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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Richmond and StAlbans"/1) | (@(roleclean,performerclean) "Dukes of Richmond and StAlbans")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2926 results for: Keyword - Dukes of Richmond and St@Albans
We found 1254 matches on Performance Comments, 1100 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.

26
26 September 1770 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Richmond-Clarke; Buckingham-Hull; Catesby-Fox; Ratcliff-Lewes; Norfolk-Wignell; Stanley-Gardner; Lieutenant-R. Smith; Tyrrel-Bates; Prince Edward-Mas. Harris; Duke of York-Miss Cockayne; Tressel-Dyer; Lady Anne-Mrs Vincent; Duchess of York-Mrs Barrington; Queen-Mrs Ward (playbill).
Cast
Role: Richmond Actor: Clarke

Afterpiece Title: Midas

27
24 February 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

28
27 October 1718 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Performance Comment: Duke-Thurmond; John-Wilks; Frederick-Mills; Antonio-Penkethman; Petruchio-Boman; Peter-Norris; Antony-Cross; 1st Constantia-Mrs Porter; 2d Constantia-Mrs Oldfield; Landlady-Mrs Willis.
Cast
Role: Landlady Actor: Mrs Willis.

Afterpiece Title: Hob

Dance: Thurmond Jr, Topham, Mrs Tenoe, Miss Smith, Miss Lindar

29
13 October 1721 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Performance Comment: Duke-Thurmond; John-Wilks; Frederick-Mills; Antonio-Penkethman; Petruchio-Boman; Peter-Norris; Antony-Cross; 1st Constantia-Mrs Younger; 2d Constantia-Mrs Booth; Landlady-Mrs Willis.
Cast
Role: Landlady Actor: Mrs Willis.

Dance: Shaw, Mrs Booth, Thurmond Jr, Mrs Bicknell, Miss Tenoe

30
19 May 1735 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Devil to Pay

Dance: I: Richmond Maggot by Le Sac and Miss Rogers. III: Grecian Sailors by Glover, Le Sac, Dukes, Delagarde, Dupre. IV: A new dance by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, &c. Mainpiece: Written by Sir John Vanbrugh

Performance Comment: III: Grecian Sailors by Glover, Le Sac, Dukes, Delagarde, Dupre. IV: A new dance by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, &c. Mainpiece: Written by Sir John Vanbrugh .

Song: II: As17350422

31
09 May 1735 @ Covent Garden

Event Comment: Benefit Ridout, Wignell, Dupre. Tickets for Mrs Salle and Mlle Delorme also taken

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The School Boy

Music: V: Handel's Water Musick

Dance: I: Flanderkins by Duke and Mrs Ogden. II: Richmond Maggot by Le Sac and Miss Rogers. III: A Ball Dance, composed by Mr Labee, called, The Princess Ann's Cbacone, by Dupre and Mlle Delorme. V: Pastoral Dance by Mlle Grognet and Mlle Delorme

Performance Comment: II: Richmond Maggot by Le Sac and Miss Rogers. III: A Ball Dance, composed by Mr Labee, called, The Princess Ann's Cbacone, by Dupre and Mlle Delorme. V: Pastoral Dance by Mlle Grognet and Mlle Delorme .

Song: IV: As17350422

32
12 May 1735 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Toy Shop

Music: V: Handel's Water Musick, in which a Preamble will be beat on the Kettle Drums by Ben. Baker

Dance: I: Flanderkins by Dukes and Mrs Ogden. II: Tambourine by Miss Rogers. IV: Richmond Maggot by Le Sac and Miss Rogers

Performance Comment: II: Tambourine by Miss Rogers. IV: Richmond Maggot by Le Sac and Miss Rogers .

Song: III: As17350422

33
15 May 1735 @ Covent Garden

Event Comment: Benefit Mullart, Mrs Mullart, and Jarvis, Housekeeper

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: The Mock Countess

Dance: Flanderkins by Duke and Mrs Ogden. Tambourine by Miss Rogers. Richmond Maggot by Le Sac and Miss Rogers

Performance Comment: Tambourine by Miss Rogers. Richmond Maggot by Le Sac and Miss Rogers .

Song: As17350422

34
October 1693 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. According to the Gentleman's Journal, November 1693, this play was revived in the autumn: Mr Durfey's Richmond Heiress has been Revis'd, and Acted several times, with Alterations and Amendments. We are to have this Winter a Play by him call'd Don Quixote

Performances

Mainpiece Title: The Richmond Heiress

35
08 September 1701 @ Richmond Wells

Event Comment: At the most Excellent Musick-Room of Richmond Wells. At 3 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.
Cast
Role: being Honour'd and Accompany'd Actor: the Greatest Masters of Europe.

36
02 January 1693 @ Whitehall or St. James's

Event Comment: The United Company. Writing on 3 Jan. 1692@3, Anthony Wood states: A new comedie composed by Mr Tate, poet laureat, was acted before their majesties, M. 2 Jan. (Andrew Clark, The Life and Times of Anthony Wood [Oxford, 1894], III, 413). Since no new play by Tate is known to have been acted at this time, and since A Duke and No Duke was reprinted in 1693 (Term Catalogues, May 1693), and acted several times (Gentleman's Journal, January 1692@2, issued in March):A Duke and no Duke being often acted now, and scarce, is reprinted, with the addition of a curious Preface, by our Laureat, concerning Farce. [Possibly Wood was mistaken in thinking that A Duke and no Duke was a new play. It seems the one most likely to fit the circumstances of this period.

Performances

Mainpiece Title: A Duke And No Duke

37
01 August 1730 @ Tottenham Court

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Performance Comment: ..a very elegant and learned Dispute between Punch and another great Orator: Punch's Family Lectures; or, Joan's Chimes on her Tongue to some Tune. Punch-Reynolds; Joan-Mrs Egleton; from lif; Orator-Jones; Opera-Stoppelaer; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.

Dance: St.Luce

38
16 February 1760 @ Covent Garden

Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Jovial Crew

Cast
Role: Randal Actor: Dunstall

Afterpiece Title: A Duke and no Duke

Dance: Dances incident to the Opera. Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman]

39
24 November 1760 @ Drury Lane Theatre

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Cast
Role: Sir Geo Wealthy Actor: Holland

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

40
15 February 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Performance Comment: Edition of 1723 lists: Humphrey-Booth; Richard Plantagenet, Duke of York-Mills; Richard Novil, Earl of Salisbury-Thurmond; Richard Nevil, Earl of Warwick-Williams; Henry Beaufort, Cardinal and Bishop of Winchester-Cibber; William de la Pole, Duke of Suffolk-Watson; Humphrey Stafford, Duke of Buckinham-Mills Jr; Margaret-Mrs Oldfield; Eleanor, Dutchess of Gloucester-Mrs Porter; Prologue by Bartholomew Paman of the Middle Temple-Booth; Epilogue-Mrs Oldfield.
Cast
Role: Cardinal and Bishop of Winchester Actor: Cibber

41
26 December 1749 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted in 10 years. With Proper Decorations. [See 28 May 1742.] Paid Tallow Chandler #19 6s. 5d.; Paid Mr Beard on order of Lacy #10 10s.; Paid to Supers for practice of Rehearsal 4s. (Treasurer's Book). Receipts: #100 (Cross); #105 (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: A Duke and no Duke; or, The Power of Magick

Dance: Sailor's Hornpipe-Mathews; Comic Dance-Mathews, Mrs Addison

42
14 November 1751 @ Drury Lane Theatre

Event Comment: [T+The Anatomist, as 10 Sept., instead of A Duke and no Duke, according to the General Advertiser.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Strictland Actor: Berry
Role: Mrs Strictland Actor: Mrs Ward
Role: Landlady Actor: Mrs Yates

Afterpiece Title: A Duke and no Duke

43
11 May 1756 @ Covent Garden

Event Comment: Benebit for Marten, Stoppelaer, and Desse

Performances

Mainpiece Title: The Funeral

Cast
Role: Brumpton Actor: Anderson

Afterpiece Title: A Duke and No Duke

Dance: III: Hornpipe-LeCointe; V: A new Pantomime Dance between Harlequin and Pierrot Harlequin-Mr Jolly, Pierrot Dumay

44
29 November 1757 @ Covent Garden

Event Comment: By Command. Receipts: #194 19s. 6d. Present His Majesty. Gave Yeomen of the Guards 10s. 6d. (Account Book). Public Advertiser: We hear His Majesty will be at Covent Garden this night to see the Comedy of She Wou'd and She Wou'd not, with the Duke and No Duke

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: A Duke and no Duke

Dance: Guerin, Mlle Capdeville

45
12 January 1760 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Player Actor: Anderson
Role: Fairbank Actor: Anderson

Afterpiece Title: A Duke and no Duke

Dance: As17600108, but Comic Dance [probably The Plowman]-Poitier, Mlle Capdeville

46
20 April 1762 @ Covent Garden

Event Comment: Benefit for Mrs Vernon, who humbly hopes her friends will excuse the change of the farce, as it proceeds from an unforeseen Accident, the indisposition of Mr Mattocks. [She had scheduled Thomas and Sally.

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Player Actor: Anderson.

Afterpiece Title: A Duke and no Duke

Dance: II: The Taylors, as17620107

Song: I: (By Particular Desire) a Hunting Song in Apollo and Daphne-Mrs Vernon in the character of Diana

47
05 August 1767 @ Haymarket Theatre

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

48
22 March 1757 @ Covent Garden

Event Comment: Benefit for Smith. No building on stage. Tickets sold at the doors will not be admitted. Ladies send servants by Three. Tickets to be had and places to be taken of Smith in Duke St., York Buildings, and of Crudge at the Stage Door

Performances

Mainpiece Title: Hamlet

Cast
Role: Marcellus Actor: Anderson

Afterpiece Title: A Duke and no Duke

Cast
Role: Barberino Actor: Anderson

Dance: As17561217

49
28 November 1682 @ Drury Lane Theatre

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

50
09 August 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Song: Turner, Mrs Bowman; The Genius-Turner