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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of York and Cumberland"/1) | (@(roleclean,performerclean) "Dukes of York and Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3675 results for: Keyword - Dukes of York and Cumberland
We found 1290 matches on Performance Comments, 1268 matches on Event Comments, 1014 matches on Author, 350 matches on Performance Title, and 0 matches on Roles/Actors.

126
26 January 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Cast
Role: The Vocal Parts Actor: Leveridge, Legar, Salway, Bencraft, Mrs Lampe, Miss Young.d1739 10 10 cg Poitier, Mlle Roland.c1739 10 10 cg Written by George, Duke of Buckingham. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play.

Afterpiece Title: Perseus and Andromeda

Cast
Role: Andromache Actor: Mrs Chambers

Ballet: GGrand Dance in Momus. As17400110

Cast
Role: and Sailor's Dance Actor: Villeneuve, Miss Oates.

127
04 February 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Cast
Role: The Vocal Parts Actor: Leveridge, Legar, Salway, Bencraft, Mrs Lampe, Miss Young.d1739 10 10 cg Poitier, Mlle Roland.c1739 10 10 cg Written by George, Duke of Buckingham. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play.

Afterpiece Title: Perseus and Andromeda

Cast
Role: Andromache Actor: Mrs Chambers

Ballet: GGrand Dance in Momus. As17400110

Cast
Role: and Sailor's Dance Actor: Villeneuve, Miss Oates.

128
03 March 1743 @ Lincoln's Inn Fields

Event Comment: Benefit Dukes and Mrs Freeman. Tickets for Mrs Freeman at the Rainbow Coffee House in Fuller's Rents. Tickets and places for the Boxes to be taken at the Stage Door of the Theater. Tickets that are bought out Side of the Door will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: II: The Welch Buffoons-two Masters Granier; IV: A Grand Ballet-Carney, Mrs Roland; V: A Minuet, a Louvre-Mr Dukes, Mrs Freeman

129
15 September 1755 @ Haymarket Theatre

Event Comment: Acted there but once. By Authority. Tickets deliver'd out by Miss Barton which could not get in on Thursday last, will be admitted this Night. [An Epistle from Mr Theophilus Cibber, to David Garrick, Esq. London: 1755, dated Nov. 20, 1755: When Th. Cibber returned from Guilford last July, he found a discharge from Covent Garden (p.5) He got a license from the Duke of Grafton to open Little Haymarket (p. 6). He began and acted ten nights in three weeks, with some success, but when Drury Lane opened, Th. Cibber was ordered to stop (p. 7). He then petitioned the Duke of Grafton to have The Haymarket for two or three times weekly for the rest of the season. He hoped that the Little Haymarket might be a nursery for young performers, as well as for new pieces (p. 24). See dl 24 Nov.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

130
26 October 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

131
10 December 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: The Dancing Master

132
11 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

133
28 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers

134
30 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: With my wife's knowledge and leave did by coach go see the silly play of my Lady Newcastle's, called The Humourous Lovers; the most silly thing tiat ever come upon a stage. I was sick to see it, but yet would would not but have seen it, that I might the better understand her. Here I spied Knipp and Betty Hall?, of the King's house, and sent Knipp oranges

Performances

Mainpiece Title: The Humourous Lovers

135
14 December 1671 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Performances

Mainpiece Title: The Rehearsal

136
April 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. On 23 April 1689 Luttrell purchased a copy of the Prologue. The broadside copy, with Luttrell's date of acquisition, is in the possession of Mr Louis Silver, Wilmette, Illinois, to whose courtesy I am indebted for permission to use this date. When the Prologue, which is reprinted in Wiley, Rare Prologues and Epilogues, pp. 271-72, appeared in The Fourth and Last Volume of the Works of Mr Tho. Brown (1719), the Prologue has the title: Jo. Haines in Penance; Or, his Recantation-Prologue, at his acting of Poet Bays in the Duke of Buckingham's Play call'd The Rehearsal. Spoken in a white Sheet, with a burning Taper in his Hand, upon his Admittance in to the House after his Return from the Church of Rome. In the Preface to his play, The Fatal Mistake (1691-92), Haines stated: In troth I have Acted Mr Bays so often, and so feelingly, that I could not possibly forbear copying after so fair an Original

Performances

Mainpiece Title: The Rehearsal

137
18 January 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

138
18 November 1709 @ Queen's Theatre

Performances

Mainpiece Title: The Rehearsal

139
26 October 1711 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

140
03 February 1718 @ Drury Lane Theatre

Event Comment: Written by the late Duke of Buckingham. With all the Songs, Dances, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rehearsal

Dance: As17180128

141
17 November 1718 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the late Duke of Buckingham. With all the Songs, Dances, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rehearsal

Dance: Shaw, Wade, Topham, Kellom's Scholar, Mrs Santlow, Mrs Bicknell, Mrs Tenoe, Miss Smith

142
27 September 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance: Thurmond Jr, Boval, Lally, Mrs Booth, Mrs Bicknell, Mrs Bullock, Miss Tenoe, Miss Smith

143
23 November 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance: Weaver, Thurmond Jr, Boval, Lally, Mrs Bullock, Miss Tenoe, Miss Smith, Miss Lindar

144
18 January 1721 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance: Denoyer, Mrs Younger

145
15 November 1721 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance:

146
15 January 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Escapes of Harlequin

147
28 January 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance:

148
18 November 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Song: As17241020

Dance: As17241114

149
29 January 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Song: As17241008

Dance: Miss Robinson, Young Rainton, Topham, Mrs Tenoe

150
25 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Charke and Mrs Charke. Mainpiece: Written by the late Duke of Buckingham. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: SSultana-Miss Robinson; Bartholomew Fair-Tench, Miss Brett

Song: Singing in Italian and English-Montier (being the first Time of his Performance on this Stage).

Instrumental: With a Lapland Entertainment call'd Aesop's Concert of Animals. Violins-Three Cats; Hautboy-Dog; Harp-Monkey; Bassoon-Bear; French Horn-Stag; Singing in Welch-Goat; Music Master-Aesop