SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Hoadly Ashe"/1) | (@(roleclean,performerclean) "Dr Hoadly Ashe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 378 matches on Event Comments, 363 matches on Performance Comments, 295 matches on Author, 235 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Related Works
Related Work: The Tatlers Author(s): Benjamin Hoadly

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performances

Mainpiece Title: The Way To Get Un-married

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Dr Last's Examination Before the College Of Physicians

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Hamlet

Afterpiece Title: Dr Last in his Chariot

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Venus and Adonis

Music: A select Band of the best Masters of Instrumental Musick

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Venus and Adonis

Dance: Dancing proper to the Masque-delaGarde, delaGarde's Two Sons, Moreau, Mrs Bullock, Mrs Moreau

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: Damon and Phillida

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Related Works
Related Work: The Suspicious Husband Author(s): Benjamin Hoadly

Performances

Mainpiece Title: The Suspicious Husband

Related Works
Related Work: The Suspicious Husband Author(s): Benjamin Hoadly

Afterpiece Title: Barnaby Brittle

Dance: End II: The Rakes of Mallow, as17810501; End IV: Hornpipe-Prosser

Ballet: End: St. David's Day. As17810501

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance-Fishar, Sga Manesiere

Performances

Mainpiece Title: Love For Love

Song: Comical Dialogue between Dr Thornhill and his Old Merry Andrew-Mr Platt, others

Dance: Mr Jones, others

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Englishman in Paris

Song: new Anniversary Ode in Commemoration of Shakespeare written by Havard set to music by Dr Boyce-Beard, Champness

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile