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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don Bentura de Zari"/1) | (@(roleclean,performerclean) "Don Bentura de Zari")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1603 results for: Keyword - Don Bentura de Zari
We found 993 matches on Performance Title, 430 matches on Performance Comments, 164 matches on Event Comments, 158 matches on Author, and 0 matches on Roles/Actors.

601
15 May 1777 @ King's Theatre

Performances

Mainpiece Title: La Fraschetana

Performance Comment: As17761105, but Nardone-Massimino.
Cast
Role: Nardone Actor: Massimino.
Role: Don Fabrizio Actor: Fochetti
Role: Donna Stella Actor: Sga Maria Prudom

Dance: End I: New Serious Ballet, as17770412; End II: Les Amans Heureux, as17770104; End Opera: Serious Ballet, as17770225Chaconne-_, Pas de deux-_

602
20 May 1777 @ Covent Garden

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Frolicks

Dance: End III: Minuet de la Cour, Allemande-Mr and Mrs Holloway; End IV: The Shepherd's Wedding, as17770215; End: a Minuet-Dumay, Sga Tinte; Afterpiece: Rural Dance, as17770121

603
03 June 1777 @ King's Theatre

Performances

Mainpiece Title: I Capricci Del Sesso

Cast
Role: Don Grillo Actor: Micheli

Dance: End I: La Force de l'Amour, as17761214; End II: New Serious Ballet, as17770412; End Opera: La Clochette, as17770531

604
11 June 1777 @ Haymarket Theatre

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

605
05 July 1777 @ King's Theatre

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Clochette, as17770617, but omitted: Sga Zuchelli; End II: Minuet de la Cour, as17770508; End Opera: Serious Ballet-Mons and Mme Simonet, Vallouy@le@cadet, Mlle Baccelli

Song: Preceding last ballet: Address of Thanks (composed for the occasion by Rauzzini)-Rauzzini, Miss Storace

606
04 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Performance Comment: Principal Characters by Jermoli, Rossi, Coppola, Micheli, Sga Jermoli, Sga Prudom. Sga Todi. Cast from libretto (T. Cadell, 1777): Cavaliere della Piuma-Guglielmo Jermoli; Don Grillo-Antonio Rossi; Lucindo-Giuseppe Coppola; Prospero-Micheli; Livietta-Sga Jermoli; Arminda-Sga Prudom; Contessa di bel Colore-Sga Luiggia Todi.
Cast
Role: Don Grillo Actor: Antonio Rossi

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

607
07 November 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Deserter

Dance: End III: The Minuet de la Cour-Master Holland, Miss Armstrong

608
11 November 1777 @ Drury Lane Theatre

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

609
18 November 1777 @ Covent Garden

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

610
24 February 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Le Devin du Village, as17771104; End II: Divertisement, as17780207; End Opera: a new Grand Ballet Espagnol, La Serenade Interrompuee-Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; in which a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guitarre-Noferi

611
03 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Related Works
Related Work: L'Amore Artigiano Author(s): Carlo Goldoni

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

612
10 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Related Works
Related Work: L'Amore Artigiano Author(s): Carlo Goldoni

Dance: End I: Le Devin du Village, as17771104; End II: Masquerade Dance, as17780303but a Minuet-Simonet, Sga Jermoli in place of Minuet de la Cour and Gavot; Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Polonaise Favourite, as17780131, but Mlle _Baccelli

613
17 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Related Works
Related Work: L'Amore Artigiano Author(s): Carlo Goldoni

Dance: End I: Le Devin du Village, as17780303End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande al la Strasbourgeiose, as17780303End Opera: La Serenade Interrompuee, as17780303

614
28 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Divertisement, as17780207; End II: Les Bohemiens, as17771216; End Opera: Masquerade Dance, as17780303Minuet de la Cour=, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303

615
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Related Works
Related Work: La Buona Figliuola Author(s): Carlo Goldoni

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

616
02 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irish Widow

Dance: End II: The Minuet de la Cour, as17771111; End: Hornpipe-Miss Walpole; End I afterpiece: The Sailors' Revels, as17780425

617
08 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Waterman

Dance: End II: Minuet de la Cour-the Miss Stageldoirs; End: Double Hornpipe-Master Staples (scholar of Blurton; 2nd appearance), Miss Stageldoirs; End I afterpiece: The Irish Fair-Blurton, Mrs Sutton [1st appearance this season]

618
11 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: End II: Minuet de la Cour, as17780508

619
12 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: Minuet de la Cour, as17780508

620
12 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Cast
Role: Don Faustino Actor: Guglielmo Jermoli
Role: Don Anselmo Actor: Rossi

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End II: Les Bohemiens, as17771216; End Opera: Serious Ballet, as17780120

621
13 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: End I: Minuet de la Cour, as17780508; End IV: Rural Grace, as17780113

622
15 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: IV: New Dance, as17771125; End I afterpiece: The Minuet de la Cour, as17771111

Song: In: He's Aye Kissing Me, as17780428

623
16 May 1778 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

624
18 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Irish Widow

Dance: End II: Hornpipe-Walker; End I afterpiece: Minuet de la Cour, as17780512

Song: As17780515

Entertainment: Monologue. End: Bucks have at ye All-R. Palmer

625
25 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Carleton Jun., Hind, Shade & Bayne. Tickets sold at the doors will not be admitted. Tickets delivered for a comic opera [Love in a Village, announced on playbill of 23 May] and by Barrett and McDonald will be taken. Receipts: #258 11s. 6d. (19.4.0; 7.2.6; 0.1.0; tickets: 232.4.0) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lyar

Dance: End II: Minuet de la Cour, as17780508