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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "David Rizzio"/1) | (@(roleclean,performerclean) "David Rizzio")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3141 results for: Keyword - David Rizzio
We found 2885 matches on Author, 160 matches on Performance Comments, 103 matches on Event Comments, 40 matches on Performance Title, and 0 matches on Roles/Actors.

2926
31 March 1800 @ Covent Garden

Performances

Mainpiece Title: Management

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

Music: Afterpiece: The Harp-Weippert. [This was included in all subsequent performances.

2927
01 April 1800 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

2928
03 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

2929
14 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325but Welsh Men & Women-_.

Afterpiece Title: The Hermione

2930
16 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

2931
18 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

2932
21 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

2933
15 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Afterpiece Title: St

Performance Comment: David's Day. As18000414, but added Young Shenkin was born in Montgomeryshire-Townsend.

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

2934
28 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: St

Performance Comment: David's Day. As18000414.

Afterpiece Title: The Hermione

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

2935
06 June 1800 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Performance Comment: David's Day. As18000414.

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

2936
02 September 1721 @ Southwark Fair

Performances

Mainpiece Title: The True, Famous And Ancient History Of King Saul, And The Witch Of Endor; Containing The Death Of Gyant Goliath, The Friendship Of David And Jonathan, And The Defeat Of King Saul And His Host, By The Philistine Army; With The Comical Humours Of Dame Double-dabber, Weezel Her Son, And Corporal Bowling-pin

Song: Ray, Mrs Bowman

Dance: The best Masters

2937
30 April 1739 @ Drury Lane Theatre

Performances

Mainpiece Title: The Albion Queen; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: The Beggar's Wedding

Song: II: Oh Happy Pair-Beard; IV: Mary Scot-Mrs Clive

Music: In V: By particular Desire, the Dead March in the last New Oratorio, called Saul and David, by Mr Handel-

Dance: V: Punches Dance-Master Ferg, Miss Wright

2938
13 January 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Virgin Unmasked

Dance: As17420112, but David apShenkin, Winifred +apShenkin, M +Granier, +Osbeldiston, Mrs +Bullock, Mrs +Vallois

2939
08 February 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: A Peep Behind the Curtain; or, The New Rehearsal Author(s): David Garrick

Afterpiece Title: The Contrivances

Dance: TThe Leek-David and Winifred apShenkin, Granier, Osbaldiston, Mrs Bullock, Mrs Vallois

2940
24 February 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The School Boy

Dance: TThe Leek-David and Winifred apShenkin

2941
25 March 1742 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Virgin Unmasked

Dance: II: A Peasant-Carney; III: Scots Dance-Master Granier, Miss Granier; V: The Leek-the Son and Daughter of David apShenkin

2942
22 April 1742 @ Goodman's Fields

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

2943
27 May 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Virgin Unmasked

Dance: TThe Welshman's Triumph, or Death of the Wild Goat-son and daughter of David and Winifred apShinken

2944
21 May 1800 @ Covent Garden

Performances

Mainpiece Title: St David's Day

Afterpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

2945
06 November 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. Beginning with 8 Dec. reduced to an afterpiece of 3 short acts. Prologue by the author (World, 7 Nov.)]: With new Scenes, Dresses, &c. The Music by Handel, Rizzio, J. C.? Bach, Gretry, Corri, and Shield [who compiled the music of the other composers]. Books of the Songs to be had at the Theatre. Afterpiece: In I act. [Miss Fontenelle is identified on playbill of 22 Nov.] Account-Book, 17 Mar. 1789: Paid O'Keeffe in full for Highland Reel #67 10s. Receipts: #263 11s. 6d. (257.1.6; 6.10.0)

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: The Cheats of Scapin

2946
28 September 1789 @ Covent Garden

Event Comment: [In afterpiece the playbill assigns Shelty to Edwin, but "Ryder in the stead of Edwin, who was said to be indisposed, played the part of Shelty" (World, 29 Sept.).] Afterpiece: The Music by Handel, Rizzio, ?J. C.? Bach, Gretry, Corri, Shield. A new Scotch Overture by Shield. Paid Music 25th Inst. #11 7s. 6d.; Properties 2s. 4d.; Kettle Drum 5s.; Wardrobe #5 10s. 6d.; Supernumeraries #8 12s. 6d.; Chorus Singers #2; Cox for Scenemen #28 1s.; Hodgins #4 4s. Receipts: #254 4s. 6d. (250.15.0; 3.9.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Highland Reel

2947
05 November 1796 @ Covent Garden

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

2948
16 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Nabal

Performance Comment: Parts were: David (King Elect)-; Nabal-; Asaph (Companion to David)-; Abigail (Nabal's Wife)-; Chorus Attending on David-; Chorus Attending on Nabal-.
Cast
Role: David Actor:
Role: Chorus Attending on David Actor:

Music: As17640309

2949
10 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

2950
April 1679 @ Dorset Garden Theatre

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Performance Comment: Edition of 1679: The Prologue-Mr Betterton Representing the Ghost of Shakespear; Hector-Smith; Troilus-Betterton; Priam-Percivall; Aeneas-Joseph Williams; Pandarus-Leigh; Calchas-Percivall; Agamemnon-Gillo; Ulysses-Harris; Achilles-David Williams; Ajax-Bright; Nestor-Norris; Diomedes-Crosby; Patroclus-Bowman; Anthenor-Richards; Thersites-Underhill; Cressida-Mrs Mary Lee; Andromache-Mrs Betterton; The Epilogue-Thersites.
Cast
Role: Achilles Actor: David Williams