SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Modena"/1) | (@(roleclean,performerclean) "Duke of Modena")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1164 matches on Performance Comments, 1047 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 2 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Witts at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Wits

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: The Duke's Company. It is quite likely that the run of this play extended for some time later in August. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: [After stopping at Bridges Street] against our wills, went all to see Tu Quoque again, where there is pretty store of company, and going with a prejudice the play appeared better to us. Here we saw Madam Morland, who is grown mighty fat, but is very comely. But one of the best parts of our sport was a mighty Pretty lady that sat behind us, that did laugh so heartily and constantly, that it did me good to hear her

Performances

Mainpiece Title: Tu Quoque

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, my eyes being so bad since last night's straining of them, that I am hardly able to see, besides the pain which I have in them. The play was a new play; and infinitely full: the King and all the Court almost there. It is The Storme, a play of Fletcher's; which is but so-so, methinks; only there is a most admirable dance at the end, of the ladies, in a military manner, which indeed did please me mightily....And there comes my wife home from the Duke of York's playhouse. Two songs, printed somewhat later in Choice Songs and Ayres, The First Book, 1673, may have been prepared for this revival: Hark the storm grows, set by Robert Smith; and Cheer up my mates, set by Pelham Humphrey

Performances

Mainpiece Title: The Storm

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 129. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Mustapha

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: Pepys' comment implies that he saw the Duke's Company, Pepys, Diary: With my wife to a play, and the girl--Macbeth, which we still like mightily, though mighty short of the content we used to have when Betterton acted, who is still sick

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. In view of two certain performances in the next week, it seems likely that The Tempest was acted continuously through 14 Nov

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Rivalls. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Rivals

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Tu Quoque

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: Nicoll, Restoration Drama, p. 307, lists The Comical Revenge (the Duke's Company) for the Inner Temple, 2 Feb. 1667@8. As this date falls on Sunday and as the sequence of entires quggests a later date, this performance appears under 2 Feb. 1668@9

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's playhouse to see The Storme, which we did, but without much pleasure, it being but a mean play compared with The Tempest, at the Duke of York's house, though Knepp did act her part of grief very well

Performances

Mainpiece Title: The Sea Voyage

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest