SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court Theatre Vienna"/1) | (@(roleclean,performerclean) "Court Theatre Vienna")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2944 matches on Event Comments, 399 matches on Performance Comments, 117 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Post Boy, 14-16 May 1700: Great Preparations have been making, for some Months past, for a New Opera to be acted next Term at the Theatre Royal, which, for Grandeur, Decorations, Movements of Scenes &c. will be infinitely superior to Dioclesian, which hitherto has been the greatest that the English Stage has produced, that probably 'twill equal the greatest Performance of the Kind, in any of the foreign Theatres. The Musick is compso'd by the Ingenious Mr Finger, and the Paintings made by Mr Robinson

Performances

Event Comment: Benefit Powell. Note, That the Tickets given out for Tuesday in last Whitson-Week at the New Theatre in Lincoln's-Inn-Fields, for the Benefit of Mr Powell, will be taken for this Play at the Theatre Royal

Performances

Mainpiece Title: Volpone

Song:

Dance: To be expressed in the Bills

Performances

Mainpiece Title: The Unfortunate Couple

Afterpiece Title: The Comical Transformation

Afterpiece Title: The Wit of a Woman

Performance Comment: A new Prologue to the Town-Mrs Bradshaw; according to 1704 edition of The Wit of a Woman and an Epilogue-a Comedian from the Theatre in Dublin (his first here).

Dance: Italian Scaramouch-Layfield; a new Morris Dance-two men, two women

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: See17090922, Kite-Evans, lately arrived from the Theatre in Dublin.

Afterpiece Title: Floro and Blesa

Dance: Between acts: Thurmond Jr, Mrs Bicknell

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: Tickets will be deliver'd out at the Treasury Office at the Theatre, and no where else in the Theatre, at usual Prices

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin A Blunderer

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: The principal Parts-Persons from both Theatres.

Song:

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Angelina-Miss Purdon; Louiza-Miss Seal; Elvira-Miss Ben; other Parts-Persons from Theatre Royal in Drury-Lane.

Dance: A Gentleman for his Diversion

Performances

Mainpiece Title: The Siege Of Bethulia; Containing The Famous History Of Judith And Holofernes, With The Pleasant Humours Of Rustego And His Man Terrible

Performance Comment: Parts-Persons from the Theatres.

Performances

Mainpiece Title: Le Joueur

Performance Comment: Gamester-an Actor newly arriv'd from the King's Theatre in Paris; Part-new Actress that never acted yet in England.

Afterpiece Title: L'Esprit Follet

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Parts-Actors from the Theatre Royal.

Song:

Dance:

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Quin; Iago-Ryan; Cassio-Walker; Roderigo-Egleton; Brabantio-Boheme; Lodovico-Diggs; Emilia-Mrs Egleton; Desdemona-Mrs Stirling, lately arrived from the Theatre in Dublin.
Event Comment: At the Desire of several Persons of Quality. At Mr Penkethman's Theatre in Richmond. By a Company of Comedians from the Theatre Royal. Written by Sir John Vanbrugh. In proper Habits

Performances

Mainpiece Title: The False Friend

Music: Between the Acts: Select Pieces- , accompany'd with the Harpsicord, Flutes, and Hautboys

Song: The Dame of Honour-Mrs Willis

Dance: The Drunken Man-Harper

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mills; Macduff-Wilks; Banquo-Booth; Lady Macbeth-Mrs Porter; Witches-Johnson, Norris, Griffin. [Hogan (Shakespeare in the Theatre, p. 277), thinks this bill is misprinted, with Hecate omitted and Johnson assigned Penkethman's usual part of the First Witch .]Hogan (Shakespeare in the Theatre, p. 277), thinks this bill is misprinted, with Hecate omitted and Johnson assigned Penkethman's usual part of the First Witch .]

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Boheme; Aboan-Quin; Imoinda-Mrs Bullock; Daniel-Spiller; Charlot-Mrs Younger; Widow Lackit-Mrs Martin , from the Theatre in Dublin.

Dance: new Dance of Slaves-; French Sailor and his Wife-Salle, Mlle Salle; Wooden Shoe Dance in the Character of a Clown-Nivelon

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Performance Comment: Belinda-Mrs Grace , from the Theatre at Dublin, being the first Time of her Appearance on this Stage; Reynard-Milward; Loveworth-Chapman; Woodcock-Ogden; Squib-Morgan; Maiden-W. Bullock; Hillaria-Mrs Morgan; Mrs Goodfellow-Mrs Cook; Penelope-Mrs Rice; Lucy-Mrs Martin.

Afterpiece Title: The Cheats

Song: Two Part Song by the late Mr Henry Purcell-; beginning, And In Each Tract of Glory-Salway, Harrison

Dance: new Comic Dance called% Dame Gigogne-Mrs Anderson; Tollet's Grounds-Newhouse, Mrs Ogden

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Event Comment: [By Colley Cibber.] Never Acted before. A New Pastoral (of Three Acts). N.B. Printed Books of the Play will be sold at the Theatre. Fog's, 11 Jan. On Tuesday Night last a ridiculous Piece was acted at...Drury-lane, which was neither Comedy, Tragedy, Opera, Pastoral or Farce; however, no Thief or Robber of any Rank was satyriz'd in it, and it could be said to give Offence to none but Persons of Sense and good Taste; yet it met with the Reception it well deserv'd, and was hiss'd off the Stage. See also Cibber, Apology, I, 243-44, 248-49; Victor, History of the Theatres, II, 106-7; Whincop, p. 197

Performances

Mainpiece Title: Love In A Riddle

Event Comment: This Theatre is proportioned to the Actors, and contains a great Variety of correct and beautiful Scenes, Machines, and all the regular Decorations and Changes incident to a Theatre, and will be varied to the Subject. The Musick is set and performed by some of the best Hands

Performances

Mainpiece Title: The Enchanter

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Parts-Comedians from both the Theatres.

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Giffard; Acasto-W. Williams; Polydore-Collet; Chamont-W. Giffard; Chaplain-R. Williams; Serina-Mrs Thomas; Page-Mrs Mountfort; Monimia-Mrs Giffard from the Theatre Royal in Dublin, being the first Time of her Appearance on the English Stage.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Paget, from the Theatre in Dublin; Iago-Rosco; Duke-Jones; Brabantio-Mullart; Cassio-Lacy; Ludovico-Stopelaer; Roderigo-Reynolds; Montano-Dove; Emilia-Mrs Mullart; Desdemona-Mrs Williamson, being her first Appearance.

Dance: FFrench Peasant-M de L'Inconu; Dutch Skipper-Davenport

Event Comment: DDaily Journal, 3 Nov.: We are assured that a Patent for the Theatre-Royal in Drury-Lane, is order'd to pass the Seals in Favour of Mr Wilks, Mr Booth, and Mr Cibber, The Patent for the said Theatre was granted to Mrs Oldfield, deceas'd, upon the Death of the late Sir Richard Steele

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cephalus and Procris

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia