SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dryden Lee"/1) | (@(roleclean,performerclean) "Dryden Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1651 matches on Author, 902 matches on Performance Comments, 534 matches on Event Comments, 74 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: The King's Company. The date of the premiere is not known, but John Harold Wilson, Six Restoration Play-Dates, Notes and Queries, June 1962, p. 221, has argued, primarily on references in the Epilogue, that the play was probably produced before the opening of the new Theatre Royal in Drury Lane and following two unsuccessful plays: The Mall and The Amorous Old Woman. The Prologue is in New Songs and Poems a la Mode, 1677. Preface to the edition of 1675: This play was left in Mr Dryden's hands many years since. The Author of it was unknown to him, and return'd not to claim it

Performances

Mainpiece Title: The Mistaken Husband

Performance Comment: The author is not known, but the Preface suggests that one scene was written by John Dryden. Edition of 1675: The Prologue-; The Epilogue-.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: As17670306

Event Comment: [A humorous parody on Alexander's Feast. Music composed by Dr Arne.] Complete Books with the parody on one side and Dryden's Ode on the other, that the allusions may be traced throughout, and the words of the Catches and Glees are to be had at the Theatre. 1s. Dr Arne's last night this season

Performances

Mainpiece Title: Whittington's Feast

Performance Comment: The Ode of Odes new written by a College Wag. The Music interpersed with Grand Chorusses new composed by the Doctor...who humbly hopes the Literati will not be offended by this harmless banter, as nothing can lessen the supreme merit of Dryden's Great Original.

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

Performances

Mainpiece Title: Acis And Galatea; Judas Maccabaeus

Afterpiece Title: Dryden's Ode; Judas Maccabaeus

Music: As17770214

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: Dryden's Ode On St

Music: End I Oratorio: concerto on the organ-Stanley; End II: concerto on the violin-Cramer

Performances

Mainpiece Title: L'allegro, Penseroso; Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: Dryden's Ode On St

Music: As17800211

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: Dryden's Ode for St

Music: End Part I oratorio: concerto on the organ-Stanley; End Part II: concerto on the violin-Cramer

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: As17820220

Performances

Mainpiece Title: L'allegro Il Penseroso

Afterpiece Title: Dryden's Ode for St

Music: End of Part II of oratorio concerto on the clarionet by Mahon

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: Dryden's Ode for St

Music: As17830321athi

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

Event Comment: Ode: Written by Dryden, and set to Music by Handel. Instrumental Performers as 15 Feb., but added: Parkinson, Flack

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End II oratorio: concerto on the violin-Mme Gautherot

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The same cast is listed in the Yale MS. See Davenant's Macbeth from the Yale Manuscript, ed. Christopher Spencer (New Haven, 1961), p. 78. Downes, Roscius Anglicanus, p. 34: Mr Nat. Lee, had the same Fate [as Otway in undertaking the King in Behn's The Jealous Bridgeroom] in Acting Duncan in Macbeth, ruin'd him for an Actor too

Performances

Mainpiece Title: Macbeth

Performance Comment: Edition of 1673: King of Scotland-Nath. Lee; Malcolm-Norris; Donalbain-Cademan; Lenox-Medburn; Macbeth-Betterton; Banquo-Smith; Macduff-Harris; Macbeth's Wife-Mrs Betterton; Macduff's Wife-Mrs Long; Hecate?-Sandford. See also 12 Aug. 1668.
Event Comment: RRylands MS.: Benefit for Numberers &c, Mrs Marshall, Miss Lee, Miss Budgell, Miss Wright, Miss Cole, and Mr Walker. Tickets deliver'd out by Edwards, Owen, Brooks, Rumball, and others will be taken. Receipts: #120

Performances

Mainpiece Title: Love For Love

Performance Comment: As17420421, but Valentine-Havard; Prue-Miss Lee; No Occasional Epilogue. No Occasional Epilogue.

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: Celladon and Phyllis-Master Matthews, Miss Wright; V: The Medley of Jokes-Master Matthews, Miss Wright

Event Comment: Benefit Cross (Prompter), DeMaimbray (Mechanist), and Desse. Tickets deliver'd out by Nodder, Owen, Miss Lee, and others will be taken. [This month in the Gentlemen's Magazine appeared a long essay from Champion No. 5, entitled The Character of an excellent Actor, an appreciative essay on the difficulties of acting, and the excellence of Garrick. The author avows he never exchanged a word with Garrick in his life. In July the Gentlemen's Magazine publish'd a reply to the contention that shewing good plays and giving men a relish for them was a satisfactory method of instructing the young, concluding instead against stage entertainments because they may be and are productive of much ill; and can serve no good end but what may be more effectively attained by other means.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lying Valet

Performance Comment: As17430430 but Melissa-Miss Lee.

Song: As17430120

Dance: II: La Florana, as17430408 New Ballet-Desse, Mrs Walter

Music: V: a Concerto-Burk Thomuth

Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.
Related Works
Related Work: The Massacre of Paris Author(s): Nathaniel Lee
Related Work: The Duke of Guise; or, The Massacre of Paris Author(s): Nathaniel Lee

Afterpiece Title: The Devil to Pay

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Event Comment: [With the usual synoptic account.] Benefit Paget. Tickets at Paget's, the Tobacco Roll, in Mill Yard, near the bottom of Lemon St., Goodman's Fields. Tickets delivered out for Lee and Smith will be taken. [Prices as 25 Feb.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17451216, but Prince Edward-Gentleman new to the stage; Richard-Lee; his last performance on this stage. his last performance on this stage.

Afterpiece Title: The Lying Valet

Event Comment: 1 Benefit for Lee, Pilkington [Box Office keeper], Pritchard, Saunders [Assistant box office keeper and lobby door keeper], and Emberton [Stage Door Keeper]. Written by Shakespear

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Lee 1st appearance this stage; Prince John-Marr; Falstaff-Dance; King-Havard; Carriers-Barrington, I. Sparks; Prince of Wales-Giffard; Francis-Yates; Vernon-Blakes; Worcester-Winstone; Blunt-Goodfellow; Douglas-Usher; Bardolph-Ray; Peto-Collins; Gadshill-Leigh; Kate-Mrs Mills; Hostess-Mrs Cross.

Afterpiece Title: 1 The Anatomist

Song: 1 I: Lowe

Dance: 1 III: Mechel, Mlle Mechel

Event Comment: Benefit Mr Lee. [Prices 3s., 2s., 1s.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: See17470129, but Hamlet-Lee; Polonius-Shuter; Ophelia-Miss Budgell; rest omitted. rest omitted.

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Shuter; Flash-Lee.

Dance: As17461124

Song: Brett

Event Comment: MMr Lee Play'd Bastard (Cross). Mainpiece: By Desire. Receipts: #180 (Cross); #174 9s. 6d. (Powel)

Performances

Mainpiece Title: King Lear

Performance Comment: As17471030, but Bastard-Lee; Regan-Mrs Yates.

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Lee. Tickets to be had at Mr Prince's, Linnen Draper, the Golden Artichoke, in Great Queen St., near Lincoln's Inn Fields; of Mr Calcroft at the Ship in Ivy Lane, Newgate St., and at the Stage Door. Tickets deliver'd for the 22nd will be taken. No building on stage. Receipts: #130 (Cross)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17500925, but Hamlet-Lee; Ostrick-Shuter; Horatio-Palmer; Lucianus-_; Player King-_; Player Queen-_.

Afterpiece Title: Lethe

Performance Comment: As17510412 but Poet (restored)-Lee.

Dance: Devisse, Mad Auretti