SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E C "/1) | (@(roleclean,performerclean) "E C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1375 matches on Event Comments, 970 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: No Song No Supper

Event Comment: "Although [Mrs Esten] is rather under-hung, her face may fairly be pronounced pretty, and her figure engaging. Her voice, in the pathetic tones, resembles that of Mrs Siddons, but is more clear and articulate' (Diary, 21 Oct.). Receipts: #182 14s. 6d. (180.12.0; 2.2.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Harlequins Chaplet

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Upholsterer

Afterpiece Title: A Divertisement

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17910311but Principal Vocal Performers-_Sale; PART I. Overture-(Berenice); Come ever smiling Liberty-Mrs Piele (Judas Maccabaeus); He measureth the waters, He layeth the beams-Griffith (Redemption); O God! who in thy heavenly hand-Griffith (Joseph); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Daughter of Gods-Harrison (Hercules); Hail! mighty Joshua-Harrison (Joshua); Where e'er you walk-Mrs Billington (Semele); He rebuked the Red Sea He led them through the deep, But the waters overwhelmed-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Afterpiece Title: Robin Hood

Dance: As17910507

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Catherine and Petruchio

Song: Probably at end: Black Eyed Susan-Incledon; Wine cannot cure the Pain I endure for my Chloe-Johnstone, Incledon

Music: Between Acts afterpiece: the favourite air of Moggy Lauder (on the Union Pipes)-the celebrated Courtney

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: Wild Oats

Afterpiece Title: Hob in the Well

Entertainment: Monologue. End 2nd piece: a New Epilogue (in Honour of the Fund,)-Mrs Wells; with an Imitation-

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Divertisement

Song: End IV: Juliet's Funeral Procession-; Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Darley, Cubitt, Rock, Lee, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Mrs Byrne, Mrs Lloyd, Mrs Martyr

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Crusade

Dance: End I: The Irish Lilt-Mrs Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Miser

Dance: As17911109

Song: a favouriteAir from Idalide-Mrs Billington; accompanied on the harp-Meyer

Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard or The Flight of Harlequin

Dance: see17920111

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Blue Beard

Song: As17911020

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Hautboy Concerto-; O sing unto the Lord-Mrs Second; Declare his honour-Chorus; He was eyes unto the blind-Mrs Billington; For the Lord is great-Chorus; The waves of the sea-Page; O worship the Lord-Mrs Billington, Harrison; Let the whole earth stand in awe-Chorus; Every day will I give thanks-Harrison (Chandos Anthems); I feel the Deity within, Arm arm ye brave-Bartleman; We come in bright array-Chorus (Judas Maccabaeus); Let the bright Seraphim-Mrs Billington; accompanied on the trumpet-Sarjant (Samson); Kings shall be thy nursing fathers-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); O sing praises-Harrison (1st time); accompanied on the violoncello-C. Ashley (Admetur); See the conquering hero comes-Chorus with March (Judas Maccabaeus); Honour and arms-Champness (Samson); 'Tis done, Heart the seat-Mrs Billington; Galatea dry thy tears-Chorus (Acis and Galatea); Ye men of Gaza-Mrs Second (Samson); But bright Cecilia, As from the power of sacred lays-Mrs Billington; accompanied on the trumpet-Sarjant; The dead shall live-Chorus (Dryden's Ode).
Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequins Museum or Mother Shipton Triumphant

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture from Berenice-; The Captive King-Incledon, Chorus; Dead is the dream, Adieu thou partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; Jehovah crown'd-Incledon; He comes-Chorus [Esther]; Have mercy upon me-Mrs Crouch, Kelly, Bartleman (Pergolesi); Together let us range-Kelly, Mrs Crouch (Boyce); Mad Bess-Mrs Crouch (Purcell); Gloria Patri-; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At Kings False Colours

Afterpiece Title: The Prisoner

Event Comment: 2nd piece [1st time; INT 1, author unknown. MS: Larpent 993; not published]. [Mrs Stuart, who was from the Crow Street Theatre, Dublin, is identified in European Magazine, Nov. 1793, p. 390.)

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Mrs Goodall; Col. Standard-Barrymore; Clinker Jun.-Suett; Alderman Smuggler-Wewitzer; Vizard-Palmer Jun.; Dicky- Burton; Tim Errand- Benson; Constable-Maddocks; Beau Clincher-Bannister Jun.// Angelica-Miss Heard; Lady Darling-Mrs Booth; Parly-Miss De Camp; Errand's Wife-Mrs Heard; Lady Lurewell-Mrs Powell .

Afterpiece Title: GUY FAWKES

Afterpiece Title: THE PADLOCK

Song: 2nd piece: To conclude with God save the King, and a new Grand Emblematick Transparency