SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doge and Senate of Venice"/1) | (@(roleclean,performerclean) "Doge and Senate of Venice")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 968 matches on Performance Title, 100 matches on Event Comments, 33 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. [Mainpiece in place of Theodosius, announced on playbill of 24 Feb.] Receipts: #264 1s. (261/11; 2/10)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love in a Camp

Dance: End of Act III of mainpiece Leap Year [performers not listed, but see17851010]; End of Act IV The Piping Pedlar, as17851112

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: All the Worlds a Stage

Dance: End of Act III of mainpiece The Lucky Return, as17860105, but Mills in place of Williamson; End of Act IV Minuet de la Cour, as17860116

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Daphne and Amintor

Dance: End of Act III of mainpiece The Lucky Return, as17860420; End of Act IV, as17860116; In afterpiece, as17860424

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Daphne and Amintor

Dance: As17860429 throughout

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Piping Pedlar, as17861002

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: The Drunken Sailor Reclaim'd, as17861212

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: A Mogul Tale

Dance: End III: Love for Love, as17870625 End IV: Dance-Giorgi's Scholars

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Hurly Burly

Dance: End III: New Dance, as17871026; End IV: The Capricious Lovers, as17870920; In afterpiece: Dancing, as17871123

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Performance Comment: Principal Characters by Morelli, Morigi, Balelli, Calvesi, Fineschi (1st appearance); Sga Sestini, Sga Storace. Cast from libretto (D. Stuart, 1787: Taddeo-Morelli; Acmet-Morigi; Gafforio-Balelli; Teodoro-Calvesi; Sandrino-Fineschi; Belisa-Sga Sestini; Lisetta-Sga Storace.
Cast
Role: Sandrino Actor: Fineschi

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: End III: As17870920; End IV:a Scotch Dance, The Lucky Return-Mills, the Miss Stageldoirs

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: As17871129

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: As17880105

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: a New Divertisement-Byrne, Mrs Goodwin

Event Comment: By Command of Their Majesties. The Heiress [advertised on playbill of 31 Jan.] is deferred till Monday next. [Afterpiece in place of Selima and Azor, advertised on playbill of 31 Jan. Prologue by James Cobb.] Receipts: #238 6s. 6d. (219.17.0; 18.7.0; 0.2.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Humourist

Dance: End III: As17870920; End IV: a Scotch dance, The Lucky Return-Mills, Miss Blanchet, Miss J. Stageldoir

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: As17880124

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: As17880110

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: As17881001

Event Comment: "In the interview with Tubal [Kemble] would have proved successful in marking the rapid transitions between his joy and grief...had not his voice somewhat failed him, being exhausted by the great exertion immediately preceding" (Public Advertiser, 19 Jan.). Receipts: #156 5s. 6d. (131.1.0; 24.11.0; 0.13.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Selima and Azor

Cast
Role: Scander Actor: Sedgwick

Dance: End III: Jamie's Return-[see17890107]; End IV: Minuet de la Cour and Gavot-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Macklin. [This was his last appearance on the stage; his 1st was c. 1716. In the middle of his first scene his memory failed him, and Ryder, who had been asked by the manager to be prepared for this eventuality, finished the part (Public Advertiser, 9 May; William W. Appleton, Charles Macklin, 1960, 225-27).

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Death of Captain Cook

Dance: End IV: Fortune's Favor-Byrn, Mrs Goodwin, Mrs Ratchford

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Poor Soldier

Dance: End IV: Tamborine Dance, as17891021

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time; C 4, author unknown, not in Larpent MS; not published. Epilogue by Robert Merry (World, 30 Apr.). On 11 May acted as The Female Pursuit]: Taken from Moor's Gil Blas. Public Advertiser, 27 Apr.: Mrs Wells trusts the Public will have the Candour to excuse her not appearing in the Play, as the principal Woman's Character has many changes in it, and the Fatigue of going through various and numerous Imitations would render her incapable of undertaking it. Gazetteer, 9 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #301 14s. (166.2; 10.1; tickets: 125.11)

Performances

Mainpiece Title: The Female Adventure Or Stop Her Who Can

Afterpiece Title: Cymon

Cast
Role: Urganda Actor: Mrs Martyr

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Performance Comment: i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Bon Ton

Dance: As17891106