SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don Bentura de Zari"/1) | (@(roleclean,performerclean) "Don Bentura de Zari")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 993 matches on Performance Title, 430 matches on Performance Comments, 164 matches on Event Comments, 158 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Convito

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

Performances

Mainpiece Title: La Buona Figliuola

Related Works
Related Work: La Buona Figliuola Author(s): Carlo Goldoni

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

Performances

Mainpiece Title: I Rivali Delusi

Related Works
Related Work: Il Rivali Delusi Author(s): Carlo Goldoni

Dance: End of Act I Friendship leads to Love, as17831206, but omitted: Lepicq, Slingsby, Mme Simonet, and with a Pas de Deux by Lepicq and Mme Rossi; End of Opera Le Coca du Village, as17840302athi

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rival Knights

Afterpiece Title: Rose and Colin

Dance: End of Act II of mainpiece a Dramatic Romance, Adelaide de Brabant; or, The Triumph of Virtue. Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere

Performances

Mainpiece Title: Too Loving By Half

Afterpiece Title: The Winter's Tale

Afterpiece Title: Rosina

Dance: End of 2nd piece Adelaide de Brabant, as17840508

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece Adelaide de Brabant, as17840508

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Duke and No Duke

Dance: End of mainpiece The Minuet de la Cour by the Miss Stageldoirs

Song: Between the Acts of mainpiece Gramacbree Molly, as17840503

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Dance: Afterpiece: With the Minuet de la Cour by Hamoir and Miss M. Stageldoir

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement, as17841218, with a new Pas de Deux by Sg and Sga Angiolini; End of Opera Le Tuteur Trompe, as17850101

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Il Convito degli Dei, as17850205; End of Opera an entirely new Divertisement (composed by Lepicq) Le Jugement de Paris by Lepicq, Mme Rossi, Nivelon, Mlle Dorival, Frederic, Sga Angiolini. [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).]

Performance Comment: [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).] hathi.

Performances

Mainpiece Title: Il Pittore Parigino

Dance: End of Act I Le Jugement de Paris, as17850212; End of Opera The Deserter, as17850122

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Divertissement, as17850224; End of Opera an entirely new Ballet (composed by Lepicq; the music by Gluck); Convitato di Pietra by Lepicq, Mme Rossi, Sg and Sga Angiolini, Frederic, Nivelon, Mlle Dorival, in which a Pas de Trots; the Orchestra accompanied on the harp by Cardon

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performance Comment: ] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312 .

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Caldron

Dance: End of Act III of mainpiece the Minuet de la Cour and Gavot by Master Butler and a Young Lady [unidentified] (both Scholars to Miller); End of mainpiece a Double Hornpipe by Master Butler and the same Young Lady

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Deserter

Dance: End of Act I of mainpiece the Minuet de la Cour by Harris and Miss Besford; After Mrs Kennedy's song The Wapping Landlady; or, Jack in Distress by Blurton

Song: End of Act II of mainpiece Alas! Poor Sue, as17850418; End of mainpiece a favourite song by Mrs Kennedy

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Lyar

Dance: End of Act II of mainpiece the Minuet de la Cow by Brigg and Miss Stageldoir; End of Act III Hornpipe by Bourk