SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don John de Nasaquitine"/1) | (@(roleclean,performerclean) "Don John de Nasaquitine")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9938 matches on Author, 2083 matches on Performance Comments, 1315 matches on Performance Title, 1274 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: See a note from the Marquis Cattaneo to the Duke of Modena (in Campana de Cavelli, Les derniers Stuarts [Paris and London, 1871], I, 171), in which he states that the entire court went three or four times to see The Man of Mode

Performances

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Event Comment: Rich's Company. The date of the premiere is not known, but the second edition (1700) states: The first appearance of this Play was on a Wednesday in Lent; for then (it seems) the Town look for a bad Entertainment. [As the play was advertised in the Flying Post, 2 April 1700, the first performance probably occurred in early March.] A Prologue by Sir Charles Sedley which may have been intended for this play is in Sedley's Works, ed. V. de Sola Pinto (London, 1928), I, 46-47, 288-89. A song in this play, separately printed ca. 1700, indicates that the music was composed by Daniel Purcell and that the song was sung by Mrs Erwin

Performances

Mainpiece Title: The Reform'd Wife

Performance Comment: Edition of 1700: Sir Solomon Empty-Johnson; Freeman-Wilks; Careless-Toms; Clerimont-Mills; Doctor-Haines; Astrologer-Fairbank; Astra-Mrs Knight; Clarinda-Mrs Rogers; Sylvia-Mrs Temple; Lady Dainty-Mrs Verbruggen; Mrs Friendly-Mrs Powell; Fidelia-Mrs Moor; Cloe-Mrs Stephens; Pert-Mrs Baker; Prologue-; Epilogue-the Sickly Lady.
Cast
Role: Sir Solomon Empty Actor: Johnson

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Cheats of Scapin

Event Comment: Benefit Mrs Fitzgerald. For the Entertainment of His Excellency Don Bentura de Zari, the Emperor of Morocco's Ambassador. Tickets 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music Italian and English-; [Note, At the Desire of several Gentlemen, Mrs Fitzgerald's voice accompanied by] Trumpet and German Flute-Mr Grano; [The Consort opening with an entire new Trumpet Sonata-

Performances

Mainpiece Title: Les Fourberies D'arlequin; Ou, L'etourdye

Related Works
Related Work: Nina Author(s): John Wolcot

Afterpiece Title: Le George Dandin

Dance:

Performances

Mainpiece Title: Mutius Scaevola

Performances

Mainpiece Title: Pourceaugnac

Related Works
Related Work: Squire Trelooby Author(s): John Vanbrugh

Afterpiece Title: Les Amans Trompes

Dance:

Performances

Mainpiece Title: Le Joueur

Dance:

Performances

Mainpiece Title: Andromaque

Afterpiece Title: Le Cocu Imaginaire

Performances

Mainpiece Title: Grondeur

Afterpiece Title: Arlequin Cartouche

Performances

Mainpiece Title: Brittanicus

Afterpiece Title: La Serenade

Performances

Mainpiece Title: Lavare

Afterpiece Title: Lepreuve Reciproque

Dance: Glover, being the first time of his appearing on this Stage

Performances

Mainpiece Title: Rodogune

Afterpiece Title: Les Precieuses Ridicule

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Related Works
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Performances

Mainpiece Title: Arlequin & Scaramouch Soldats Deserteurs

Afterpiece Title: Le Mariage Force

Performances

Mainpiece Title: Arlequin Petit Maitre A Bonne Fortune

Afterpiece Title: Arlequin Esprit Follet

Performances

Mainpiece Title: Le Joueur

Afterpiece Title: Les Deux Octaves

Performances

Mainpiece Title: Les Facheaux

Afterpiece Title: George Dandin

Performances

Mainpiece Title: Le Joueur

Afterpiece Title: La Guirlande Enchantee

Performances

Mainpiece Title: La Tartuffe

Performances

Mainpiece Title: Zaire

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond