SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Ford"/1) | (@(roleclean,performerclean) "Dr Ford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 480 matches on Performance Comments, 400 matches on Event Comments, 243 matches on Performance Title, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Jew and the Doctor

Entertainment: Procession End II: A Return from a Tiger Hunt- [to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the +Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Performances

Mainpiece Title: The Villain

Performance Comment: Downes (Roscius Anglicanus, p. 23): Monsieur Brisac-Betterton; Monsieur Beaupre-Harris; Governour-Lilliston; Bontefeu-Young; Maligni-Saunford; Coligni-Price; Bellmont-Mrs Betterton [Mrs Saunderson]; Prologue-.
Cast
Role: Maligni Actor: Saunford

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-. Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Mrs Chambers; Singing in Italian and English-Mrs Forsyth, Mrs Davis, Mrs Grimaldi, being the first Time of their respective Appearances on the Stage

Performances

Mainpiece Title: The Revenge

Afterpiece Title: No Joke Like a True Joke

Song:

Dance:

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027