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101
20 April 1762 @ Covent Garden

Event Comment: Benefit for Mrs Vernon, who humbly hopes her friends will excuse the change of the farce, as it proceeds from an unforeseen Accident, the indisposition of Mr Mattocks. [She had scheduled Thomas and Sally.

Performances

Mainpiece Title: The Beggar's Opera

Cast

Role: Player Actor: Anderson.

Afterpiece Title: A Duke and no Duke

Dance: II: The Taylors, as17620107

Song: I: (By Particular Desire) a Hunting Song in Apollo and Daphne-Mrs Vernon in the character of Diana

102
05 August 1767 @ Haymarket Theatre

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

103
28 November 1682 @ Drury Lane Theatre

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

104
09 August 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Song: Turner, Mrs Bowman; The Genius-Turner

105
04 March 1729 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Frederick, Duke Of Brunswick Lunenberg

106
17 April 1735 @ Covent Garden

Event Comment: Benefit Glover. Tickets to be had at Glover's in Chandoisstreet, CG

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Toy Shop

Dance: Pierrots by Delagarde and Dukes. Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers

Performance Comment: Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers .

107
22 August 1741 @ Bartholomew Fair

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

108
28 March 1661 @ Theatre in Vere Street

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

109
06 May 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Gervase Jaquis to the Earl of Huntington, 7 May: Upon monday last the Duchesse of Newcastl's play was Acted in the theater in Lincolns Inne field the King and the Grandees of the Court being present and soe was her grace and the Duke her husband (Hastings MS., Ha 7657, Huntington Library)

Performances

Mainpiece Title: The Humorous Lovers

110
18 April 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, 1s., and to the play of the Duke of Lerma, 2s. 6d., and oranges, 1s

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

111
17 September 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw Rollo, Duke of Normandy, which, for old acquaintance, pleased me pretty well

Performances

Mainpiece Title: Rollo, Duke Of Normandy

112
26 November 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 406. There is no indication as to whether this is the premiere; the play was not licensed for publication until 27 Nov. 1676. Preface to Settle's Ibrahim (licensed 4 May 1676): Having a Play, call'd the Triumphant Widow, given him [Thomas Shadwell] to bring into the Duke's Playhouse, he spitefully foists in a Scene of his own into the Play, and makes a silly Heroick Poet in it, speak the very words he had heard me say, and made reflexions on some of the very Lines he had so senselessly prated on before in his Notes [to The Empress of Morocco]

Performances

Mainpiece Title: The Triumphant Widow; Or, The Medley Of Humours

113
24 May 1684 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Duke Of Guise

114
10 October 1739 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Delane; other parts-Hippisley, Bridgwater, Rosco, Hale, Hallam, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Norman; The Vocal Parts-Leveridge, Legar, Salway, Bencraft, Mrs Lampe, Miss Young.*d1739 10 10 cg Poitier, Mlle Roland.*c1739 10 10 cg Written by George, Duke of Buckingham. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play.