SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doge and Senate of Venice"/1) | (@(roleclean,performerclean) "Doge and Senate of Venice")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 968 matches on Performance Title, 100 matches on Event Comments, 33 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Wright and Keen. Rec'd stopages #14 12s.; Paid salary list #525 12s.; Mr King's extra salary #3. Receipts: #133 12s. Charges: #65 15s. Profits to beneficiaries: #67 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock, in the Jewish Dialect-Johnson; Antonio-Lewis; Gratiano-Russell; Lorenzo (with a song)-Bradney; Duke-Saul; Launcelot-Jacobs; Gobbo-Lucas; Tubal-Errington; Bassanio-West; Nerissa-Mrs Simmons; Jessica (with a Song)-Mrs Moore; Portia-a Young Lady; first appearance on the English stage. An Occasional Epilogue written for and spoken-Johnson.

Afterpiece Title: The Snuff Box or A Trip to Bath

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Daguville, Miss Macklin; End: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: A New Comic Dance -Langrish, as17750429 End: The Enchantress, as17750201

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End: The Pilgrim, as17750927

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: The Pilgrim, as17750927; IV: The Gamesters, as17751011

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Dagueville, Miss Macklin; III: The Pilgrim-Harris, Miss Mathews, as17750927; IV: Rural Merriment, as17751220

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Pilgrim, as17761009; End IV: Mirth and Jollity, as17761015

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Pilgrim, as17761009; End IV: The Frolick, as17761120

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Pilgrim, as17761009; End IV: Pastoral Dance, as17761123

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: a new comic dance, The Shepherd's Wedding-Harris, Miss Matthews; End IV: As17761123

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

Event Comment: Benefit for Miss Macklin [and her last appearance on the stage]. Public Advertiser, 3 Apr.: Tickets to be had of Miss Macklin, No. 59, Great Queen-street, Lincoln's Inn Fields. Receipts: #191 16s. (151.6; tickets: 40.10) (charge: #64 10s.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End I: Minuet-Aldridge, Miss Macklin; End III: The Shepherd's Wedding, as17770215; End IV: The Frolick, as17761120

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Performance Comment: The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)].

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Piety in Pattens

Dance: As17770611

Event Comment: Ladies and Gentlemen who have taken Places are desired to send their Servants to the Door in Suffolk-Street by Five o'Clock

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Midas

Dance: End III: The Haymakers-[see17770611; End IV: The Venetian Regatta, as17770611

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Recruiting Serjeant

Dance: As17770618

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Fairy Tale

Dance: As17770618

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Portrait

Cast
Role: Leander Actor: Bannister

Dance: As17770618

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002