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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daniel Purcell"/1) | (@(roleclean,performerclean) "Daniel Purcell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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937 results for: Keyword - Daniel Purcell
We found 423 matches on Performance Comments, 260 matches on Author, 153 matches on Performance Title, 133 matches on Event Comments, and 1 matches on Roles/Actors.

851
13 June 1729 @ Drury Lane Theatre

Event Comment: Mainpiece: Not Acted these Nine Years. At the Desire of several Persons of Quality. With the Original Songs set to Musick by Mr H. Purcell, and Scenes, Habits, and other Decorations proper to the Play. Afterpiece: [By Charles Coffey.] An Opera of one Act. N.B. By Reason of the Length of the Days, the Doors will be open'd till four o'Clock; the Play will begin exactly at Seven, and particular Care is taken to keep the House Cool. Printed Books of the Opera will be sold at the Theatre

Performances

Mainpiece Title: The History Of Bonduca; Or, The British Heroine: With The Humours Of Corporal Macer

Afterpiece Title: Phebe; or, The Beggar's Wedding

852
26 November 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Trincalo-Bridgwater; Prospero-Roberts; Ferdinand-Marshal; Hypolito-Miss Holliday; Alonzo-Hewett; Antonio-Turbitt; Gonzalo-Mullart; Stephano-Hewson; Ventoso-Norris; Mustacho-Jones; Caliban-Paget; Sycorax-Topham; Ariel-Miss Norris; Miranda-Mrs Walter; Dorinda-Mrs Clive (with the Song of Dear, Pretty Youth, composed by Purcell); Neptune-Stoppelaer; Earthy Spirit-Waltz; Milcha-Mountier; Singing Devils-Snider, Nichols, Rainton, Young Cunningham; Winds-Lally, Topham, Lally Jr, Davenport; Watermen-Le Brun, Topham, J. Topham, Davenport, Lally Jr, Mullart, with a Grand Dance of Spirits, as perform'd before the Emperor of Constantinople at the Feast of Bairam: Chief Spirit-Le Brun; Amphitrite-Miss Young, who never appeared on any stage before .

Afterpiece Title: The Harlot's Progress

853
12 April 1736 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .

854
28 September 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: Arthur-Johnson; Merlin-Hewitt; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Emmeline-Mrs Giffard; Philidel-Mrs Hamilton; Matilda-Miss Tollett; In which will be performed the Original Musick (composed by the late ingenious Mr Henry Purcell)-Corf, Hussy, Kelly, Touchbury, Nicholls, Kellnar, Mrs Chambers, Mrs Carter, Mrs Jones, Miss Gerrard; Venus-Miss Wilson; Cupid-Master Hamilton; being the first time of his appearing on this stage. Dancing-Haughton, Mlle Roland; Who never appeared on this stage before. With a New Prologue to the Town-Mr Giffard.
Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

855
10 December 1739 @ Covent Garden

Event Comment: Afterpiece: Written by Mr Dryden, and Composed by Mr Henry Purcell

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Afterpiece Title: Cupid and Bacchus

856
01 February 1758 @ Covent Garden

Event Comment: A Dramatic Opera [by Betterton altered from Beaumont and Fletcher; music by Purcell. Not acted these 30 years. New Cloaths, Scenes, and other Decorations incident to the Opera. Nothing under full prices will be taken. To prevent any obstruction either in the Music or Decorations, no persons can be admitted behind the scenes. [Notices repeated for this play this season.] Receipts: #190 18s. (Account Book)

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

857
17 February 1762 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: As17620215, but Drunken Servant-R. Smith; Peasant-Weller; In Act IV Song of Mad Bess, set to music by Henry Purcell, will be sung in Character-Mrs Vernon.

Afterpiece Title: Apollo and Daphne

858
04 March 1763 @ Covent Garden

Event Comment: [See Theatrical Review; or, Annals of the Drama, 1 April, pp. 146-49.] Oratorio is a "Sacred Ode by Dr Brown. Adapted (by the Author of the Ode) to select Airs, Duets and Chorusses from Handel, Marcello, Purcell and other eminent composers" (Public Advertiser)

Performances

Mainpiece Title: The Cure Of Saul

Music: As17630218

859
03 October 1763 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Sparks; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd A Solemn Hymn, set to music by Henry Purcell;-Beard, Tenducci, Peretti, Mattocks, Baker, Miss Miller, Miss Polly Young, Miss Davies, Legg, Ryley, Dibdin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Citizen

860
03 October 1765 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Walker; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd a Solemn Hymn, set by Henry Purcell, and-Beard, Mattocks, Squibb, Miss Poitier, Mrs Baker, Baker, Legg, Ryley, Dibdin, Waylin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Cheats of Scapin

Dance: End: New Grand Ballet call'd The Garland-Fichar, Miss Wilford

861
13 December 1770 @ Drury Lane Theatre

Event Comment: New Scenes, Dresses and Decorations for Mainpiece (playbill). This Masque was got up in a Superb manner the Scenery exquisitely fine & greatly applauded--. Miss Hayward play'd Emmeline very bad (Hopkins Diary). Mainpiece: Altered from Dryden by Garrick. First time performed. Music Purcell and Arne. New Overture by Arne

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

Afterpiece Title: The Miller of Mansfield

862
27 December 1776 @ Covent Garden

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

863
30 July 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Portrait

864
12 March 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Judas Maccabaeus

Afterpiece Title: A Miscellaneous Act

Performance Comment: Concerto on the organ-Stanley; Verdi Prati (Handel)-Mrs Kennedy; Rosy Bowers (Purcell)-Norris; Tergi il pianto (Sacchini)-Miss Draper; Won Regina (Sacchini)-Miss Linley; Haste my Nannet (Travers)-Miss Linley, Webster; Anthem(Handel)-.

Music: End Part I: concerto on the violin, as17790219

865
13 May 1779 @ Covent Garden

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

866
31 May 1779 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

867
18 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. 2nd piece: By the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: As17800211

868
24 November 1780 @ Covent Garden

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Upholsterer

Song: Principal Vocal Parts-Davies, Mrs Morton, Miss Morris. [The music by Purcell.

Performance Comment: [The music by Purcell.]

869
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

870
24 March 1784 @ Drury Lane Theatre

Event Comment: 1st piece: Set to Music by Handel. [For singers of individual airs therein see 5 Mar.] 2nd piece: Composed by the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Music in Bonduca

Music: As17840310athi

871
09 November 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

872
08 December 1785 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters [Purcell, Sacchini, et al.]; the rest of the Music, the Overture, Accompaniments, &c. by Linley [Sen.]. [The scenery by Greenwood {Public Advertiser, 15 Dec). In 1792 this opera was altered by the author as The Algerine Slave.] Public Advertiser, 11 Jan. 1786: This Day is published The Strangers at Home (1s. 6d.). Receipts: #200 1s. (183/6/0; 16/10/0; 0/5/0)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: All the World's a Stage

873
26 December 1786 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

874
05 November 1787 @ Covent Garden

Event Comment: "The leaving Percy untaken up [by Falstaff, in V.iv of mainpiece] was an improvement. The best acting was that of Mrs Pitt" (World, 6 Nov.). Afterpiece: With new Music, Scenes, Machinepy, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many assistants. To conclude with the Representation of the inside of a Nabob's Palacev. Books of the Songs to be had at the Theatre. Receipts: #199 0s. 6d. (193.16.0; 5.4.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Enchanted Castle

875
13 December 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford