SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E L"/1) | (@(roleclean,performerclean) "E L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 509 matches on Event Comments, 313 matches on Performance Comments, 234 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Samson

Music: As17600222; a Solo on the Violin-Giardini

Performances

Mainpiece Title: Il Mondo Nella Luna

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Performances

Mainpiece Title: The Orators

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin Dr Faustus

Dance: III: Dance-Aldridge, Miss Capon. [See17731014]

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: All the World's a Stage

Dance: End V: The Triumph of Love, as17761107

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Mrs Jackson. 3rd piece [1st time in London; F 2, by James Solas Dodd, based on Le Naufrage, by Joseph de laFont, and 1st acted at Smock Alley Theatre, Dublin, 1772, as The Funeral Pile. "The performers were exceedingly correct, which is unusual in benefit piece" Oulton, 1796,1,81). Prologue by the author (Town and Country Magazine, May 1779, p.270)]: With an Indian Processionv. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Jackson in the Great Piazza, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

Event Comment: [Opera in place of Enea e Lavinia, announced in Public Advertiser, 10 May.

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17790429

Ballet: Annette et Lubin. As17790429

Event Comment: A new Serious Opera; the music entirely new by Sacchini. [It was 1st performed at Milan in 1772 as Armida.The playbill erroneously lists Rovedino, whose last performance this season was on 18 Mar. In all subsequent playbills of Rinaldo his name is omitted.

Performances

Mainpiece Title: Rinaldo

Performance Comment: Principal Characters by Pacchierotti, Trebbi, Sampieri Public Advertiser, 20 Apr.: 1st appearance in England), Micheli, Sga Pozzi, Mme LeBrun. Cast from libretto (E. Cox, 1780): Rinaldo-Pacchierotti; Ubaldo-Trebbi; Idreno-Sampieri; Clotarco-Micheli; Zelmira-Sga Pozzi; Armida-Mme LeBrun.

Dance: Three new Ballets composed by Favre Guiardele. End I: The Rural Sports-Sg and Sga Zuchelli, Henry, Miss Andreas, Miss Simonet, Sga Crespi; End II: La Fete Pastorale-Favre Guiardele, Mme Simonet, Sga Tantini; with a Pas Seul-Mlle Baccelli; accompanied on the guitar-Noferi; End Opera: Serious Ballet, as17800122, but Mme Simonet, Sga +Tantini; +Grand Chaconne by Floquet-

Performances

Mainpiece Title: Il Duca D'atene

Dance: End I: new ballet, Il Filosofo (composed by Zuchelli)-Sg Zuchelli, Sga Zuchelli, Sga Tantini, Slingsby; End II: La Serenata Spagnola Interrota [see17800420]-Sg and Sga Zuchelli, Sga Baccelli, Henry, Guiardele; [with a Pas de Deux-; accompanied on the guitar-Noferi; End III: New Serious Ballet (composed by Guiardele) [in which-Mme Simonet,[will dance in Men's Cloaths with Sga Baccelli, Sga Tantini, Guiardele; to conclude with: a Grand Chaconne [of Jomelli-

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Il Barone Di Torre Forte

Dance: End I: new Pastoral Ballet (composed by Simonet) The Country Diversions-Sg and Sga Zuchelli, Henry, Sga Crespi, Slingsby, Sga Tantini; and to finish with a grand Chaconne-Vestris? Jun

Ballet: End Opera: a new grand Pantomime Ballet in 3 acts (composed by Vestris Sen.) Ninette a la Cour. Sg Zuchelli, Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli, Vestris Jun., Mme Simonet, Vestris Sen. (1st appearance in England). Cast, with synopsis, from Public Advertiser, 26 Feb.: Nancy-Mlle Baccelli; Colas-Vestris Jun.; Prince-Vestris Sen.; Countess-Mme Simonet; Dancing@Master-Simonet; Mayor of the Town-Delpini; Peasants-Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers; Lords-Zuchelli, Henry; Ladies-Sga Zuchelli, Sga Crespi; Huntsmen-; Captain of Life Guards-; Equerries-; Notaries-

Performances

Mainpiece Title: Zemira And Azor

Performance Comment: Principal Characters by Roncaglia, Trebbi, Gherardi, Sga Lorenzini, Sga Prudom, Mme LeBrun. Cast from libretto (E. Cox. 1781): Azor-Francesco Roncaglia; Ali-Trebbi; Sandro-Gherardi; Lesbia-Sga Lorenzini; Fatima-Sga Prudom; Zemira-Mme LeBrun.

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216

Performances

Mainpiece Title: La Fraschetana

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

Performances

Mainpiece Title: Junius Brutus

Dance: End of Act I Divertisement Dance, as17811117; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Robson, Jones, W. Bates, Lee Lewes; Mrs Mattocks, Mrs Morton, Mrs Wilson, Miss Satchell, Miss Platt, Mrs Davenett, Miss Younge. [Cast from text (C. Dilly, 1782): Fitzherbert-Henderson; Beauchamp-Lewis; Belville-Wroughton; Pendragon-Quick; Visitors-Robson, Jones, W. Bates; Lord Sparkle-Lee Lewes; Sophy Pendragon-Mrs Mattocks; Clarinda-Mrs Morton; Kitty-Mrs Wilson; Julia-Miss Satchell; Mrs Johnson-Miss Platt; Tiffany-Mrs Davenett; Lady Bell Bloomer-Miss Younge; Ladies-Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill (CG, Vol. III). Prologue, not listed on playbill, spoken by Lee Lewes; it was presumably, spoken at all subsequent performances.] hathi. it was presumably, spoken at all subsequent performances.] hathi.
Cast
Role: Lord Sparkle Actor: Lee Lewes

Afterpiece Title: The Dramatic Puffers

Performance Comment: Characters by Edwin, Robson, Whitfield. [Cast from text (G. Kearsley and E. Macklew, 1782): Zephyr-Edwin; Breeze-Robson; Author-Whitfield (in text: Lee Lewes [see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110