SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E F"/1) | (@(roleclean,performerclean) "E F")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 404 matches on Author, 290 matches on Performance Comments, 237 matches on Performance Title, 231 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Performances

Mainpiece Title: The Indian Queen

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Performances

Mainpiece Title: The Change Of Crowns

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Hamlet

Event Comment: The King's Company. The date of the first production is uncertain, but John Harold Wilson (Six Restoration Play-Dates, pp. 221-22) assigns it to mid-June primarily because of the Prologue intended to be spoken by Haines and the order, dated 18 June 1677, for the arrest of Haines for speaking an obscene Epilogue (error for Prologue?); in addition, the next play at Drury Lane, The Rival Kings, refers to Haines and "last time," establishing the sequence of performance of these two plays. For the arrest of Haines, see Nicoll, Restoration Drama, p. 328n. Wits Led by the Nose was licensed for printing on 16 Aug. 1677

Performances

Mainpiece Title: Wits Led By The Nose; Or, A Poet's Revenge

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Rinaldo

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performances

Mainpiece Title: King Henry The Eighth

Dance: As17180318

Performances

Mainpiece Title: Floridante

Performances

Mainpiece Title: Tamerlane

Performances

Mainpiece Title: The Constant Couple

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne

Event Comment: At the Desire of several Persons of Distinction. Afterpiece: Set to Musick by Mr Arne. Love for Love-, which was bespoke for this Day, is deferred on Account of the Indisposition of a principal Comedian. The New Revel Masque will be perform'd the Day after the Wedding

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Opera of Operas

Dance: Tambourine by Miss Robinson. Whim by F. Tench and Miss Mann

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh. The Festival is deferr'd on Account of the Indisposition of a principal Performer

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Performance Comment: Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch .

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027

Performances

Mainpiece Title: The Miser

Music: Second and Third Musick, as17331201 I as IV on 1 Dec

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Polichinelles by Janno and F. Tench. V: Watteau by Miss Robinson

Song: II: A Thousand Fairy Scenes (from Rosamond) by Master Arne. IV: An Air in Porus by Roberts

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: La Bagatell by Essex and Miss La Tour. Whim by F. Tench and Miss Man. Les Bergeries, as17331228

Performances

Mainpiece Title: Ariadne [in Creta]

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Lottery

Dance: Dutch Skipper by Vallois and Mrs Bullock. La Follette c'est Ravizee by F. Tench and Mrs Woodward