Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Hill"/1) | (@(roleclean,performerclean) "Dr Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
1467 results for: Keyword - Dr Hill
We found 539 matches on Performance Comments, 489 matches on Event Comments, 274 matches on Performance Title, 270 matches on Author, and 0 matches on Roles/Actors.

1101
29 May 1790 @ Covent Garden

Event Comment: Tickets delivered for The Merry Wives of Windsor will be admitted. Account-Book: Tickets delivered by Bourrelier, Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combes, Heathcot, W. Ansell will be admitted. Receipts: #349 15s. (57.6; 5.16; tickets: 286.13)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Highland Reel

1102
02 June 1791 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combs, Heathcot, Widow Ansell, Keys, Berecloth, Egan will be admitted. Receipts: #376 12s. 6d. (29.17.6; 2.12.0; tickets: 344.3.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Robin Hood

1103
14 June 1791 @ Covent Garden

Event Comment: The Last Night of the Company's Performing. Account-Book: Tickets delivered by Green, Harris, Doe, Iredale, Savery, Wilkins, Wyat, Hall [carpenter], Robson [music porter], Mott, Rolls, Mrs Rock, Finley, Dosel, Sturgeon will be admitted. Account-Book, 18 June: Paid Hill, Waxchandler, in full, #143 2s. Receipts: #405 4s. 6d. (39.14.6; after-money: none listed; tickets: 365.10.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Farmer

Dance: As17901204

1104
21 December 1791 @ Covent Garden

Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard; or, The Flight of Harlequin

Dance: see17920111

1105
25 May 1792 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Shuter, Simmons, Strahan, Walker, Saby, Green, Young, Hall, Coombes, Keys, Heathcot, Hill, Wyatt, Street, Hall will be admitted. Receipts: #448 1s. (48.19.6; 3.10.6; tickets: 395.11.0)

Performances

Mainpiece Title: A Day In Turkey

Afterpiece Title: Rosina

1106
26 November 1792 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

1107
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

1108
10 June 1794 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Brandon, Hill, Ratchford, Abbot, Simmons, Barnes, Coates, Standen, Bent will be admitted. Receipts: #404 12s. 6d. (64/1/0; 2/18/0; tickets: 337/13/6)

Performances

Mainpiece Title: The Siege Of Meaux

Afterpiece Title: NETLEY ABBEY

Afterpiece Title: THE SICILIAN ROMANCE

Dance: End of 1st piece The Wapping Landlady by Blurton, Mrs Ratchford, &c

1109
30 May 1795 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by W. Wilde, Curteen, Jackson, Gillet, Goostree, Mrs Masters, Miss Hill, Mrs Norton, Finley, Ashwin, Standen, Burton, Goodwin, Coates will be admitted. Receipts: #394 19s. (43.11.6; 4.12.6; tickets: 346.15.0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: The Farmer

Dance: End: The Irish Lilt-

1110
28 September 1795 @ Covent Garden

Event Comment: Paid Messrs Hill, wax-chandlers, #191 2s. Receipts: #271 17s. 6d. (270.0.6; 1.17.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

1111
16 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

1112
31 May 1796 @ Covent Garden

Event Comment: [Account-Book: Tickets delivered by Brandon, Hill, Mrs Masters, Gillet, Mrs Norton, Finley, Ashwin, Simmons will be admitted.] Receipts: #447 4s. (55.7.6; 6.16.0; tickets: 385.0.6)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: The Farmer

1113
08 June 1797 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Mrs Hall (b[ox-keeper]), Warwhick, Robson (p[it door-keeper]), W. Ansell, W. Linton, West, Purkins, Standen, Ashwin, Hill, Morris will be admitted. Receipts: #334 0s. 6d. (35.18.0; 3.13.0; tickets: 294.9.6)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: Two Strings to Your Bow

Song: End: The Little Farthing Rushlight-Young Standen

1114
31 May 1798 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Paskin, Hall (carpenter), Furkins (ditto), Robson (music porter), Strahan, Haseler, Goodwin, Hill, Ledger, Hall (box-keeper) will be admitted. Receipts: #434 15s. 6d. (24.4.0; 2.18.0; tickets: 407.13.6)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

Afterpiece Title: The Raft

Cast
Role: Scaramouchillo Actor: Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Reformed in Time

1115
17 November 1798 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: The Mouth of the Nile

Performance Comment: As17981031, but Principal Characters-Hill, in place of _Incledon.
Cast
Role: Principal Characters Actor: Hill, in place of _Incledon.

1116
22 May 1799 @ Covent Garden

Event Comment: [Account-Book: Tickets delivered by Mrs Egan, Hill, Hall (carpenter), Robson (music porter), Strahan, Simmons, Bologna, Williams, Hay, Findlay will be admitted.] Receipts: #438 18s. (43.18.6; 5.1.0; tickets: 389.18.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Highland Reel

Ballet: End: Lowland Festivity. Jamie-Bologna Jun.; Croudy-Bologna; Jenny-Miss Bologna; Moggy-Mrs Watts

1117
29 May 1660 @ no theater listed

Performances

1118
18 October 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Villain

1119
January 1664 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Lear

1120
13 February 1667 @ no theater listed

Performances

1121
12 June 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Libertine

1122
19 January 1683 @ Drury Lane Theatre

Performances

Mainpiece Title: The City Politiques

1123
22 November 1684 @ Musical Society

Performances

Mainpiece Title: Concert

1124
01 January 1691 @ Whitehall or St. James's

Performances

Mainpiece Title: Concert

1125
04 November 1693 @ Whitehall or St. James's

Performances

Mainpiece Title: Concert