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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dryden Lee"/1) | (@(roleclean,performerclean) "Dryden Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2773 results for: Keyword - Dryden-Lee
We found 1651 matches on Author, 902 matches on Performance Comments, 534 matches on Event Comments, 74 matches on Performance Title, and 0 matches on Roles/Actors.

2476
07 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: As17970306but Blurton_; Hawtin_; Abbot_; Lee_; Curties_.

Afterpiece Title: Bantry Bay

Afterpiece Title: The Poor Sailor

2477
25 April 1797 @ Covent Garden

Performances

Mainpiece Title: Italian Villagers

Performance Comment: Principal Characters-Quick, Incledon, Munden, Fawcett, Murray, Knight, Hull, Farley, Simmons, Abbot, Gray, Mrs Mountain, Mrs Clendining, Mrs Henley, Mrs Castelle, Mrs Martyr. Cast from Airs (T. Rickaby, 1797): Saveall-Quick; Lorenzo-Incledon; Jeremy Maythorn-Munden; Valentine-Fawcett; Duke of Urbino-Murray; Hilary-Knight; Octavio-Hull; Marco-Farley; Premiss-Simmons; Moro-Abbot; Lawyer's Clerks-Gray, Street, Linton; Isabel-Mrs Mountain; Lucilla-Mrs Clendining; Rodriga-Mrs Henley; Flora-Mrs Castelle; Annetta-Mrs Martyr; Chorusses-Gray, Linton, Street, Thomas, Oddwell, J. Linton, Everett, Lee, Curties, Blurton, Mrs Gilbert, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Norton, Mrs Blurton, Mrs Masters, Mrs Lloyd, Miss Walcup, Miss Burnett, Miss Owen, Miss Gray.

Afterpiece Title: The Farm House

2478
29 April 1797 @ Covent Garden

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Performance Comment: As17961006, but added to Capt. Oakland: A Sail on our Lee Bow-Incledon.
Cast
Role: A Sail on our Lee Bow Actor: Incledon.

2479
25 September 1797 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lock and Key

Performance Comment: Cheerly-Incledon; Brummagem-Munden; Ralph-Fawcett; Captain Vain-Knight; Servants and Sailors-Gray, Lee, Street; Laura-Mrs Mountain; Selina-Mrs Castelle; Dolly-Mrs Norton; Fanny-Mrs Martyr.

Song: In V: Dirge set to Music by Shield-; Vocal Parts-Mrs Martyr, Mrs Clendining, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Linton, Street, Gray

2480
04 November 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Bronzely-Lewis; Lord Priory-Quick; Sir George Evelyn-Holman; Sir William Dorrillon-Munden; Oliver-Simmons; Mr Norberry-Waddy; Nabson-Thompson; Servants-Lee, Wilde, Ledger, Curties; Bailiffs-Abbot, Hawtin; Lady Mary Raffle-Mrs Mattocks; Lady Priory-Miss Chapman; Miss Dorrillon-Miss Betterton.

Afterpiece Title: England's Glory

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche (composed by Noverre)-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon, The Graces by Mlle St.Amand, Mme D'Egville, Mlle Philips

2481
21 November 1797 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miser

Performance Comment: Lovegold-Quick; Frederick-Clarke; Ramille-Farley; Taylor-Wilde; James-Rees; Lawyer-Dyke; Sparkle-Abbot; Satin-Lee; Upholsterer-Ledger; Mariana-Mrs Mountain; Mrs Wisely-Mrs Platt; Lappet-Mrs Mattocks.

Dance: As17971025

Song: In: Old Towler-Incledon; a new Duetto, composed by Mme Mara,-Incledon, Mme Mara

2482
24 November 1797 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

2483
12 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

2484
19 March 1798 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingalv. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domestics-Blurton, Platt, Wilde, Dyke, T. Cranfield, Gourion, Pitman, Parsloe; Male Bards-Linton, Street, Sawyer, Smith; Malvina-Mrs Parker; Female Domestics-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cranfield, Miss Burnett, Miss Cox, Miss Crow, Miss Davenett; Female Bards-Mrs Castelle, Mrs Henley, Miss Wheatley, Miss Gray; A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-Follett; Draco (his Captain)-Simpson; Officers-Lee, Abbot, Barnes; Morven (his lieutenant)-Farley; Vocal Charactersv. Scotch Lad-Mrs Martyr; Scotch Pedlar (with I'm a jolly gay Pedlar)-Simmons; Farmer-Gray; Scotch Lassie-Mrs Mountain.

Song: In afterpiece: Come every jovial Fellow-Mrs Martyr, Gray, Mrs Mountain; O ever in my Bosom live-Mrs Martyr, Mrs Mountain

2485
11 April 1798 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Performance Comment: Captain Patrick-Johnstone; Quiz-Quick; Darby-Munden; Marshal Ferbelin-Claremont; Father Luke-Waddy; Olmutz-Clarke; Rupert-Lee; Adjutant-Davenport; Mabel Flourish-Mrs Gilbert; Norah-Mrs Follett; Flora-Mrs Martyr.

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

2486
21 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Performance Comment: The Songs, Duets, Glees and Chorusses-Johnstone, Fawcett, Incledon, Townsend, Linton, Gray, Street, Smith, Abbot, Blurton, Curties, Lee.
Cast
Role: Glees and Chorusses Actor: Johnstone, Fawcett, Incledon, Townsend, Linton, Gray, Street, Smith, Abbot, Blurton, Curties, Lee.

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

2487
07 May 1798 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Performance Comment: Cymon-Incledon; Linco-Simmons; Merlin-Clarke; Shepherds-Abbot, Lee; Dorus-Munden; Fatima-Mrs Martyr; Urganda-Mrs Litchfield; Dorcas-Mrs Davenport; Shepherdesses-Mrs Follett, Mrs Watts; Sylvia-Mrs Mountain.

Song: As17971102

2488
06 July 1798 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by Henry Lee. Larpent MS 1221; not published in this form, but altered by the author in 3 acts, as Caleb Quotem and His Wife!; or, Paint, Poetry, and Putty (J. Roach, 1809)]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. "Suett was, as he always is on a first night, most shamefully imperfect" (Monthly Mirror, July 1798, p. 52). [For Lee's accusing Colman, in his The Review, of plagiarism, see Genest, VII, 387-90. And see 1 Sept. 1800.

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Related Works
Related Work: Throw Physick to the Dogs! Author(s): Henry Lee

2489
17 September 1798 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Botheration; or, A Ten Years Blunder

Song: In V: a Dirge, set to music by Shield. Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone

Performance Comment: Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone.

2490
21 September 1798 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Miser

Performance Comment: Lovegold-Emery; Frederick-Clarke; Ramille-Farley; Taylor-Wilde; James-Rees; Lawyer-Dyke; Sparkle-Abbot; Satin-Lee; Upholsterer-Street; Mariana-Mrs Coates; Mrs Wisely-Mrs Platt; Lappet-Mrs Davenport.

2491
03 October 1798 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Emery; Harry Dornton-Holman; Dornton-Munden; Milford-Clarke; Sulky-Davenport; Smith-Powel; Hosier-Waddy; Marker-Farley; Jacob-Rees; Sheriff's Officer-Thompson; Tradesmen-Lee, Street, Abbot, Whitmore, Coombs; Sophia-Mrs Mills (from the Theatre Royal York; 1st appearance on this stage); Jenny-Mrs Norton; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantua@maker-Mrs Blurton; Mrs Warren-Mrs Mattocks.

Afterpiece Title: The Spoil'd Child

2492
10 November 1798 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-Munden; Old Wronghead-Davenport; Young Wronghead-Clarke; Canteen-Claremont; Groom-Simmons; John-Thompson; Sternhold-Street; James-Farley; William-Abbot; Bob-Lee; Cook-Follett; Sophia-Miss Chapman; Maid-Mrs Watts; Betsey Blossom-Mrs Martyr.

Afterpiece Title: The Mouth of the Nile

2493
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

2494
14 January 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Albert and Adelaide

Performance Comment: Principal Characters-Incledon, Emery, Clarke, Betterton, Townsend, Simmons, Miss Webb, Abbot, Miss Sims, Miss Walcup, Mrs Whitmore, Mrs Johnson; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss as17981211. [And see17981211.]And see17981211.]

Dance: As17981211

2495
17 January 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Cymon

Performance Comment: Cymon-Incledon; Linco-Simmons; Merlin-Clarke; Shepherds-Abbot, Lee; Dorus-Munden; Fatima-Mrs Martyr; Urganda-Mrs Litchfield; Dorcas-Mrs Davenport; Shepherdesses-Miss Walcup, Mrs Watts; Sylvia-Mrs Atkins (1st appearance in that character).

2496
02 March 1799 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingal. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domesticks-Blurton, Platt, Wilde, Duke, Jackson, Powers, L. Bologna, T. Cranfield; Male Bards-Hill, Linton, Street, Thomas, Smith, Little; Female Domesticks-Ms Watts, Ms Follett, Mrs Bologna, Ms Burnett, Ms Cox, Miss Bologna, Ms Crow, Ms Dibdin; Female Bards-Ms Waters, Miss Mitchell, Miss Wheatley, Ms Castelle, Mrs Iliff, Miss Gray, Ms Leserve, Ms Walcup; Malvina (Daughter to Toscar)-Mrs H. Johnston (1st appearance in that character); A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-H. Johnston (1st appearance in that character); Draco (his Captain)-Simpson; Standard Bearers-Lee, Abbot; Morvan (his Lieutenant)-Farley; Vocal Characters. Scotch Lad-Mrs Chapman; Scotch Pedlar (with I am a jolly gay Pedlar)-Townsend; Farmer-Gray; Scotch Lassie-Mrs Atkins.

Song: In afterpiece: Come every jovial fellow-Mrs Chapman, Gray, Mrs Atkins; O ever in my bosom live-Mrs Chapman, Mrs Atkins

2497
04 March 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: As17990112, but Lee_.

Afterpiece Title: Oscar and Malvina

Song: As17990302Come every jovial fellow-Miss Mitchell, Gray, Miss Wheatley

2498
09 April 1799 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: The Rival Queens; or, The Death of Alexander the Great Author(s): Nathaniel Lee
Related Work: Alexander the Great Author(s): Nathaniel Lee

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

Performance Comment: Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon.

2499
13 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun. (1st time), Blurton; Baptist (their Father)-Bologna; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Dyke; Theodore (Page to Raymond)-Simmons; Father Ansellum-Whitmore; Master of Hotel-Thompson; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, J. Linton, Lee, Russel, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, Wilde, L. Bologna, Jackson, Webb, Chapman, Abbot, Goostree, Howell, Vials, Letteney, Wilkins, Mrs Bologna, Ms Gilbert, Ms Crow, Ms Cox, Miss Bologna, Ms Dibdin, Ms Blurton, Ms Ward, Ms Coombes; Maugerette (Baptist's mistress)-Mrs Mills (1st appearance in that character); Spectre of the Bleeding Nun (mother of Agnes)-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Miss Burnett; Abbess of St. Claire-Mrs Platt; Agnes (Daughter to the Count of Lindenbergh)-Mrs Chapman (1st appearance in that character); Nuns of the Covent of St. Claire-Ms Sims, Ms Castelle, Ms Iliff, Ms Leserve, Ms Walcup, Ms Lloyd, Ms Norton, Ms Masters.
Cast
Role: Spectre of the Bleeding Nun Actor: Mrs Watts

Dance: In: As17990316

2500
23 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-H. Johnston; Adam Winterton-Fawcett; Rawbold-Murray; Fitzharding-Betterton; Samson-Suett (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Armstrong-Mansel; Orson-Emery; Robbers-Whitmore, Thompson, Master Webb; Wilford-A Young Gentleman (1st appearance [unidentified]); Helen-Miss Betterton; Blanch-Mrs Gibbs; Judith-Mrs Litchfield; Barbara-Mrs Chapman; Chorus of Robbers-Linton, Oddwell, Thomas, Everett; Chorus of Servants-Street, Curties, Abbot, Lee, J. Linton, Smith, Tett, Ms Castelle, Ms Morton, Ms Leserve, Ms Burnett, Ms Follett, Ms Iliff, Ms Gilbert.

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon