SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Dr Bentley"/1) | (@(roleclean,performerclean) "Dr Bentley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 386 matches on Event Comments, 373 matches on Performance Comments, 233 matches on Performance Title, 42 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Venus and Adonis

Music: As17150312

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Venus and Adonis

Song: A new English cantata, The Britannia Compos'd on the Occasion of his Majesty's Happy Arrival in his Dominions-

Music: Several new Pieces of Instrumental Musick-

Dance:

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Venus and Adonis

Music: The Echo Flute-Paisible

Song: Mrs Barbier

Dance: Mrs Santlow

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Venus and Adonis

Dance: As17151122

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Venus and Adonis

Dance: As17181024

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Afterpiece Title: Venus and Adonis

Dance: As17181129

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Venus and Adonis

Dance: As17190209

Performances

Mainpiece Title: The False Friend

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Venus and Adonis

Song: Mrs Chambers; The Play of Love-Leveridge

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Venus and Adonis

Song: Singing in Italian-Rochetti

Music: Solo on Bass Viol-Sig Chelleri, being the first Time of his appearing on the English Stage

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Venus and Adonis

Performances

Mainpiece Title: The Wonder Or A Woman Keeps A Secret

Afterpiece Title: Venus and Adonis

Song: II: The Smiling Hour by Handel-Mrs Storer; III: From Rosie Bowers by Henry Purcel-Mrs Storer

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Performances

Mainpiece Title: Oedipus King Of Thebes

Afterpiece Title: The School Boy