SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dowager Countess of Sunderland"/1) | (@(roleclean,performerclean) "Dowager Countess of Sunderland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 129 matches on Performance Comments, 70 matches on Event Comments, 51 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [G$Genest, V, 140, notes that Bannister's name does not appear in the playbill; the Public Advertiser bill, which does not specify any parts, includes Bannister as well as Strange, Loveman, Keen, and Smith, for which there is no support in the 1767 edition.] Before six went into the Pit to see the new tragedy of The Countess of Salisbury performed for the first time. One cannot judge perfectly of a Play without reading it, but it was received with vast applause. The author being an Irishman, Weston spoke a Prologue in the character of an Hibernian (Neville MS Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Parts by Barry, ThomasBarry, Palmer, Gardner, Keen, Bannister, Smith, Sowdon, Strange, Loveman, Mrs Burden, Miss Palmer, Mrs Dancer. Alwin-Barry; Raymond-ThomasBarry; Grey-Sowdon; Morton-J. Palmer; Leroches-Gardner; Lord William-Miss Palmer (first appearance in this kingdom); Countess-Mrs Dancer; Eleanor-Mrs Burden; Sir Ardolf-Bannister; Epilogue-Mrs Dancer (Edition of 1767); Prologue-Weston in the character of an Hibernian (Neville); Parts-Keen, Smith, Strange, Loveman.
Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: Lethe

Dance: End: Dance-Miss Froment

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Siddons's 1st appearance as the Countess of Salisbury was at Bath, 25 Nov. 1778.] "So thoroughly wretched, so utterly destitute of all Requisites is this Tragedy ... that it excites with Wonder not a little Indignation that the unexampled Genius of such an actress [as Mrs Siddons] should be wasted on Dullness if possible yet more unexampled" {Public Advertiser, 8 Mar.). Receipts: #275 0s. 6d. (256/7/0; 16/19/6; 1/9/0; ticket not come in: 0/5/0)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith; Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Kenny, &c.; Lord William-Miss Heard; Raymond-Palmer; Eleanor-Miss Kemble; Countess of Salisbury-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deserter

Event Comment: The True News; or, Mercurius Anglicus, 4-7 Feb. 1679@80: On Munday night last happened a great dispute in the Duke's Play-house, some Gentlemen in their Cupps entring into the Pitt, flinging Links at the Actors, and using several reproachfull speeches against the Dutchess of P. and other persons of Honour, which has occasioned a Prohibition from farther Acting, till his Majesties farther pleasyre. A letter written by the Dowager Countess of Sunderland to Henry Sidney, dated 6 Jan. 1679@80 [possibly misdated] refers to disorders which are similar to those recorded in The True News: You must needs hear of the abominable disorders amongst us, calling all the women whores and the men rogues in the playhouses--throwing candles and links--calling my Lord Sunderland traitor, but in good company; the Duke of York?, rascal; and all ended in "God bless his Highness, the Duke of Monmouth. We will be for him against the world." I am told they may be fined a great deal if they are prosecuted. Two of these are knights of shires, Sir Scroope How, and my Lord Wharton's@eldest son; the only sufferer yet is Porter. They are ashamed, I hear, and afraid (R. W. Blencowe, Diary of the Times of Charles the Second by the Honourable Henry Sidney [London, 1843], I, 237)

Performances

Event Comment: The Dowager Countess of Sunderland to Henry Sidney, 19 Feb. 1679@80: The players have been disturbed again by drunken people's jokes. They called my Lord Arran a rogue; and one Fitzpatrick pointed at Mr Thinne, and called him that petitioning fool, and swore a hundred oaths; he said that he deserved #20,000 a-year, but that fool deserved nothing (R. W. Blencowe, Diary of the Times of Charles the Second [London, 1843], I, 279-80). See also 2 and 9 Feb. 1679@80

Performances

Event Comment: NNeville MS Diary: At Davies read the Countess of S. At 7 went into the Pit....a foolish Epilogue is spoken by Mrs Dancer, which tends to lessen the impression made by the excellent moral of the Play

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: The Lying Valet

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Barry; Raymond-Packer; Grey-Aickin; Morton-Palmer; Sir Ardolf-Hurst; Laroches-Strange; Lord William-Miss Collett; Peasant-Ackman; Knights-Keen, Fawcett, Fox; Eleanor-Mrs Reddish; Countess of Salisbury-Mrs Barry.

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Powell; Raymond-Bensley; Grey-Clarke; Morton-Perry; Laroches-Gardner; Sir Ardolph-Morris; Peasant-Lewis; Lord William-Miss Cockayne; Eleanor-Mrs DuBellamy; Countess of Salisbury-Mrs Yates.

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Barry; Raymond-Reddish; Grey-Aickin; Morton-Palmer; Laroches-Hurst; Sir Ardolf-Bannister; Lord Williams-Miss Collett; Peasant-Ackman; Knights-Keen, Fawcett; Eleanor-Mrs Reddish; Countess of Salisbury-Mrs Barry.

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Cautherly, first time; Lord William-Master J. Bannister; Eleanor-Miss Ambrose; Raymond-Reddish; Grey-Aickin; Morton-Palmer; Sir Ardolph-Bannister; Countess of Salisbury-Mrs Barry; Laroches-Hurst; Peasant-Ackman; Knights-Wright, Fawcett (playbill).

Afterpiece Title: The Male Coquette

Dance: V: The Sailors Revels, as17720919

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Lewis (1st appearance in that character); Raymond-Wroughton; Grey-Clarke; Laroche-Whitefield; Morton-L'Estrange; Sir Ardolph-Fearon; Peasant-Booth; Knight-Robson; Eleanor-Miss Dayes; Countess of Salisbury-Mrs Barry.

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Dance: As17761223

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Aickin (1st appearance in that character); Raymond-Wroughton; Grey-Clarke; Laroche-Whitfield; Morton-L'Estrange; Sir Ardolphe-Fearon; Peasant-Booth; Knight-Robson; Ld. William-Miss Francis; Eleanor-Mrs Morton; Countess of Salisbury-Mrs Barry.

Afterpiece Title: Poor Vulcan

Dance: As17780121

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith (1st appearance in that character); Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Philimore, Fawcett, Norris; Lord William-Miss G. Abrams; Raymond-Palmer; Eleanor-Miss Sherry; Countess of Salisbury-Miss Younge (1st appearance in that character).

Afterpiece Title: The Author

Dance: End: Minuet de la Cour, as17780919; Allemande, as17780919

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Henderson (1st appearance in that character [in London]); Raymond-Wroughton; Grey-Clarke; Laroche-Whitfield; Morton-L'Estrange; Sir Ardolph-Fearon; Peasant-Booth; Knight-Robson; Ld. William-Miss Langrish; Eleanor-Mrs Lewis; Countess of Salisbury-Miss Younge.

Afterpiece Title: Harlequin Every-where

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Salisbury-Palmer; Gray-Aickin; Morton-R. Palmer; Sir Ardolf-Egan; Lord William-Miss Langrish; Leroches-Gardner; Knights-Davis, Kenny; Raymond-Bannister Jun.; Eleanor-Mrs Poussin; Countess of Salisbury-Mrs Crawford.

Afterpiece Title: The Wedding Night

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Crawford; Grey-Aickin; Morton-Farren; Sir Ardolph-Norris; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Griffiths; Lord William-Miss Langrish; Raymond-Palmer; Eleanor-Miss Sherry; Countess of Salisbury-Mrs Crawford.

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Kemble; Raymond-Barrymore; Lord William-Master Chatterley; Grey-Caulfield; Morton-C. Kemble; Sir Ardolf-Packer; Leroches-Holland; Knights-Trueman, Gibbon; Peasant-Maddocks; Countess of Salisbury-Mrs Siddons; Eleanor-Miss Tidswell.

Afterpiece Title: Comus

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue by the author (Morning Chronicle, 9 Aug.)]: New Scenes painted by Rooker. Public Advertiser, 30 Aug. 1779: This Day is published Albina, Countess Raimond (price not listed)

Performances

Mainpiece Title: Albina, Countess Raimond

Afterpiece Title: Piety in Pattens

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: [Principal Characters by Bensley, Kemble, Aickin, Bannister Jun., Whitfield, C. Kemble, Benson, Caulfield, Bland, Packer, King, R. Palmer, Phillimore, Mrs Powell, Mrs Jordan, Mrs Booth, Miss Miller, Miss Tidswell. Cast from text (J. Debrett, 1793 [sic]) conflated With Genest, VII, 183: King-Bensley; Bertram-Kemble; Lafeu-Aickin; Clown-Bannister Jun.; Dumain-Whitfield; Lewis [i.e. 2nd Lord ]-C. Kemble; Biron [i.e. 1st Gentleman ]-Benson; Jaquez [i.e. 2nd Gentleman ]-Caulfield; Tourville [i.e. Astringer ]-Bland; Steward-Packer; Parolles-King; Soldier (Interpreter)-R. Palmer; Soldier-Phillimore; Countess-Mrs Powell; Helena-Mrs Jordan; Widow-Mrs Booth; Diana-Miss Miller; Mariana-Miss Tidswell.
Cast
Role: Countess Actor: Mrs Powell

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Countess of Essex-Mrs Bracegirdle.

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: The School Boy

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: The School Boy

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: Miss in Her Teens

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: A Duke and no Duke

Dance: End: Miss Froment