SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E L"/1) | (@(roleclean,performerclean) "E L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 509 matches on Event Comments, 313 matches on Performance Comments, 234 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performances

Mainpiece Title: Guzman

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: King And No King

Performances

Mainpiece Title: The Hypocrite

Event Comment: On this day the Lord Chamberlain issued an order (L. C. 5@12, p. 252; in Nicoll, Restoration Drama, p. 252) signifying the King's pleasure that: "ye french Comoedians haue liberty to Act and Play And that noe Persons pr[e]sume to molest or disturbe them in their Acting & playing.

Performances

Performances

Mainpiece Title: Mr Anthony

Performances

Mainpiece Title: The Gentleman Of Venice

Performances

Mainpiece Title: The Sophy

Performances

Mainpiece Title: The Woman Made A Justice

Performances

Mainpiece Title: The Gamester

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Performances

Mainpiece Title: She Would If She Could

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performances

Mainpiece Title: She's Jealous Of Herself

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Tempest

Event Comment: [The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 16-17. This performance may have been the premiere. Shadwell, in his Preface, implies that it was acted six days. As Saturday was a day frequently chosen for a first showing and as the play was certainly given again on 14 Dec. 1670, the sequence of performaces which follow in this Calendar is based on the assumption that Saturday 10 Dec. 1670 was the first day, Wednesday 14 Dec. 1670 the fourth day of acting. The Preface: This Play...came upon the Stage with all the disadvantages imaginable: First, I was forced, after I had finish'd it, to blot out the main design of it; finding, that, contrary to my intention, it had given offence. The second disadvantage was, that notwithstanding I had (to the great prejudice of the Play) given satisfaction to all the exceptions made against it, it met with the clamorous opposition of a numerous party, bandied against it, and resolved, as much as they could, to damn it, right or wrong, before they had heard or seen a word on't. The last, and not the least, was, that the Actors (though since they have done me some right) at first were extreamly imperfect in the Action of it.... This of mine, after all these blows, had fall'n beyond Redemption, had it not been revived, after the second day, by her [Mrs Johnson's (?)] kindness (which I can never enough acknowledge) who, for four days together, beautified it with the most excellent Dancings that ever has been seen upon the Stage. This drew my enemies, as well as friends, till it was something better acted, understood, and liked, than at first

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Performances

Mainpiece Title: The Amorous Prince; Or, The Curious Husband

Performances

Mainpiece Title: The Six Days' Adventure; Or, The New Utopia