SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Blow"/1) | (@(roleclean,performerclean) "Dr Blow")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 403 matches on Event Comments, 384 matches on Performance Comments, 264 matches on Performance Title, 23 matches on Author, and 2 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performance Comment: The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate.

Performances

Mainpiece Title: Concert

Performance Comment: An Ode Upon the New-Year, Performed Before their Majesties. Set to Musick by Dr Blow. The Words by N. Tate, Servant to their Majesties.

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performances

Mainpiece Title: The Way To Get Un-married

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Dr. John Blow

Music: A select Band of the best Masters of Instrumental Musick

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Dr. John Blow

Dance: Dancing proper to the Masque-delaGarde, delaGarde's Two Sons, Moreau, Mrs Bullock, Mrs Moreau

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Dr Last's Examination Before the College Of Physicians

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Hamlet

Afterpiece Title: Dr Last in his Chariot

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Falstaff's Wedding

Afterpiece Title: The Rival Milliners; or, A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance-Fishar, Sga Manesiere

Performances

Mainpiece Title: Love For Love

Song: Comical Dialogue between Dr Thornhill and his Old Merry Andrew-Mr Platt, others

Dance: Mr Jones, others

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Englishman in Paris

Song: new Anniversary Ode in Commemoration of Shakespeare written by Havard set to music by Dr Boyce-Beard, Champness

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra