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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Crow Street Theatre Dublin"/1) | (@(roleclean,performerclean) "Crow Street Theatre Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4202 results for: Keyword - Crow Street Theatre, Dublin
We found 3709 matches on Event Comments, 590 matches on Performance Comments, 152 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1776
27 March 1784 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Mainpiece: Never acted here. The Music by Dr Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Public Advertiser, 6 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #252 8s. 6d. (177/14/6; tickets: 74/14/0) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

1777
29 March 1784 @ Covent Garden

Event Comment: Benefit for Wroughton. Public Advertiser, 20 Mar.: Tickets to be had of Wroughton at his house, Broad-court, Bow-street, Covent Garden. Receipts: #262 18s. 6d. (167/0/6; tickets: 95/18/0) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

1778
30 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Public Advertiser, 24 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's-inn-fields. Receipts: #268 19s. 6d. (94/9/0; 28/3/0; 0/14/6; tickets: 145/13/0) (charge: #107 1s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Fete

Afterpiece Title: High Life below Stairs

1779
30 March 1784 @ Covent Garden

Event Comment: Benefit for Bannister. Gazetteer, 16 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Hay-market. King Lear [announced on playbill of 29 Mar.] cannot be performed, on account of Henderson's Indisposition. Tickets for King Lear will be admitted. Receipts: #244 9s. 6d. (140/7/6; tickets: 104/2/0) (charge: #105)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: End of mainpiece September the Thirteenth proud Bourbon may mourn, from Gretna Green (composed by Dr Arnold) by Bannister

1780
13 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Who's the Dupe?, announced on playbill of 12 Apr.] Public Advertiser, 22 Mar.: Tickets to be had of Kemble, No. 25, Henrietta-street, Covent Garden. Receipts: #290 15s. (164/0/0; 11/2/0; 1/18/0; tickets: 113/15/0) (charge: #106 17s. 7d.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Gentle Shepherd

1781
14 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Miss George. Gazetteer, 10 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's. Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #141 19s. 6d. (60/8/0; 22/4/6; 0/15/0; tickets: 58/12/0) (charge: #117/19/0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Dance: As17831004

Song: End of Act II of mainpiece fifteen Mary's Lamentations; End of mainpiece The Soldier tir'd of War's Alarms, both by Miss George

1782
14 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Public Advertiser, 6 Apr.: Tickets to be had of Mrs Mattocks at her house in Charlotte-street, Rathbone Place. Receipts: #241 8s. 6d. (175/13/6; tickets: 65/15/0) (charge: #105)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

1783
15 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Too Civil by Half, announced on playbill of 14 Apr.] Public Advertiser, 24 Mar.: Tickets to be had of Brereton, Charles-street, Covent-Garden. Receipts: #317 19s. (133/13; 12/11; 0/9; tickets: 171/6) (charge: #107 15s. 10d.)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Apprentice

Dance: As17840311athi

1784
15 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Crawford. Mrs Crawford, imprest with the deepest Sense of Gratitude for the many Favours conferred on her by her Friends and the Public, is sincerely concerned that a violent Indisposition renders it impracticable for her to perform for her Benefit this Night. Mrs Crawford, fearing a second Disappointment would inconvenience those who have had the Goodness to interest themselves in her Support, has fixed on the Comedy of The Chances, instead of the Play advertised [Rule a Wife and Have a Wife, announced on playbill of 14 Apr.]. Tickets delivered for Isabella [the original play chosen for this night] will be taken. Public Advertiser, 4 Mar.: Tickets to be had of Mrs Crawford, No. 22, Bridges-street, Covent Garden. Receipts: #168 2s. (99/3; tickets: 68/19) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Tom Thumb

Dance: As17840313athi

1785
16 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

1786
16 April 1784 @ Covent Garden

Event Comment: Benefit for Aickin. Public Advertiser, 10 Apr.: Tickets to be had of Aickin at his house. No. 5, York-street, Covent Garden. Receipts: #255 0s. 6d. (161/16/6; tickets: 93/4/0) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

1787
19 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. Mainpiece: Not acted these 30 years [not acted since 22 July 1718]. Afterpiece [1st time; C 2, ascribed to Jesse Foot. MS: Larpent 650; not published; synopsis of plot in Gazetteer, 20 Apr. Author of Prologue unknown]. Public Advertiser, 16 Apr.: Tickets to be had of Baddeley, No. 2, Little-Russel-street, Covent Garden. Receipts: #216 18s. (73/10; 35/11; 3/10; tickets: 104/7) (charge: #106 8s. 4d.)

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks or The Credulous Man

Related Works
Related Work: Justice Busy; or, The Gentleman Quack Author(s): John Crowne

Dance: End of mainpiece, as17840311athi

1788
21 April 1784 @ Covent Garden

Event Comment: Benefit for Clarke. Public Advertiser, 16 Apr.: Tickets to be had of Clarke, Russel-street, Covent Garden. Mainpiece: With Procession, as 27 Mar. Receipts: #191 9s. (89/2; tickets: 102/7) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: End of mainpiece The Rival Nymphs, as17840318athi

1789
23 April 1784 @ Covent Garden

Event Comment: Benefit for Mattocks. Gazetteer, 16 Apr.: Tickets to be had of Mattocks at his house, Charlotte-street, Rathbone-place. Receipts: #134 4s. (109/12; tickets: 24/12) (charge: #105)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Barnaby Brittle

1790
24 April 1784 @ Covent Garden

Event Comment: Benefit for Reinhold. Public Advertiser, 23 Apr.: Tickets to be had of Reinhold at his house, No. 90, Charlotte-street, Rathbone Place. Tickets delivered for The Castle of Andalusia will be admitted. Receipts: #309 (173/0; tickets: 430 in boxes, 140 in pit, 75 in gallery, totalling #136/0) (charge: #105)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

1791
26 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Farren. Gazetteer, 6 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's-inn-fields. Mainpiece: With the Grand Triumphal Entry of Alexander into Babylon. Receipts: #308 17s. (85/16/0; 18/8/6; 0/5/6; tickets: 204/7/0) (charge: #81 18s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Pasticcio

Afterpiece Title: The Double Disguise

1792
27 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

1793
28 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 17 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel Street, Covent Garden. Mainpiece: Not acted these 20 years [not acted since 21 Oct. 1760]. Afterpiece: For that night only; never acted here. [Miss Bannister's 1st appearance on the stage was at HAY, 27 Aug. 1783.] Receipts: #206 19s. 6d. (114/1/0; 23/7/6; 1/5/0; tickets: 68/6/0) (charge: #108 14s. 3d.)

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

1794
01 May 1784 @ Covent Garden

Event Comment: Benefit for Brett. Public Advertiser, 27 Apr.: Tickets to be had of Brett, No. 7, Catherine-street, Strand. [In mainpiece the playbill retains Booth as Peachum, but "Moody in the absence of Wilson [sic] played Peachum" (Public Advertiser, 3 May).] Receipts: #248 13s. (148/12; tickets: 100/1) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

1795
03 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

1796
04 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Wilson. Public Advertiser, 30 Apr.: Tickets to be had of Mrs Wilson, No. 20, Tavistock-street, Covent Garden. 3rd piece [1st time; F 1, author unknown. MS: Larpent 656; not published. Author of Prologue unknown]. Receipts: #177 4s. 6d. (113/15/6; tickets: 63/9/0) (charge: #105)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: Bribery on both Sides

Dance: End of mainpiece The Poney Races (performers not listed; see17840428)

1797
07 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Afterpiece Title: The Elopement

1798
07 May 1784 @ Covent Garden

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

1799
12 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Wright and Chapman. Gazetteer, 10 May: Tickets to be had of Chapman, No. 49, Carey-street, Lincoln's-inn-fields [Wright not listed]. Receipts: #210 5s. (56/13; 1/19; tickets: 151/13) (charge: #115 10s.)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Junior

Song: End of mainpiece The new Highland lassie, as17840507; a new Hunting Song and Chorus (composed by Danby) by Chapman; Sweet Passion of Love by Miss George

1800
13 May 1784 @ King's Theatre

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque