SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Modena"/1) | (@(roleclean,performerclean) "Duke of Modena")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1164 matches on Performance Comments, 1047 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 2 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 17-18: The Schoole of Complements

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18. It should be noted that this performance falls on a Friday in Lent; there is no indication as to whether this is the premiere

Performances

Mainpiece Title: The Amorous Prince; Or, The Curious Husband

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: The New Utopia. There is no indication as to whether this performance was the premiere. The Preface refers to malice against the plays, and the edition of 1671 has a poem: To the Author of the New Utopia. On the Miscarriage of his Play in Acting

Performances

Mainpiece Title: The Six Days' Adventure; Or, The New Utopia

Event Comment: William Cartwright's The Lady Errant was licensed by Sir Henry Herbert to the Duke's Company on this date. See Bentley, Jacobean and Caroline Stage, III, 128-32

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," pp. 18-19: The Town Shifts. There is no indication as to whether this is the premiere, and it should be noted that this date is a Wednesday in Lent

Performances

Mainpiece Title: The Town-shifts; Or, The Suburb-justice

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17. There is no indication as to whether this is the premiere. The play was licensed 6 March 1670 [1671]. Downes (Roscius Anglicanus, p. 27) refers to it as being the first "new Play" acted at Dorset Garden in 1666, an error as to both place and time of presentation. Downes adds: All the other Parts, being perfectly well Acted, Succeeded six Days with a full Audience. It seems unlikely that Cambyses was given six days consecutively at this time. A performance of The Forc'd Marriage on Monday 9 Jan. 1670@1 and one of The Humorists on Saturday 14 Jan. 1670@1 do not permit six uninterrupted days for Cambyses at this time

Performances

Mainpiece Title: Cambyses, King Of Persia

Event Comment: The Duke's Company acted at Oxford during this month, offering Cambyses and, presumably, other plays of which we have no record. See W. J. Lawrence, "Oxford Restoration Prologues," Times Literary Supplement, 16 Jan. 1930, p. 43, and Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies, XIX (1943), 368

Performances

Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Performances

Mainpiece Title: Herod And Mariamne

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Event Comment: An entry in A Calendar of the Middle Temple Records, ed. Hopwood, p. 174, indicates a performance but does not name the play. The Duke's Company

Performances

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: the King and Queen &c Two Boxes. See VanLennep, Plays on the English Stage," p. 18. See also Tuesday 14 Nov. 1671

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 18. British Museum Add. Mss. 36916, folio 233: 18 Nov. 1671: The new playhouse in Salisbury Court opened on the 9th instant, since which his Majesty hath been often there, and likes it so well that he hath given the players #1000 towards the building of it

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: The Villain. See VanLennep, Plays on the English Stage, pp. 18-19

Performances

Mainpiece Title: The Villain

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: Pompey

Event Comment: The Duke's Company gave an unnamed play. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 174

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Guardian

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, pp. 12, 19

Performances

Mainpiece Title: Wit A La Mode

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); but see the discussion under 9 March 1671@2 for the dating

Performances

Mainpiece Title: The Romantic Lady

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); for the dating of this performance, see the discussion under 9 March 1671@2

Performances

Mainpiece Title: Pompey

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. Very probably this play was also acted on Friday 5 and Saturday 6 July 1672, but the company may not have acted daily in the summer

Performances

Mainpiece Title: The Citizen Turned Gentleman