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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Richmond and StAlbans"/1) | (@(roleclean,performerclean) "Dukes of Richmond and StAlbans")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2926 results for: Keyword - Dukes of Richmond and St@Albans
We found 1254 matches on Performance Comments, 1100 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.

2326
12 January 1669 @ The (first) Drury Lane Theatre

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

2327
01 February 1669 @ Whitehall or St. James's

Performances

Mainpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

2328
02 February 1669 @ Inner Temple

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

2329
15 February 1669 @ Whitehall or St. James's

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 14. Pepys, Diary: My wife and I to White Hall; and there, by means of Mr Cooling, did get into the play, the only one we have seen this winter: it was The Five Hours' Adventure: but I sat so far I could not hear well, nor was there any pretty woman that I did see, but my wife, who sat in my Lady Fox's pew with her. The house very full; and late before done, so that it was past eleven before we got home

Performances

Mainpiece Title: The Adventures Of Five Hours

2330
19 February 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Tempest

2331
26 February 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Royal Shepherdess

2332
30 March 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

2333
15 April 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Guzman

Performance Comment: Downes (Roscius Anglicanus) gives no cast; and the first publication of the play, in 1693, lists no actors' names.

2334
20 April 1669 @ Lincoln's Inn Fields

Event Comment: The Travels of Cosmo the Third [Tuesday 30 April 1669 NS; Tuesday 20 April 1669 OS]: This day, his highness went to the comedy at the Duke of York's theatre, where the music and dancing, after the English manner, were less pleasing than the operas performed by the comedians; because, being in the English language, the only pleasure which we who heard them, can derive from the latter, is that of observing their action, which it cannot be denied, was supereminently excellent (London, 1821, p. 194)

Performances

2335
24 April 1669 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there saw The General revived--a good play, that pleases me well. The Travels of Cosmo the Third [4 May 1669 NS; 24 April 1699 OS]: [On 4 May and the two subsequent days His Highness received callers] and many of them remained to dine with his highness, who continued on each of these days his visits to the ladies, appearing at Hyde Park, at the comedies, sometimes at the king's theatre, sometimes at that of the duke's theatre (p. 195)

Performances

Mainpiece Title: The General

2336
24 April 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

2337
10 May 1669 @ Lincoln's Inn Fields

Performances

2338
13 May 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

2339
14 June 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage", pp. 12-14. The play seems to be a translation by Shadwell of Moliere's Tartuffe. Elkanah Settle, in the Preface to his Ibrahim (licensed 4 May 1676) attacks Shadwell and refers to Shadwell's translation of Tartuffe into The Hypocrite, which, according to Settle, was acted six days

Performances

Mainpiece Title: The Hypocrite

2340
July 1669 @ no theater listed

Event Comment: The Duke of York's Players acted at Oxford during this month. See M. Summers, The Playhouse of Pepys, p. 127, and Nicoll, Restoration Drama, p. 306

Performances

2341
14 December 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony

2342
January 1670 @ Lincoln's Inn Fields

Performances

2343
07 January 1670 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Gentleman Of Venice

2344
12 January 1670 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Sophy

2345
19 February 1670 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15. The play was not printed, and the only source of information concerning it is in Downes, Roscius Anglicanus, p. 30: The Woman made a Justice: Wrote by Mr Betterton: Mrs Long, Acting the Justice so Charmingly; and the Comedy being perfect and justly Acted, so well pleased the Audience, it continu'd Acting 14 Days together: The Prologue being spoke to it each Day. [It is possible that this date represents the premiere, since Saturday was frequently a day on which plays were first acted, but there is no certainty on this point.

Performances

Mainpiece Title: The Woman Made A Justice

2346
10 March 1670 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Gamester

2347
April 1670 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The date of the premiere is not known. Although the play was not in print until 1671, it was acted on 9 May 1670 and again at Dover on 19 or 20 May 1670. Downes (p. 29) placed the comedy among the plays of 1669, but the presence of Mrs Johnson (who, according to Downes, p. 31, did not join the company until 1670) and the performances in May 1670 suggest that the comedy was first given in the spring of 1670. Downes (pp. 29-30): The Play being Singularly well Acted, it took 12 Days together

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Performance Comment: Edition of 1671: Prologue. No actors' names. Epilogue. Downes (Roscius Anglicanus, pp. 29-30): Sir Solomon-Betterton; Peregrine Woodland-Harris; Single-Smith; Wary-Sandford; Timothy-Underhill; Betty-Mrs Johnson; Julia-Mrs Betterton.
Cast
Role: Peregrine Woodland Actor: Harris
Role: Wary Actor: Sandford

2348
06 April 1670 @ Whitehall or St. James's

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

2349
09 May 1670 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

2350
20 June 1670 @ Lincoln's Inn Fields

Performances

Mainpiece Title: She Would If She Could