SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Goldsmith"/1) | (@(roleclean,performerclean) "Dr Goldsmith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 387 matches on Event Comments, 369 matches on Performance Comments, 236 matches on Performance Title, 39 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Related Works
Related Work: The Grumbler Author(s): Oliver Goldsmith

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Event Comment: Ninth Day. For the Author. Charges #67 15s. Balance to Goldsmith #98. Paid Dr Goldsmith the balances of his 1st and 2nd nights for The Good Natured Man #145 12s. 6d. #96 15s. (Account Book). Receipts: #165 15s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: Midas

Event Comment: Prologue by Garrick; Epilogue by Cumberland, spoken by Foote and Mrs Jewell. A Comedy Never performed [by Foote]. [Audience included Dr Johnson, Mr Colman, Mr Garrick, Dr Goldsmith, Mr Macpherson, Mr Stevens, Sir Joshua Reynolds, Lord Littleton....So much applause that the audience stopped the play and required one speech repeated (Theatrical Intelligencer).

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: Miss in Her Teens

Dance: II: Double Hornpipe-Master West, Miss West

Event Comment: Paid Dr Goldsmith the balance of his 3rd night of the Good Natured Man of the 9th Inst....#98 (Account Book). Receipts: #124 12s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: Benefit for Mrs Baker. Charges #75 9s. 6d. Profit to Mrs Baker #9 7s. 6d., plus #78 12s. from tickets (Box 98; Pit 272; Gallery 133). Paid Dr Goldsmith the balance of his three nights for the Mistakes of a Night, #502 18s. 6d. (Account Book). Receipts: #84 17s

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Man and Wife

Dance: End Opera: a New Dance-Mas. Langrish as17730426; End II of Comedy: A Hornpipe-Miller, scholar to Fishar

Event Comment: Benefit for Mrs Green. Mainpiece: Written by Dr Goldsmith. Charges #64 5s. Profit to Mrs Green #16 1s. 6d., plus #34 6s. from tickets (Box 56; Pit 108; Gallery 41) (Account Book). Receipts: #80 6s. 6d

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: Man and Wife

Dance: After the Epilogue: A Minuet-Aldridge, Mrs Bulkley; End II of Comedy: A New Dance-Mas. Langrish as17730426 being his third appearance

Ballet: The Wapping Landlady, with Sixfold Hornpipe. As17730424

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Sorcerer

Song: I: A Song-Miss Twist

Dance: I: A Minuet-Aldridge, Miss Twist; II: The Old Ground Young, as17720928; Epilogue. End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes

Performance Comment: End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes.

Performances

Mainpiece Title: She Stoops To Conquer

Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Mother Shipton

Dance: II: The Frolick, as17740416

Entertainment: Recital. An Epilogue [by the late Dr Goldsmith, spoken-Lewes [in the character of Harlequin. [See17730517.

Performance Comment: An Epilogue [by the late Dr Goldsmith, spoken-Lewes [in the character of Harlequin. [See17730517.]in the character of Harlequin. [See17730517.]
Event Comment: Benefit for Edwin. Mainpiece: Written by Dr Goldsmith. Public Advertiser, 20 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

Event Comment: Benefit for Edwin. Public Advertiser, 19 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Written by Dr Goldsmith

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act III of mainpiece The Windsor Lady (an Historical, Tragical, Comical old Ditty); End of Act I of afterpiece Four-and-Tmenty Fiddlers all on a Row, both by Edwin

Monologue: 1785 08 23 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performances

Mainpiece Title: Oedipus, King Of Thebes

Afterpiece Title: The School Boy

Performances

Mainpiece Title: Concert

Music: Consisting of several full Pieces of Vocal and Instrumental Musick by antient and modern Authors, viz. Edwardo Lupi, Paulo Pretti, Wm. Bird, Collonna, Stephani, Corelli, Purcel, Dr Pepusch-

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Lady's Choice

Ballet: The Feast of Bacchus. As17581116

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Country Madcap

Dance: End: The Old ground Young=, as17711030

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Cooper

Dance: As17730630

Performances

Mainpiece Title: Falstaff's Wedding

Afterpiece Title: The Rival Milliners; or, A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

Performances

Mainpiece Title: Elfrida

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Won't See

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke