SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E C "/1) | (@(roleclean,performerclean) "E C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1375 matches on Event Comments, 970 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Feudal Times

Song: As17990214

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990215

Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: Blue Beard

Song: III: When first I began Sir to ogle the Ladies (from The Strangers at Home)-Mrs Jordan; End: There the silver'd Waters roam (from The Pirates)-Sedgwick

Entertainment: Monologue End I: Lodgings for Single Gentlemen (from George? Colman's Night-Gown and Slippers)-Suett

Event Comment: Mainpiece [1st time; C 5, by Charlotte Smith. Prologue by the author (Knapp, 202). Author of Epilogue unknown]: With new Scenery, Dresses, &c. Morning Chronicle, 26 July 1799: This Day published What is She? (2s.). Receipts: #161 11s. (158.2.6; 3.8.6). pking's Ines de Castro. As 16 Feb

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Flitch of Bacon

Dance: As17990418

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Shipwreck

Afterpiece Title: The First Act of Robinson Crusoe or Harlequin Friday

Dance: In 3rd piece: the original Savage Dance-

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Performances

Mainpiece Title: The Secret

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Jew

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Suett (1st appearance in that character); Marchese Caliari-Barrymore; Count Florenzi-Trueman; Lealto-C. Kemble; Tomaso-Davenport; Malevoli-J. Palmer; O'Rafarty-Johnstone; Nicolo-A Young Gentleman (3rd appearance on any stage [Story]); Juliana-Miss Heard; Lauretta-Miss Griffiths; Marchesa Veteria-Mrs Davenport; Janetra-Mrs Bland.

Afterpiece Title: Blue Devils

Afterpiece Title: The Castle of Sorrento

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Red cross Knights

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Event Comment: [The playbill assigns Claudius to Packer, but "Archer, on the sudden indisposition of Packer, put on the robes of majesty, which seemed to sit sufficiently easy upon him" (Monthly Mirror, Sept. 1799, p. 175.] "The agitation of Hamlet in the course of the Play which he prepares to try the King, and his violent transports on gaining the certainty of his uncle's villainy by the effect of the piece were strongly characterized" (Morning Chronicle, 20 Sept.). Receipts: #330 17s. (245.19; 84.14; 0.4)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Deserter

Entertainment: Vaudeville In II afterpiece: Military Manoeuvres-; [the Dead March-; [the Ceremony used in Shooting a Deserter-. [These were included in all subsequent performances.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Blue Beard