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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Duchess de la Tremoille"/1) | (@(roleclean,performerclean) "Duchess de la Tremoille")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3785 results for: Keyword - Duchess de la Tremoille
We found 2897 matches on Performance Title, 885 matches on Performance Comments, 330 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.

351
02 May 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Prote La Parodia De Titus Berenice

Afterpiece Title: Arlequin Scaramouche Soldats Deserteurs

Dance: Poitier, others

352
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

353
05 October 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Harlequin Restord or Taste a la Mode

Dance: I: Tambourine-Mlle Roland; III: Rover-Essex, Mrs Walter, Villeneuve, Mrs Anderson, Dukes, Miss Mann, Pelling, Miss Brett, Janno, Mrs Villeneuve

354
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

355
08 April 1743 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchemist

Dance: II: Sicilian Peasant, as17430310 IV: A Comic Dance call'd La Florana-Checo, Chiaretta

Song: III: Was ever Nymph like Rosamond-Beard

356
29 March 1762 @ Covent Garden

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit or Viscount a la Mode

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

357
15 March 1777 @ King's Theatre

Performances

Mainpiece Title: Telemaco

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

358
02 January 1798 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Dance: End I: Divertisement Ballet, composed by Gallet, La Chasse d' Amour- [see below]; End Opera: Ariadne et Bacchus, as17971216

359
30 September 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

360
August 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

361
20 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

362
26 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: Overture in Scipio-; Solitudini Amate, Le mor che per te Sento-Mrs Robinson; Ti con solo-Clarke; Mi Volgo, Si Caro-Mrs Robinson; When Myra Sings-Clarke, Mrs Robinson; Second Entertainment: Overture in Tamerlane-; Padre Amanta, Alla Fama-Mrs Robinson; Solo on German Flute-Wiedeman; La Tigrearde Disdegno-; Un Lampoe-; Cease to Beauty-Clarke; Vedeste Mai Sulprato, Seacciata del suo nido-Mrs Robinson; A Teneri Assetti Duetto-Mrs Robinson; Third Entertainment: Solo-Jones; Ah! Pardre Quel Golsomino-Mrs Robinson; No non Temer-Clarke; Baccia per me la Mana Sgomtra dell Anima-Mrs Robinson; Al Trionfo@Duetto-Clarke, Mrs Robinson

363
31 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Dance: I: La Folette s'cest ravisee by Nivelon and Miss Mann. III: La Bagetelle by Essex and Miss La Tour. V: Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Les Plaisirs-Essex and Miss Robinson; Sailor and Nymph-F. Tench and Miss Latour

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

364
12 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restord or Taste a la Mode

365
13 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Colombine Courtezan

Afterpiece Title: Taste a la Mode

Dance: II: Double Jealousy, as17360327but Mrs Villeneuve replaces Miss Brett

366
18 January 1754 @ Covent Garden

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

367
December 1695 @ Drury Lane Theatre

Performances

Mainpiece Title: Agnes De Castro

368
29 April 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Wedding

Music: Vocal Music proper to the Play,-Leveridge, Laguerre

Dance: FFingalian-Newhouse, Mrs Ogden; A new Pierrot and Pierrette by de St.Luce-de St.Luce, Pelling; Numidian-Glover, Miss LaTour

369
08 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Le Festin De Pierre Ou Latthee Foudroye Or Don John Or The Libertine Destroyd

Afterpiece Title: Le Francois a Londres

Dance:

370
10 April 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Ines Des Castro

Afterpiece Title: Agnes de Chall1ot

371
23 May 1735 @ Goodman's Fields

Performances

Mainpiece Title: Lembarras De Richesses

Afterpiece Title: Harlequin Hulla

Dance: By Castiglione

372
08 April 1736 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Le Mar1age Force ou Les Fourberies dArlequin de Scaramouch

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

373
25 May 1799 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortunes Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

374
14 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Damaseiles A La Mode

375
15 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Ladies A La Mode