to whose Plays they all crowd, as if they came to no other end then to hear what they condemn in this: but from a Woman it was unnaturall. One song, Sitting by yonder river side, with music by Thomas? Farmer, is in Choice Ayres and Songs, The Second Book, 1679

Performances

Mainpiece Title: Sir Patient Fancy

Performances

Mainpiece Title: Tunbridge Wells Or A Days Courtship

Performances

Mainpiece Title: The Kind Keeper Or Mr Limberham

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: She Would If She Could

Performances

Mainpiece Title: The Feignd Curtizans Or A Nights Intrigue

Performances

Mainpiece Title: The Sicilian Usurper

Performances

Mainpiece Title: Lucius Junius Brutus Father Of His Country

Event Comment: The Duke's Company. The date of the first performance is not known. An entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists a performance for 4 April, once thought to be 4 April 1680; but as this date falls on Sunday, it more likely represents a revival on 4 April 1681. As the Epilogue appears to appeal to Parliament (which existed from 15 Oct. 1680 to 18 Jan. 1680@1) to vote funds for King Charles, "Our King of Poets," it seems likely that the play was first performed before the close of Parliament. The play was not entered in the Term Catalogues until June 1681. A song, Phyllis whose heart was unconfined, set by Thomas? Farmer; and another, A pox upon this cursed life, set by Captain Pack, are in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Second Part Of The Rover

Performances

Mainpiece Title: The Tyrant Of Sicily

Performances

Mainpiece Title: The Soldiers Fortune

Performances

Mainpiece Title: The Rover Part Ii

Performances

Mainpiece Title: The Soldiers Fortune

Performances

Mainpiece Title: The London Cuckolds