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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duchess de la Tremoille"/1) | (@(roleclean,performerclean) "Duchess de la Tremoille")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3784 results for: Keyword - Duchess de la Tremoille
We found 2897 matches on Performance Title, 885 matches on Performance Comments, 330 matches on Event Comments, 158 matches on Author, and 0 matches on Roles/Actors.

3501
29 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: My Grandmother

Song: V: song-Mrs Bland

3502
15 October 1795 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Midnight Wanderers

3503
12 November 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lodoiska

Song: In V: a song-Mrs Bland

3504
13 January 1796 @ Covent Garden

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Afterpiece Title: Merry Sherwood

3505
14 June 1796 @ King's Theatre

Performances

Mainpiece Title: Il Tesoro

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

3506
12 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

3507
15 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

3508
09 September 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Guardian

Song: As17970816

3509
07 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chimney Corner

Song: In V: song-Mrs Bland

3510
12 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

3511
30 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Eccentric Lover

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

3512
07 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

3513
30 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Follies of a Day

Afterpiece Title: Blue-Beard

3514
30 June 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: My Grandmother

3515
14 February 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Feudal Times

Song: V: a song-Mrs Bland

3516
02 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Blue-Beard

Dance: End: a new Scotch Ballet, The Return of Jemmy. Jemmy-Mlle Parisot, Jenny Sga Bossi DelCaro, Lady Margaret Miss DeCamp; With a Pas de Trois, Peggy's Love-; In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End I: The Agreeable Surprise. Lindor-Mlle Parisot; the Harp-Mlle Parisot; the Piano Forte-Mlle Parisot; Rosine-Sga Bossi DelCaro; Susane-Miss DeCamp; Pas de Deux-Miss DeCamp, Mlle Parisot; Allemande a Trois-Miss DeCamp, Sga Bossi DelCaro, Mlle Parisot

3517
09 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Fortune's Frolick

3518
01 October 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

3519
23 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Sultan

Song: In afterpiece: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; II: song-Master Suett

3520
14 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

3521
20 April 1661 @ Whitehall or St. James's

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

3522
15 August 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, which begins again to-day with The Witts, never acted yet with scenes; and the King and Duke and Duchess were there...and indeed it is a most excellent play, and admirable scenes. Downes (p. 21): All the other Parts being exactly Perform'd; it continu'd 8 Days Acting Successively

Performances

Mainpiece Title: The Wits

3523
27 August 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Hence my wife and I to the Theatre, and there saw The Joviall Crew, where the King, Duke and Duchess, and Madame Palmer, were; and my wife, to her great content, had a full sight of them all the while. The play full of mirth

Performances

Mainpiece Title: The Jovial Crew

3524
05 January 1663 @ Whitehall or St. James's

Event Comment: The King's Company. Pepys, Diary: Creed and I to my wife again, and...to the Cockpitt, where we saw Claracilla, a poor play, done by the King's house (but neither the King nor Queen were there, but only the Duke and Duchess, who did show some impertinent and, methought, unnaturall dalliances there, before the whole world, such as kissing, and leaning upon one another); but to my very little content, they not acting in any degree like the Duke's people

Performances

Mainpiece Title: Claracilla

3525
28 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers