Event Comment: Benefit Dukes. 5s., 3s., 2s. At the General Session...for Courts of Middlesex...on Thursday the 10th Day of May, 17 George II....This Court being informed, that several common Players of Interludes have for several Years used and accusdomed to assemble and meet together at or near a certain place called Tattenhoe, alias Tattenhall, alias Tottenham Court, in the Parish of St.@Pancras in this County, and to erect Booths, and act or exhibit Drolls and other Shews...whereby great Numbers of His Majesty's Subjects have been encouraged to assemble and to commit Riots and other Misdemeanors, in breach of His Majesty's Peace, and to the disturbance of the Neighborhood, of that Place; and that some of the said Players of Interludes, and other evil disposed Persons, are now seeking out and contracting for ground in or near the Place aforesaid, to build Booths for showing and acting said Plays and Drolls...and whereas all such Players of Interludes are deemed and declared Rogues and Vagabonds, and the Acting of such Plays, Drolls and Shews, are contrary to the Inns and Statues of the Realm...require the High Constable to apprehend all and every Players of Interludes, Plays, and Drolls.--Daily Advertiser, 17 May

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Event Comment: According to L. C. 5@137, p. 100 (Boswell, Restoration Court Stage, p. 280), a play, unidentified, was given at court

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Event Comment: An unnamed play was acted at court. See L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 280

Event Comment: In an edition of Covent Garden Drollery, M. Summers, p. 67, prints an Epilogue, Spoken by the Lady Mary Mordant, before the King and Queen, at court, to the faithfull Shepherdess; Summers includes a letter (p. 121) from Gerrard to Lord Strafford, 9 Jan. 1662@3, concerning a performance of The Faithfull Shepherdess at Court. In another edition of the Covent Garden Drollery (London, 1928), G. Thorn-Drury argues that the performance belongs to Twelfth Night, 1633@4 (pp. 146-47)

Event Comment: Pepys, Diary: And there took up my wife and Ashwell to the Theatre Royall, being the second day of its being opened. The house is made with extraordinary good contrivance, and yet hath some faults, as the narrowness of the passages in and out of the pitt, and the distance from the stage to the boxes, which I am confident cannot hear; but for all other things it is well, only, above all, the musique being below, and most of it sounding under the very stage, there is no hearing of the bases at all, nor very well of the trebles, which sure must be mended. The play was The Humerous Lieutenant, a play that hath little good in it, nor much in the very part which, by the King's command, Lacy now acts instead of Clun. In the dance, the tall devil's actions was very pretty....I am resolved to deny myself the liberty of two plays at court, which are in arreare to me for the months of March and April, which will more than countervail this excess, so that this month of May is the first that I must claim a liberty of going to a Court play according to my oath

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Event Comment: Charles II to Madame, 14 July 1664: I am just now come from seeing a new ill play and it is almost midnight (C. H. Hartman, Charles II and Madame [1934], p. 108). W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, stated his belief that this play was acted at court this day

Event Comment: An unnamed play was acted by the King's Company at the Cockpit at Court. See L. C. 5@138, p. 156, in Boswell, Restoration Court Stage, p. 281

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Event Comment: On this day and on Friday the 20th the Duke's players gave The Impertinents; or, The Sullen Lovers or Sir Salomon. Downes (Roscius Anglicanus, p. 29) lists these as the two plays presented by the Duke's Company, but no contemporary statement indicates for certain which play was given on each day. The Journal of Sir Richard Bulstrode: Yesterday [19] at five of ye clocke, the Court were entertained with a comedy acted by the Duke's player (The Bulstrode Papers, 1879, I, 139). Saturday 28 May 1670: The absence of the court which continues at Dover till Wensday next makes us very barren of news. There is the greatest gallantry and mirth imaginable. The Dukes players have beene there all the time past came up yesterday and the kings goe downe this day (Aston Papers, Vol. XVI, Add. Mss. 36916, folio 182)

Event Comment: An unnamed play was acted, probably at court. See L. C. 5@140, p. 407, in Boswell, Restoration Court Stage, p. 284

Event Comment: This work, printed in 1674, was performed, probably, at court by a French company. See M. Horn-Monval, French Troupes in England During the Restoration, Theatre Notebook, VII (1953), 82; and Edwin P. Grobe, S. Bre, French Librettist at the Court of Charles II, Theatre Notebook, IX (1954), 20-21

Event Comment: Preparations for the production of a play (Calisto) at court in midwinter had been underway by this time. On this day Margaret Blagge wrote to John Evelyn: the play goes on mightily, which I hoped would never have proceeded farther....Would you believe it, there are some that envy me the honour (as they esteeme it) of acting in this play (The Life of Mrs Godolphin, ed. Samuel Lord Bishop of Oxford [1847], p. 96. See also pp. 93-95.). Several orders for costumes, scenes, and properties dated through the winter offer valuable information concerning details of the preparations. See Nicoll, Restoration Drama, pp. 357-58, p. 43n; Boswell, Restoration Court Stage, pp. 178-227

Event Comment: Evelyn, Diary: Saw a Comedie at night, at court, acted by the Ladys onely, viz: The Lady Mary & Ann his R. Highnesses two Daughters, & my deare friend Mrs Blagg, who having the principal part, perform'd it to admiration: They were all covered with Jewels. [It seems likely that Evelyn saw a rehearsal or was in error concerning the date of performance.] Newdigate newsletters (Folger Shakespeare Library): On Twelfe day the principallest abt ye Court divert their Matys with a Play & Opera where in ye Splendor & Grandeur of the English Monarchy will be seen (Wilson, Theatre Notes, p. 79). See also Nicoll, Restoration Drama, pp. 357-58, for an order of this date, L. C. 5@141, p. 83, concerning habits for the opera

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 23 Feb. 1674@5: Last night ye mask at Court was publiquely acted in ye presence of their Maties, R:11 Hsess & ye whole Court & will be once more acted before his Matie goes to Newmarket (Wilson, Theatre Notes, pp. 79-80). [Wilson points out that this performance is nowhere else mentioned.

Event Comment: Boswell (Restoration Court Stage, p. 286) believes that Calisto may have been acted again at court by this date

Event Comment: The Bulstrode Papers (I, 302): There is arrived Scaramouchy, ye famous Italien comedian with his crew, to act againe, & are to have ye King's Theatre in Whitehall for their use during their stay, and all people are allowed to come there & see them, playing as they doe at other houses, so yt now a Papist may come to Court for halfe a crowne. This is not much lik'd by our other players, for it will half break both our houses. [See also a Treasury warrant for the importing of their belongings, Calendar of Treasury Books, 1672-1675, p. 757, in Boswell, Restoration Court Stage, p. 121.

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Tyranick Loue or ye R Martir. See also Nicoll, Restoration Drama, p. 346. Boswell (Restoration Court Stage, p. 286) believes that this performance may have been given at court. This play was reprinted in 1677

Event Comment: The Duke's Company. The date of this performance is uncertain. It is one of a series of plays acted at Court, in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350. In view of the recent disorders at the Duke's Theatre, it is somewhat surprising to have this series of plays acted at Court at this time, but three of the entries would fall on Sunday if the sequence is assigned to the season of 1680-81; hence, the series has been assigned to 1679-80