SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Cook"/1) | (@(roleclean,performerclean) "Dr Cook")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 702 matches on Performance Comments, 443 matches on Performance Title, 433 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: The Mother-in-law; Or, The Doctor The Disease

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Dance: Devisse, Ferrere, Mlle Auretti

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Irishman in London

Song: Lowe

Dance: As17541203

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Beauty and Virtue

Music: I: Concerto on Violincello-Siprutini; II: Concerto on German Flute-Florio

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Brave Irishman

Entertainment: II: The Paraphrase of Shakespeare's Seven Ages of Man-King

Dance: End: As17700428

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Fete The Fete Anticipated

Afterpiece Title: The Flitch Of Bacon

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: A Fete

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks; or, The Credulous Man

Dance: End of mainpiece, as17840311athi

Performances

Mainpiece Title: Turk, And No Turk

Afterpiece Title: Harlequin Teague

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: William and Susan; or, The Sailor's Sheet-Anchor

Afterpiece Title: The Devil upon Two Sticks

Afterpiece Title: Gretna Green

Song: In 1st piece, as17850819; End of 3rd piece, as17850719

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequin's Chaplet

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

Performances

Mainpiece Title: The College Of Physicians; Or, Doctor Last's Examination

Afterpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Song: End II 2nd piece: The Greenwich Pensioner-Dignum

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Performance Comment: Edition of 1677: Prologue-Mr Clark; Sir Oliver Bellingham-Lydell; Sir Robert Malory-Coysh; Captain Mullineux-Goodman; Plush-Wiltshire; Rash-Griffin; Gregory Dwindle-Haynes; Mr William-Powell; Old Thrashard-Watson; Abraham-Styles; Lady Lovely-Mrs Marshal; Lady Malory-Mrs Rutter; Margaret-Mrs Baker; Gillian-Sarah Cook; Barbara-Mrs Knep; Old Gentlewoman-Perrin; Epilogue-.
Cast
Role: Gillian Actor: Sarah Cook

Performances

Mainpiece Title: The Rambling Justice; Or, The Jealous Husbands; With The Humours Of Sir John Twiford

Performance Comment: Edition of 1678: Prologue-Flora; Sir Arthur Twilight-Powell; Sir Generall Amorous-Wilshire; Contentious Surly-Disney; Sir Geoffrey Jolt-Perrin; John Twiford-Powre; Spywell-Mr Q [Cue]; Bramble-Coysh; Eudoria-Mrs Farlee; Petulant Easy-Mrs Merchant; Emilia-Mrs Bates; Flora-Mrs Cook; Epilogue-Sir Arthur.
Cast
Role: Flora Actor: Mrs Cook

Performances

Mainpiece Title: The Sicilian Usurper

Performance Comment: [The History of King Richard the Second, by Nahum Tate.] Edition of 1681: The History of King Richard the Second Acted at the Theatre Royal under the Name of the Sicilian Usurper. Prologue-; Epilogue-Mrs Cook.
Cast
Role: Epilogue Actor: Mrs Cook.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Cast
Role: Countess of Rutland Actor: Mrs Cook

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Performance Comment: Edition of 1681: Prologue-; Wilding-Clark; Townly-Goodman; Sir Wal. Wiseacre-Jermaine; Capt. Porpuss-Griffin; Sir Barn. Whigg-Powell; Benedick-Perin; Swift-Cosh; Gratiana-Mrs Corbet; Livia-Mrs Cook; Millicent-Mrs Moyle; Winifred-Mrs Percival; Epilogue-a New Actress.
Cast
Role: Livia Actor: Mrs Cook

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Downes (Roscius Anglicanus, p. 39): Michael Perez-Betterton; Don Leon-Smith; Cacofogo-Cartwright; Margaretta-Mrs Barry; Estiphania-Mrs Cook.
Cast
Role: Estiphania Actor: Mrs Cook.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown