SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dogget"/1) | (@(roleclean,performerclean) "Dogget")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 206 matches on Roles/Actors, 124 matches on Performance Comments, 24 matches on Event Comments, 8 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Maid In The Mill

Song: A dialogue from The Mad Lover-Boman, Dogget in women's clothes; another dialogue-Cook, Godwin, the latter for his first appearance on the stage; Hark ye Madam from Love's a Jest-

Dance: New Scenev between a Drunken Beau and a Chimney/Sweeper-; several dances-Laithfield, Mrs Evans, Firbank, Firbank's scholar

Performances

Mainpiece Title: The Amorous Widow

Song: A new Comical Dialogue between-Dogget, Cooke; humorous songs-Mrs Willis, Pack

Dance: deBarques, Mrs Elford, others; comical dances-Fairbank, Mrs Bignal, Layfield

Performances

Mainpiece Title: The True And Antient History Of King Lear

Song: Comical Songs and Dialogues from Wonders in the Sun-; particularly a Song-Mrs Willis representing one of Queen Elizabeth's Dames of Honour ; Comical Dialogue-Pack, Bowman , representing a vain promising Courtier and a Sycophant ; a Comical Dialogue-Dogget, Cook representing a Widdow in Tears for the Loss of her Husband and a Town Rake making Love to her

Dance: A new Entry-deBarques, Mrs Elford; French Peasant-Firbank, Mrs Bicknell; The famous Italian Scaramouch-Layfield

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

Event Comment: In spite of decrees concerning the transfer of a player from one house to another, Dogget entered into an agreement with Rich's Company. See Nicoll, Restoration Drama, pp. 338-39. Cibber, Apology, I, 229: And the late Reputation which Dogget had acquired from acting his Ben in Love for Love, made him a more declared Male-content on such Occasions; he over-valued Comedy for its being nearer to Nature than Tragedy, which is allow'd to say many fine things that Nature never spoke in the same Words; and supposing his Opinion were just, yet he should have consider'd that the Publick had a Taste as well as himself, which in Policy he ought to have complied with. Dogget, however, could not with Patience look upon the costly Trains and Plumes of Tragedy, in which knowing himself to be useless, he thought were all a vain Extravagance: And when he found his Singularity could no longer oppose that Expence, he so obstinately adhered to his own Opinion, that he left the Society of his old Friends, and came over to us at the Theatre-Royal: This happened in the Winter following the first Division of the (only) Company

Performances

Event Comment: Cibber, Apology, I, 203-9, refers to an incident which occurred after the division of the companies, perhaps early in their competition. Essentially, Drury Lane, learning that Lincoln's Inn Fields was to act Hamlet on a Tuesday, posted it for Monday at Drury Lane, whereupon Betterton's Company, having announced The Old Batchelor for Monday, cancelled it in favor of Hamlet. As a countermove, Drury Lane altered its program to The Old Batchelor on Monday, Powell to mimic Betterton. A last-minute discovery that no one had been assigned to Fondlewife, originally played by Dogget, gave Cibber an opportunity to play the role, which he learned on short notice and which he acted with applause; he was pleased to see Dogget in the pit watching his performance

Performances

Event Comment: Dryden to Walsh, 9 May 1693: The play I am now writeing is a feignd story: & a Tragicomedy of the nature of the Spanish Fryar: And I am sure the tale of it is likely to be diverting enough. I have plotted it all; & written two Acts of it. This morning I had their chief Comedian whom they call Solon [Dogget], with me; to consult with him concerning his own Character: & truly I thinke he has the best Understanding of any man in tihe Playhouse (Letters of John Dryden, p. 54)

Performances

Event Comment: The Lord Chamberlain, L. C. 7@1--see Nicoll, Restoration Drama, p. 339-hearing that Dogget had left Lincoln's Inn Fields and Verbruggen had left Drury Lane, restated the order against players shifting companies, and ordered that Verbruggen was to stay with Drury Lane until 1 Jan. 1696@7 but that he might enter into agreement with Lincoln's Inn Fields to act there after the close of 1696

Performances

Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: The profit of the Galleries are for the Benefit of Mr Dogget and Mr Wilks, they having Farmed it of the performers. [See 21 March.

Performances

Mainpiece Title: Concert

Music: Purcell's Music for the Prize-

Event Comment: The Prize Musick, Compos'd by Mr Weldon, the Profits of the Galleries being for the Benefit of Mr Dogget and Mr Wilks, they having Farm'd 'em of the Performers. [See 21 March.

Performances

Mainpiece Title: The Judgment Of Paris

Event Comment: The Gallerys being at the same rates as at the single performances. Benefit Dogget and Wilks, they having farmed the performers. [See 21 March.

Performances

Mainpiece Title: Concert

Music: All the pieces of Musick contending for the Prize-

Event Comment: Benefit Dogget. At the Desire of several Persons of Quality. [See Tatler, 14 Jan. and 19 Jan.

Performances

Mainpiece Title: Love For Love

Event Comment: [The transfer of the company from the queen's to dl was made without fanfare. On 6 Nov. Swiny, Wilks, Cibber, and Dogget had been granted a license to established a company; see Nicoll, pp. 275-76.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: Weekly Journal or Saturday's Post, 23 Sept.: Last Wednesday died the Celebrated Comedian, Mr Tho Dogget, formerly one of the Masters of the Play-House in Drury-Lane

Performances

Event Comment: Mainpiece: Written by the late Mr Congreve. Afterpiece: Alter'd from the Country-Wake, written by the late Mr Dogget

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Flora

Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett