SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dan French"/1) | (@(roleclean,performerclean) "Dan French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 576 matches on Performance Title, 452 matches on Event Comments, 331 matches on Performance Comments, 5 matches on Roles/Actors, and 0 matches on Author.
Event Comment: [Song and Chorus] Written over our late Victory over the French Fleet (General Advertiser). (bad) upon beat F: fleet (Cross). [The battle was fought on 25 Oct. off Cape Finisterre. Accounts, both French and English, appeared in the General Advertiser by 16 Nov.] Receipts: 120 (Cross); #114 16s. (Powel)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Garrick; Brazen-Macklin; Sylvia-Mrs Woffington; Rose-Mrs Green; Ballance-Winstone; Kite-Berry; Worthy-Havard; Bullock-Taswell; Welsh Collier-Blakes; Scale-Simpson; Scruple-Usher; Recruits-Neale, Ray; Melinda-Mrs Mills; Lucy-Mrs Bennet; to conclude with the last New Country Dance-the characters of the play.

Song: New Sailor's Song-; Chorus call'd Tit for Tat-

Dance: New Ballet, call'd %The Gardner's Revels-Cooke, Mathews, Leviez, Pelling, Shawford, Royer, Mrs Addison, Miss Thompson, Mrs Shawford, Miss Cole

Event Comment: Afterpiece: A Dramatic Entertainment of Dancing, not performed these eight years. [N.B. The doubling in Parts in the Pantomime.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo-Villeneuve; Daphne-Miss Vandersluys; Followers of Daphne-Mrs Gondou, Mrs Villeneuve, Mrs Dumont, Mrs LaFont; Morpheus-Leveridge; Mystery-Beard; Slumber-Vincent; Harlequin-Phillips; Burgomaster-Bencraft; Colombine-Mrs Dunstall; Boor Servant-LaLauze; Scaramouche-Vandersluys; Huntsmen-Beard, Desse, Delagarde, Froment, Vandersluys, Oates, Dupre; Venus-Mrs Storer; Silenus-Leveridge; Pan-Vincent; Bacchus-Beard; Diana-Miss Faulkner; Frenchman-Villeneuve; Spaniard-Desse; Polonese-Delagarde; French Woman-Mrs Delagarde; Spanish Woman-Mrs Gondou; Polonese-Mrs Villeneuve; Zephyrus-Froment; Flora, representing an Inconstant-Miss Vandersluys.
Cast
Role: Frenchman Actor: Villeneuve
Role: French Woman Actor: Mrs Delagarde

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performance Comment: Mars-Cooke; Mars' followers-Blakes, Vaughan, Marr, Adams, Shawford, Harvey, Yates, Harrison; War-Winstone; Power-Lee; Ambition-Palmer; Peace-Mrs Mills; Justice-Mrs LaFont; Liberty-Mrs Ansley; Shepherds-Havard, Beard, Reinhold, King, Master Maddox; Shepherdesses-Mrs Clive, Miss Cole, Miss Medina; Britannia-Anne Auretti; Hungarians-Cooke, Janeton Auretti; French-Mathews, Mrs Addison; Dutchman-Pelling; Spaniard-Shawford; concluded with a view of the Temple of Peace-.
Cast
Role: French Actor: Mathews, Mrs Addison
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Mainpiece: By Particular Desire. [Lee had returned to Covent Garden. See Winston MS 7.] Notwithstanding the reports of Mrs Cibber's Indisposition, we hear that she is not ill at Bath. We hear that the Comic part of the Little French Lawyer is alter'd from Beaumont and Fletcher, and will be acted very soon at Drury Lane, the part of the little French Lawyer will be perform'd by Woodward (General Advertiser). [See 7 Oct.] Receipts: #170

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Apollo and Daphne

Performance Comment: As17501129, but full cast listed. Apollo-Villeneuve; Daphne-Mlle Cointrie; Followers of Daphne-Mrs Delagarde, Mrs Gondou, Mrs Villeneuve, Miss Barchelor; Morpheus-Leveridge; Mystery-Baker; Slumber-Vincent; Harlequin-Philips; Burgomaster-Bencraft; Boor servant-Lalauze; Colombine-Miss Haughton; Scaramouche-Atkins; Venus-Miss Young; Silenus-Leveridge; Bacchus-Baker; Pan-Vincent; Diana-Miss Falkner; Frenchman-Villeneuve; Spaniard-Desse; Polodese-Gardiner; French Woman-Mrs Delagarde; Spanish Woman-Mrs Gondou; Polonese Woman-Mrs Villeneuve; Zephyrus-Jardin; Flora (representing an Inconstant)-Mlle Cointrie.
Cast
Role: Frenchman Actor: Villeneuve
Role: French Woman Actor: Mrs Delagarde

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: 1. A new Concerto for several different Instruments-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. An Oration on the Salt Box-a Rationalist; 5. Overture by Dr Boyce-; Epilogue-Master Hallet in the Character of Cupid.
Cast
Role: A French Horn Concerto Actor:

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: 1. A new Concerto on the Cymbalo-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Macchabeus-; with the Side Drum-; Epilogue-Master Hallet.
Cast
Role: A French Horn Concerto Actor:

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Cast
Role: A French Horn Concerto Actor:

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: Act III, 1. A Voluntary on the Cymbalo-; 2. A new Dissertation-Mrs Midnight; 3. A French Horn Concerto-.
Cast
Role: A French Horn Concerto Actor: .

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: Act III, 1. An Italian Song-Sg Bombazino; 2. A New Dissertation-Mrs Midnight; 3. A French Horn Concerto-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Maccabeus with the Side Drum-; Epilogue-Master Hallet.
Cast
Role: A French Horn Concerto Actor:

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but will be introduc'd several new Tunes on the Jew's Harp never performed before-; A Solo in a new Taste-Signor Piantafugo; Salt@Box-; and the Performances of Signior Bombasto; Sg Bombazino as usual; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; A New Prologue-a Gentleman; Epilogue-Hallet.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520321 but Concerto, Solo on Cymballo-Noell; Two new Orations-Mrs Midnight; the humourous performances of Bombasto; Bambaseno; Solo in new Taste-Sig Piantafugo; The Declamatory Piece on the Jew's Harp-a Casuist; the Oration on a Salt Box-a Rationalist; Solo of Humour on French Horn-Mrs Midnight's Daughter; New Prologue-Mr Toe.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520414 but a solo-Hallet, in the character of Cupid instead of the one by Mrs Midnight's daughter; Bombasto, Bombaseno; Solo of Humour on French Horn-_.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520416 but a Solo on the French Horn-Mrs Midnight's Daughter.
Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: King John

Performance Comment: King John-Mossop, 1st time; Salisbury-Palmer; Pembroke-Blakes; Hubert-Berry; Prince Henry-Mrs Toogood; Essex-Jefferson; Citizen-Burton; English Herald-Scrase; Faulconbridge-Simson; Gurney-W. Vaughan; the Bastard-Garrick, 1st time; King Philip-Davies; Dauphin-Lacey; Pandulph-Havard; Austria-Mozeen; Chatillon-Vernon; French Herald-Ackman; Lady Faulconbridge-Mrs Bennet; Prince Arthur-Mas. Simson; Queen Elinor-Mrs Mills; Lady Blanch-Miss Minors; Constance-Mrs Cibber.
Cast
Role: French Herald Actor: Ackman

Music: Between the Acts: The Pieces of Music , are adapted to the play, and taken from the Works of Handel and Martini-

Performances

Mainpiece Title: King John

Performance Comment: As17540123, but Prince Henry-_; Essex-_; Citizen-_; of Angers, English Herald-_; Faulconbridge-_; Gurney-_; Austria-_; Chatillon-_; French Herald-_; Lady Faulconbridge-_.
Cast
Role: French Herald Actor: Ackman

Afterpiece Title: Lethe

Performance Comment: As17540214, but Old Man-Blakes; Frenchman-_.
Cast
Role: Frenchman Actor: Blakes.

Dance: Devisse, Mlle Auretti, Mlle Auguste

Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chinese Festival

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: Address-Cibber; A Scotch Song-; A concerto-; First Comic Lecture-Cibber; Grand Concerto for French Horns-; Second Comic Lecture-Cibber; The Italian Peasant (comic dance)-; A New Cantata The Wheelbarrow-; Comic Medley overture-; Auction of choice curiosities of extraordinary Value-Cibber; Italian air-Sga Mimicotti as17570628; Oration call'd the Pig or Advice to the Critics-Miss Dorothy Midnight; Comic Ballet The Marine Boys marching to Portsmouth-; Handel's Water Music-Mother Midnight.
Cast
Role: Grand Concerto for French Horns Actor:
Role: a Dutch Dance Actor:

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Address-Cibber; Rural Dance Blind Man's Buff-Master Settree, Miss Twist; Hooley and Fairley-Lauder; Two Comic Lectures-Cibber, Company; the Tailors-Mas. Settree, Miss Twist; Grand Concerto for French horns-; When all the Attic Fire was fledfrom Eliza-Miss Gaudry; Auction-Cibber; Italian air-Mimicotti, accompanied by Myn Heer Von@Poop Broomsticato; As17570728 New Cantata by Mr Shuman-Mr Sadler 1st appearance on any stage; Minuet-Mas. Settree, Miss Twist; Italian Peasants-Joly, Mlle Dulisse; Marine Boys Marching to Portsmouth-; Handel's Water Music-; with Preamble on Kettle Drums-Mother Midnight; Comic Epilogue-Miss Midnight (riding on an Ass).
Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Afterpiece Title: Harlequin's Frolic

Dance: End: As17570819

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).
Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

Performance Comment: Concluding with a Ballet called The Prussians March to Bohemia-; a new Grotesque Dance callled Colin and his Rival Ladies-.

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: A variety of entertainments as17570902 as17570908 as17570912; An Address-Mr Cibber; Hooley and Fairley, A Scotch Song-Lauder; Blind Man's Buff-Lilliputians; A Concerto for French Horns-; The Comic Lectures-Mr Cibber; Music-; The Taylors-Master Settree, Miss Twist; An Auction-Mr Cibber; Italian Air-Signora Mimicotti; Bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Marine Boys Marching to Portsmouth-; +Hornpipe-Morris, Miss Durham; Handel's Water Music, Preamble on Kettle Drums-; Comic Epilogue-Miss Midnight; Voluntary on the Cymbalo-Mr Noel Sr; Favourite English Song-Miss Gaudry; Kitty or the Female Phaeton-Miss Gaudry; Dialogue-Mr Gaudry, Miss Gaudry; The Lark Concerto-Mr Gaudry; Country Lass-Miss Valois; What's That to You?-Lauder; Oration-Miss Midnight; Cuckow Overture-; Singing-Sadler; Dutch Peasant-Miss Valois; Louvre, Minuet-Froment, Madam Dulisse; with the addition of La Bergere-Miss Vallois (scholar to Mr LaCointe); a new Scots Dance-Froment, Mlle Dulisse; an Epi@congee-Cibber; Alli Croker a comic dance-Miss Valois.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: An Address-Cibber; Comic Oration-Miss Dorothy Midnight; Hooley and Farley, a Scots song-Lauder; Blindman's Buff-; Comic Lectures-Cibber; Lilliputian Taylors-Master Settree, Miss Twist; Wounded Gizzard-Lauder; Grand Concerto for French Horns-; Kitty-Miss Gaudry; Auction-Cibber; Italian Air-Signora Mimicotti as17570902; Italian Peasants-Joly, Madam Dulisse as17570902; The Marine Boys Marching to Portsmouth-as17570617; Handel's Water Musick-Mother Midnight; Dialogue-Mr Gaudry, Miss Gaudry; Speech of Old Time to the People of Great Britain-; Minuet-Master Settree, Miss Twist; Miss Midnight, for this Night only, will give Caudle; Comic Epilogue-Miss Midnight riding on an Ass; Prussians March to Bohemia-; Colin and his Rival Lassies-.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570928, but to begin with Grand Overture with French Horns-; Kitty-Miss Gaudry; Oratory-Miss Midnight; Scots Songs-Lauder; New Comic Lectures-Cibber; Les Tailleurs a new pantomime dance-Master Settree, Miss Twist; Scots Dance-Froment, Mme Dulisse; Italian Air-La Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado (as17570902); Acrobatics-Maddox; The Drunken Peasant, Irish Landlord and Landlady-Jolly, Settree, Mme Dulisse; Brown Beer of England-Lauder; Hornpipe-Morris.

Afterpiece Title: Harlequin's Frolic