SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Richmond and StAlbans"/1) | (@(roleclean,performerclean) "Dukes of Richmond and StAlbans")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1254 matches on Performance Comments, 1100 matches on Event Comments, 403 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise Or The Massacre Of Paris

Song: Turner, Mrs Bowman; The Genius-Turner

Performances

Mainpiece Title: Frederick Duke Of Brunswick Lunenberg

Event Comment: Benefit Glover. Tickets to be had at Glover's in Chandoisstreet, CG

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Toy Shop

Dance: Pierrots by Delagarde and Dukes. Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers

Performance Comment: Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers .

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Delane; other parts-Hippisley, Bridgwater, Rosco, Hale, Hallam, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Norman; The Vocal Parts-Leveridge, Legar, Salway, Bencraft, Mrs Lampe, Miss Young.*d1739 10 10 cg Poitier, Mlle Roland.*c1739 10 10 cg Written by George, Duke of Buckingham. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play.
Event Comment: By His Majesty's Command. Mainpiece: Written by George, Duke of Buckingham

Performances

Afterpiece Title: Apollo and Daphne

Dance: I: Glover's Grand Ballet-Mlle Roland Sr; III: Sailor and Mistress-Poitier, Mlle Roland Jr; IV: Tambourine called La Badinage-Poitier, Mlle Roland

Ballet: II: The Reprizal. As17391015

Performances

Dance: I: Glover's Grand Ballet-Mlle Roland Ynger; III: English Sailor and Mistress-Glover, Mlle Roland the Younger, to the tune of To Arms and Britons, Strike Home; V: La Badinage de Provence-Poitier, Mlle Roland

Ballet: II: The Reprizal. As17391015

Performances

Dance: I: Desse, Miss Oates; III: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: The Kilkenny-Glover, the Younger Mlle Roland

Ballet: II: The Reprizal. As17391015

Performances

Dance: I: Desse, Miss Oates; III: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Kilkenny-Glover, the Younger Mlle Roland

Ballet: II: The Reprizal. As17391015

Performances

Dance: I: Faithful Lovers-Desse, Miss Oates; II: Grand Ballet-Mlle Roland Elder; III: Comic Ballet-Villeneuve, Miss Oates; IV: Le Badinage de Provence-Poitier, Mlle Roland; V: Kilkenny-Glover, Mlle Roland Ynger

Performances

Dance: I: Richardson, Miss Rogers; II: Comic Ballet-Villeneuve, Miss Oates; IV: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; V: Scots Dance-Glover, Mlle Roland Ynger

Performances

Dance: I: Je ne scay quoy, as17391201; III: Comic Ballet-Villeneuve, Miss Oates; IV: Le Badinage de Provence, as17391201; V: Grecian Sailors-Glover

Song: As17391201

Ballet: II: The Reprizal. As17391015

Performances

Dance: II: Grand Ballet-Mlle Roland Elder; III: Comic Ballet-Villeneuve, Miss Oates; IV: Grecian Sailors-Glover; V: Le Badinage de Provence-Poitier, Mlle Roland Elder

Song: I: The Parting Lovers-Laguerre, Salway, Mrs Lampe

Performances

Afterpiece Title: Perseus and Andromeda

Cast
Role: Andromache Actor: Mrs Chambers

Dance: TTambourine, as17400115; Miller and His Wife, as17400115

Ballet: GGrand Dance in Momus. As17400110

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: Acted there but once. By Authority. Tickets deliver'd out by Miss Barton which could not get in on Thursday last, will be admitted this Night. [An Epistle from Mr Theophilus Cibber, to David Garrick, Esq. London: 1755, dated Nov. 20, 1755: When Th. Cibber returned from Guilford last July, he found a discharge from Covent Garden (p.5) He got a license from the Duke of Grafton to open Little Haymarket (p. 6). He began and acted ten nights in three weeks, with some success, but when Drury Lane opened, Th. Cibber was ordered to stop (p. 7). He then petitioned the Duke of Grafton to have The Haymarket for two or three times weekly for the rest of the season. He hoped that the Little Haymarket might be a nursery for young performers, as well as for new pieces (p. 24). See dl 24 Nov.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Performances

Mainpiece Title: The Dancing Master

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers