SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E B"/1) | (@(roleclean,performerclean) "E B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 374 matches on Author, 215 matches on Performance Title, 211 matches on Performance Comments, 144 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: At Hay King Henry The Eighth

Performance Comment: King Henry-Palmer; Cardinal Wolsey-Bensley; Campeius-Packer; Capucius-Phillimore; Cranmer-Aickin; D. of Norfolk-Whitfield; D. of Buckingham-Wroughton; D. of Suffolk-Caulfield; E. of Surry-Barrymore; L. Chancellor-Maddocks; L. Chamberlain-R. Palmer; Gardiner-Suett; Lord Sands-Baddeley; Sir Henry Guilford-Bland; Sir ThomasLovel-Fawcett; Cromwell-Kemble; Doctor Butts-Waldron; Surveyor-Benson; Brandon-Banks; Serjeant-Lyons; Doorkeeper-Jones; Cryer-Alfred; Queen Katharine-Mrs Siddons; Anne Bullen-Mrs Powell; Gentlewoman-Mrs Booth; Patience (with a song)-Mrs Bland; Agatha-Miss Collins.
Cast
Role: Anne Bullen Actor: Mrs Powell

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17950411

Performances

Mainpiece Title: Alceste

Cast
Role: Alceste Actor: Mme Banti

Dance: As17960202 [One of these dances was a Hornpipe by Mlle DelCaro, now Mme Bossi (Morning Chronicle, 8 Feb.).

Performances

Mainpiece Title: The Wedding Day

Afterpiece Title: The Child of Nature

Afterpiece Title: The Shepherdess of Cheapside

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: A Serious Opera (1st time [in London; 1st performed at Rome, 1766]); the music partly by Sarti and partly [i.e. with additions] by Paisiello. 2nd ballet: With entire new scenes by Degotti and executed by himself and Marinari. "The dresses [in this ballet] are said to be after designs from David; the costume is correct, perhaps, but it may be a little softened without injury to the effect. The contrast of colours is in some of them too harsh...The scenery is in a new stile. It has been our taste to assist the perspective by contracting the stage to a point. This was but a clumsy method, as the illusion was rarely complete, and it gave the idea of littleness. In this instance the stage is thrown open on every side, and the perspective is managed as every painter is obliged to manage it, on the broad surface, but still with the mechanic aids which scenery affords. The effect was enchanting" (Morning Chronicle, 30 Nov.). The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Subscribers are most earnestly entreated to observe that, on account of the abuses frequently practised in their names, it has become absolutely necessary to adopt the former rule for Subscribers themselves to produce their Tickets at the doors as they pass into the Theatre. The Upper Boxes to be lett by the night, at one Guinea each for four persons. The way to them through the Gallery Staircase

Performances

Mainpiece Title: Ipermestra

Performance Comment: [Principal Characters by Rovedino, Viganoni, Braghetti, DeGiovanni, Mme Banti, Sga Pastorelli. Cast from libretto (E. Jackson [1797]): Danao-Rovedino; Linceo-Viganoni; Plistene-Braghetti; Adrasto-DeGiovanni; Ipermestra-Mme Banti; Elpinice-Sga Pastorelli.
Cast
Role: Ipermestra Actor: Mme Banti

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17980116

Event Comment: A new grand Serious Opera, with Chorusses [1st time; SER 2, by Lorenzo DaPonte]; the Music composed here by Bianchi

Performances

Mainpiece Title: Cinna

Performance Comment: [see17980224 Cast from libretto (E. Jackson [1798]): Ottavio-Rovedino; Cinna-Viganoni; Murena-DeGiovanni; Agrippa-Braghetti; Servilia-Mme Banti; Livia-Sga Pastorelli.
Cast
Role: Servilia Actor: Mme Banti

Dance: As17980210

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Mme Mara, Master Elliot, Miss Poole, Incledon, Miss Dufour, Sale, Reinhold; Leader of the Band-G. Ashley.

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: La Cifra

Dance: As17980306

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

Event Comment: Benefit for Mme Banti. A Serious Opera, 1st time in this country [1st performed at Naples, 1792]; the Music by Paisiello. Tickets to be had of Mme Banti, No. 3, Hay Market

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]: Adelvolto-Viganoni; Egardo-Benelli; Orgando-Rovedino; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Elfrida Actor: Mme Banti

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]): Adelvolto-Viganoni; Orgando-Rovedino; Egardo-Benelli; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Elfrida Actor: Mme Banti

Dance: As17981226

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: As17990330

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: 1st piece: 15th time [i.e. in continuation of the reckoning for the previous season]. 3rd piece: to conclude with a Representation of the Moraiv, with the Interment of the Body of Captain Cookv by the Natives. With the original Scenery, Music, Dresses and Decorations. Receipts: #238 4s. (235.15; 2.9)

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: St

Performances

Mainpiece Title: Elfrida

Performance Comment: Principal Characters-Benelli, Rovedino, Viganoni, Mme Banti. [Cast adjusted from libretto (E. Jackson 1798]): Egardo-Benelli; +Orgando-Rovedino; +Adelvolto-Viganoni; +Siveno-Braghetti; +Osmondo-DeGiovanni; +Elfrida-Mme Banti; +Evelina-Sga Rovedino.

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Performances

Mainpiece Title: The Dancing Master

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo

Performances

Mainpiece Title: Albumazar

Performances

Mainpiece Title: The Queen Of Arragon