SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "David Garrick"/1) | (@(roleclean,performerclean) "David Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2954 matches on Author, 871 matches on Performance Comments, 642 matches on Event Comments, 53 matches on Performance Title, and 28 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Girl

Related Works
Related Work: The Country Girl Author(s): David Garrick

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Performances

Mainpiece Title: The Clandestine Marriage

Related Works
Related Work: The Clandestine Marriage Author(s): David Garrick

Afterpiece Title: The Prize

Song: End: Strike the Harp-Master Suett, Master Heather, Danby; with an accompaniment of Piano Forte-; [a New Loyal Song Secure within her sea@girt Reign [(Dramatic Censor, II, 243)] (written by Dutton and composed by Moorehead,)-Trueman; End IV: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Author(s): David Garrick

Dance: III: Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Author(s): David Garrick

Performances

Mainpiece Title: Alfred A Masque

Performance Comment: Alfred-Garrick; Earl of Devon-Lee; Hermit-Berry; Edwin-Burton; Corin-Blakes; Danish King-Sowdon; First Dane-Palmer; Eltruda-Miss Bellamy; Emma-Mrs Bennet; Vocal Parts-Mrs Clive, Miss Norris, Beard, Reinhold, Wilder, Master Vernon; Second Dane-Mozeen; Shepherdess-Miss Minors; Dances-Devisse, Mad Auretti, Mathews, Madam Camargo; Prologue-Garrick; Epilogue-Mrs Clive.
Cast
Role: Alfred Actor: Garrick
Role: Prologue Actor: Garrick
Related Works
Related Work: Alfred, a Masque Author(s): David Mallet
Related Work: Alfred the Great, King of England Author(s): David Mallet
Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Cast
Role: Don Alonzo Actor: Garrick
Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: Polly Honeycomb

Event Comment: AAckman appeared with Moody who would not go down on his knees as they requested. And Garrick was compelled to say he should not appear while under their displeasure (Winston MS 9)

Performances

Mainpiece Title: Elvira

Cast
Role: Don Alonzo Actor: Garrick
Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: Edgar and Emmeline

Dance: I: By Desire, The Irish Lilt, as17621023

Event Comment: [By David Crauford. Premiere.

Performances

Mainpiece Title: Love At First Sight

Related Works
Related Work: Love at First Sight Author(s): David Crauford
Event Comment: [By David Lewis.] Benefit the Author. N.B. By reason of the Heat of the Weather, the said Tragedy will be perform'd only for the Benefit of the Aug&thor (this Season). Receipts: money #18 15s.; tickets #126 16s. Probable attendance: boxes, 16 by money and 386 by tickets; stage, 12 by money; pit, 30 by money and 202 by tickets; slips, 1 by money; first gallery, 34 by money; second gallery, 34 by money

Performances

Mainpiece Title: Philip Of Macedon

Related Works
Related Work: Philip of Macedon Author(s): David Lewis
Event Comment: Never Acted before. [By David Mallet.] With New Scenes and New Habits. [For a brief puff of the play, see Daily Journal, 20 Feb.

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet
Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Strictland-Bridgwater; Frankly-Ryan; Bellamy-Havard; Ranger-Garrick; Jack Meggot-Woodward; Buckle-Anderson; Tester-Vaughan; Servant-Bencraft; Simon-James; Mrs Strictland-Mrs Hale; Clarinda-Mrs Pritchard; Jacintha-Mrs Vincent; Lucetta-Miss Hippisley; Landlady-Mrs James; Milliner-Miss Haughton; Maid-Miss Ferguson; Prologue by Garrick-Ryan; Epilogue [by Garrick-Mrs Pritchard. [1747 ed.]1747 ed.]
Cast
Role: Ranger Actor: Garrick
Role: Garrick Actor: Ryan
Role: by Garrick Actor: Mrs Pritchard.
Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Garrick; Edgar-Reddish; Bastard-Palmer; Kent-Bransby; Gloster-J. Aickin; Albany-Packer; Burgundy-Norris; Captain of Guards-Whitfield; Gentleman Usher-Burton; Cornwall-Hurst; Curan-Fawcett; Goneril-Miss Sherry; Regan-Mrs Hopkins; Arante-Miss Platt; Cordelia-Miss Younge.
Cast
Role: Lear Actor: Garrick

Afterpiece Title: The Spleen

Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Leonato-Davies; Balthasar (with a proper song)-Atkins; Beatrice-Miss Pritchard; Don Pedro-Havard; Claudio-Palmer; Dogberry-Yates; Frair-Burton; Don John-Bransby; Verges-Philips; Borachio-Blakes; Hero-Mrs Davies; In Act II a Masquerade Dance-; in which will be introduc'd a Minuet-Noverre, Miss Pritchard; To conclude with a Country Dance-the characters of the play.
Cast
Role: Benedick Actor: Garrick

Afterpiece Title: Fortunatus

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Garrick; Sir Charles-Barry; Faddle-Woodward; Col. Raymond-Havard; Sir Roger-Yates; Villiard-Winstone; Rosetta-Mrs Pritchard; Fidelia-Mrs Cibber.
Cast
Role: Young Belmont Actor: Garrick

Afterpiece Title: The Virgin Unmaskd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Ladies Frolick

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Ladies Frolick

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Ghost

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Chaplet