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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Beaufort"/1) | (@(roleclean,performerclean) "Duke of Beaufort")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2891 results for: Keyword - Duke of Beaufort
We found 1271 matches on Performance Comments, 1061 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 0 matches on Roles/Actors.

1001
03 August 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Bannister Jun. (1st and only appearance in that character); Anthonio-Bensley; Gratiano-Fawcett (1st appearance in that character); Old Gobbo-Wathen (1st appearance in that character); Tubal-Waldron; Lorenzo (with songs)-Davies; Launcelot-Suett; Duke-Benson; Salanio-Caulfield; Solarino-C. Kemble; Leonardo-Lyons; Balthazar-Ledger; Bassanio-Barrymore (1st appearance in that character); Jessica (with a song)-Mrs Bland; Nerissa-A Young Gentlewoman (1st appearance on any stage [Miss Logan]); Portia-Mrs Kemble (1st appearance in that character [in London]).in London]).
Cast
Role: Duke Actor: Benson

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Burton; Young Wilding-Benson; Beaufort-Bland; Dapper-Cross; Quildrive-Waldron Jun.; Corinna-Mrs Jones; Maria-Mrs Gibbs (1st appearance in that character).
Cast
Role: Beaufort Actor: Bland

1002
18 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Citizen

Performance Comment: As17951030, but added: Sir Jasper Wilding-Burton; Young Wilding-R. Palmer; Beaufort-Trueman; Quildrive-Banks.
Cast
Role: Beaufort Actor: Trueman

1003
06 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Burton; Young Wilding-R. Palmer; Beaufort-Trueman; Dapper-Ledger; Quildrive-Waldron Jun.; Corinna-Mrs Jones; Maria-Mrs Gibbs.
Cast
Role: Beaufort Actor: Trueman

Afterpiece Title: The Village Lawyer

1004
10 October 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Hollingsworth; Young Wilding-R. Palmer; Beaufort-Trueman; Dapper-Maddocks; Quildrive-Banks; Maria-Miss Farren; Corinna-Miss Tidswell.
Cast
Role: Beaufort Actor: Trueman

Song: Mainpiece: Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

1005
03 November 1797 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Murray; Bassanio-Whitfield; Gratiano-Knight; Lorenzo-Clarke; Launcelot-Quick; Solarino-Claremont; Salanio-Toms; Old Gobbo-Powel; Duke-Davenport; Tubal-Thompson; Balthazar-Ledger; Antonio (1st time)-Holman; Jessica (with a song)-Mrs Mountain; Nerissa-Miss Mansel; Portia-Miss Betterton.
Cast
Role: Duke Actor: Davenport

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Knight; Sir Jasper Wilding-Thompson; Young Wilding-Whitfield; Beaufort-Claremont; Quildrive-Rees; Dapper-Davenport; Old Philpot-Quick; Corinna-Mrs Follett; Maria-Mrs Knight.
Cast
Role: Beaufort Actor: Claremont

1006
04 December 1797 @ Haymarket Theatre

Performances

Mainpiece Title: Cato

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.
Cast
Role: Beaufort Actor: Barnet

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

1007
15 September 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Sparks; Young Wilding-R. Palmer; Beaufort-Trueman; Dapper-Maddocks; Maria-Mrs Jordan; Corinna-Miss Tidswell.
Cast
Role: Beaufort Actor: Trueman

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

1008
11 June 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: The Citizen

Performance Comment: As18000317but Added: Beaufort-Trueman; Dapper-Maddocks; Quildrive-Evans.
Cast
Role: Beaufort Actor: Trueman

1009
07 June 1675 @ Whitehall or St. James's

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. Marquis of Worcester to the Marchioness, 8 June 1675: I sate up last night at the play in Court--which was to entertaine the Prince of Newbough--till one of the clock in the morning (HMC, 12th Report, Appendix, Beaufort MSS., IX, 65)

Performances

Mainpiece Title: The Island Princess

1010
17 March 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

1011
12 November 1681 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The Marquis of Worcester to the Marchioness, 12 Nov. 1681: the King went to a play in the afternoon, a thing he does very seldom, and I not much oftener (HMC, 12th Report, Appendix, Beaufort MSS., IX, 87)

Performances

1012
22 April 1741 @ Drury Lane Theatre

Event Comment: By partiuclar Desire. Benefit Lowe. [Tickets at Lowe's Lodgings, 2d door on left hand in Beaufort Buildings, The Strand.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: La Tambourine-Mlle Chateauneuf; II: Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf; in III: Hornpipe-Vaughan

1013
15 December 1742 @ Drury Lane Theatre

Event Comment: Benefit for daughter of the late Mr Ben Johnson. [Fleetwood let Johnson's Daughter have this Benefit for the money he owed to her father who died just after the last season and acted to the last (Winston MS.).] The Play with entertainments of singing and dancing Servants will be admitted to keep places on the stage, which for the better accommodation of the ladies will be form'd into side boxes. To prevent mistakes, the Ladies who have taken places are desir'd to send for tickets. Tickets to be had and places taken of Mr Johnson's daughter, at the third Door on the right hand in Beaufort buildings in the Strand; and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Song: I: Beard; IV: Lowe

1014
25 April 1753 @ Drury Lane Theatre

Event Comment: Benefit for Liviez, the Ballet Master (Cross). Full Prices. Part of Pit laid into Boxes. Tickets at last house on right hand in Beaufort Buildings, Strand; and at The Stage Door. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Harlequin Inchanted

Dance: III: Country Amusements, as17530412

1015
26 April 1754 @ Drury Lane Theatre

Event Comment: Benefit for Mr Leviez (Cross). Tickets of Leviez at the last House on the right hand in Beaufort Buildings. No Building on Stage. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The Chaplet

Dance: I: The Gipsey Tambourine- see17531012; II: The Country Amusements, as17540416 III: A Hornpipe-Granier, Harrison, Morris; IV: A Serious Dance-Devisse

1016
16 April 1755 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Graham. Tickets of Mrs Graham, at Mr Robinson's in Beaufort Buildings in the Strand, and at the stage door. Last time of performing the mainpiece this season. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Lethe

Song: I: By particular desire, Hooly and Fairly-Beard

Dance: II: As17550203

1017
29 April 1757 @ Drury Lane Theatre

Event Comment: Benefit for Leviez. No Building on the stage. Tickets of Leviez at the last House on the right hand in Beaufort Buildings, Strand, &c. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Author

Dance: New entertainment of dancing, particularly End: , by Desire a Minuet-Leviez, Miss Pritchard

1018
10 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 18 Feb.; Tickets to be had of Smith at his House in Beaufort Buildings, Strand. Receipts: #260 4s. (144.4; 13.8; 0.19; tickets: 101.13) (charge: #74 14s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Harlequin's Invasion

Dance: End III: The Irish Fair, as17761031

1019
26 March 1778 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Morning Chronicle, 24 Mar.: Tickets to be had of Smith at his house, Beaufort-buildings, Strand. Part of the Pit will be laid into the Boxes. Ladies and Gentlemen are desired to send servants before Five o'Clock, to keep their Places; and those who have Places in the Pit are requested to come early, to prevent Confusion and Inconvenience to themselves. Receipts: #284 6s. (145.4: 10.15; 1.6; tickets: 127.1) (charge: #62 2s.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Selima and Azor

1020
15 March 1779 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Camp

1021
09 March 1780 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 21 Feb.: Tickets to be had of Smith at his house in Beaufort Buildings, Strand. Receipts: #270 4s. 6d. (146.4.0; 14.1.6; 0.5.0; tickets: 109.14.0) (charge: #74 14s.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Fortunatus

1022
18 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 2 Mar.: Tickets to be had of Smith, No. 7, Beaufort Buildings, Strand. Receipts: #267 10s. (139/17; 22/6; 0/16; tickets: 104/11) (charge: #71 2s. 10d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Critic

Dance: End of mainpiece the Minuet de la Cour, As17820104

1023
21 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 25 Feb.: Tickets to be had of Smith, No. 7, Beaufort Buildings, Strand. Receipts: #325 17s. 6d.(163/2/0; 8/2/6; 0/16/0; tickets: 153/17/0) (charge: #65 10s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Romp

Song: As17860223

Monologue: 1786 03 21 End of mainpiece A Sketch of the Fashions; or, Belles have ye all by Mrs Jordan

1024
25 April 1788 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Part of the Pit will be laid into the Boxes. General Advertiser, 16 Apr.: Tickets to be had of Mrs Wells, No. 15, Beaufort-buildings. Receipts: #337 17s. 6d. (178.3.0; 3.17.6; tickets: 155.17.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

1025
15 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells