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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court Theatre Vienna"/1) | (@(roleclean,performerclean) "Court Theatre Vienna")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3333 results for: Keyword - Court Theatre, Vienna
We found 2944 matches on Event Comments, 399 matches on Performance Comments, 117 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2526
31 May 1779 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

2527
07 June 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

2528
12 June 1779 @ Haymarket Theatre

Event Comment: Books of the Songs [in afterpiece] to be had at the theatre

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

2529
01 July 1779 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews and William Augustus Miles; Larpent MS 485; not published; Synopsis of plot in London Magazine, July 1779, pp. 306-7]: The Airs partly selected from Dibdin, Giordani, Dr Arne, &c. The Overture and New Music composed by Dr Arnold. With New Dresses and Decorations. The Scenes painted by Rooker. Songs of the Opera to be had at the Theatre

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Piety in Pattens

Dance: Mainpiece: With Two New Dances-(see17790705

2530
15 July 1779 @ Haymarket Theatre

Event Comment: [Mrs Lloyd is identified in playbill of 18 Aug. She has "the name of Lloyd, but [is] better known by the name of Mrs C@@we (who played several parts at the military theatre of Boston in America about two years ago)" (Morning Post, 16 July).

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt

Dance: As17790531

2531
16 July 1779 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Mrs Kennedy was from the York theatre.

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt

Dance: As17790610

2532
15 September 1779 @ Haymarket Theatre

Event Comment: [Miss Harper was taken ill; The Irish Widow was thereupon substituted and begun, but the audience was clamorous, and insisted on The Son-in-Law. A long delay ensued until the proper acters had been brought back to the theatre and until they were dressed. Mrs Jewell read Miss Harper's part. While trying to find out what the audience wanted, Bannister retorted sharply from the stage to one of the noisiest of the objectors. This action caused several letters to be written to various newspapers debating the right of a "servant of the public" to reprimand a member of the audience even when that member might be in the wrong (Morning Chronicle, 16 Sept., et seq.).] The last Night of the Season

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-Law

2533
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

2534
05 October 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

2535
12 October 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Don Diego (1st time)-Gaudry; Mungo-Jennings (from the Theatre Royal, Edinburgh; 1st appearance upon this stage); Ursula-Mrs Love; Leonora-Miss Wright.

2536
20 October 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by Edward Neville]: The Overture and Music composed by Dibdin. Books of the Entertainment to be had at the Theatre. Public Advertiser, 20 Oct.: This Afternon at Three is published Plymouth In An Uproar (1s.). Receipts: #242 16s. 6d. (241.5.0; 1.11.6)

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Plymouth In An Uproar

2537
10 November 1779 @ Covent Garden

Performances

Mainpiece Title: The Duke Of Milan

Performance Comment: Principal Characters by Henderson, Hull, Whitfield, Peile, L'Estrange, Fearon, Robson, Booth, Thompson, Aickin, Miss Platt, Miss Younge (1st appearance at this theatre). Cast from Morning Chronicle, 11 Nov.: Sforza-Henderson; Cardinal-Hull; Alphonso-Whitfield; Emperor-Peile; Pescara-L'Estrange; Spanish Captains-Fearon, Robson, Booth; Lodovico-Thompson; Francisco-Aickin; Attendant-Miss Platt; Marcelia-Miss Younge; New Prologue-Lee Lewes, Hull (Public Advertiser, 11 Nov.); New Epilogue-Mrs Bulkley (ibid.).

Afterpiece Title: The Touchstone

2538
03 January 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Modish Wife

Performance Comment: Sir Scrapeall-Barrett; Colonel Parapet-Vowell; Sir Charles Prudent-Harrington; Fuzee-Blackburn; Crambo-Brown; Timothy-Munden; Captain Starboard-Smith; Lady Charlotte-Miss O'Brien (from the Theatre Royal, Dublin; 1st appearance in London); Lady Brainless-Mrs Baker; Emmeline-A Gentlewoman (1st appearance upon any stage [unidentified]); Ruelle-Miss Dudley; Mrs Busy-Mrs Lefevre; Occasional Prologue-Smith.

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

2539
10 January 1780 @ Covent Garden

Event Comment: "As soon as the Play was over at Covent Garden Theatre yesterday evening, Reinhold walked forward and told the audience that 'It would be esteemed a particular mark of their Kindness and Favour if they would accept Miss Cranfield's performance of Colombine, Miss Brown having been taken extremely ill"' (Morning Chronicle, 11 Jan.). Receipts: #195 2s. (193.6; 1.16)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Every-where

Cast
Role: Cryer of Minos' Court Actor: Thompson

2540
14 January 1780 @ Covent Garden

Event Comment: By Command of Their Majesties. Paid one-half Year's Land Tax #52 10s.Paid Church and Militia Rate for Theatre, 1779, #17 10s. Receipts: #292 13s. (291.17; 0.16)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Flitch of Bacon

Dance: End II: As17790922

2541
17 January 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-A Gentleman [unidentified]; Patie-M'Donald; Roger-Barret; Symon-Pentland; Glaud-Riddle; Bauldy-Stewart; Madge-Mr Wilson; Mause-Mr Hamilton; Jenny-Miss Campbell; Peggy-A Young Lady (from the Theatre Royal, Edinburgh [unidentified]); A New Prologue-.

Afterpiece Title: The Students; or, The Humours of St

Song: End IV: Hooly and Fairlyin character-M'Donald

Music: Between the Acts: proper Scotch Music-; a new Scotch Overture-

2542
18 January 1780 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Charles Dibdin: With New Scenes and Dresses. The Overture, and all the Music entirely new, composed by Dibdin. Books of the Opera to be had at the Theatre. Public Advertiser, 18 Jan. 1780: This Afternoon is published The Shepherdess of the Alps (1s. 6d.). Receipts: #158 13s. (156.16.6; 1.16.6)

Performances

Mainpiece Title: The Shepherdess Of The Alps

Afterpiece Title: The Upholsterer

Dance: As17791022

2543
01 February 1780 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 5, by Richard Cumberland. Larpent MS 508, which also lists the following parts: Marsyas, Gumias, Chloris. Text not published; synopsis of plot in London Chronicle, 2 Feb. Songs published, without listings parts (G. Kearsley, 1780)]: With new Scenes, Dresses and Decorations. The Songs set to music and a new Overture by Butler. Book of the Songs to be had at the Theatre. Public Advertiser, 1 Feb. 1780: This Afternoon is published the Songs in The Widow of Delphi (6d.). Receipts: #228 4s. 6d. (227.4.6; 1.0.0)

Performances

Mainpiece Title: The Widow Of Delphi; Or, The Descent Of The Dieties

Afterpiece Title: The Upholsterer

2544
11 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit. 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Dryden's Ode On St

Music: End I Oratorio: concerto on the organ-Stanley; End II: concerto on the violin-Cramer

2545
17 February 1780 @ Covent Garden

Event Comment: [Burkett is identified by MS annotation on Kemble playbill; he was from the Crow Street Theatre, Dublin.] Receipts: #223 15s. 6d. (221.10.0; 2.5.6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: As17791231

2546
22 February 1780 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Principal Characters-Lewis, Wroughton, Lee Lewes, Aickin, Whitfield, Robson, Edwin, L'Estrange, Thompson, Wewitzer, Fearon, Booth, Jones, W. Bates, Quick, Mrs Hartley, Mrs Mattocks, Mrs Morton, Miss Morris, Miss Stewart, Mrs Poussin, Mrs Webb, Mrs White, Miss Younge; [Cast from text (T. Cadell, 1782): Doricourt-Lewis; +Sir George Touchwood-Wroughton; +Flutter-Lee Lewes; +Saville-Aickin; +Villers-Whitfield; +Courtall-Robson; +Silvertongue-Edwin in text: $W. Bates]; Gentlemen-L'Estrange, Thompson; +French Valet-Wewitzer; +Porter-Fearon; +Dick-Stevens; +Mountebank-Booth; +Crowquill-Jones; +Hardy-Quick; +Lady Frances Touchwood-Mrs Hartley; +Mrs Racket-Mrs Mattocks; +Miss Ogle-Mrs Morton; +Kitty Willis-Miss Stewart; +Lady-Mrs Poussin; +Letitia Hardy-Miss Younge; W. Bates, Miss Morris, Mrs Webb, Mrs White are unassigned; +Prologue-Edwin; Epilogue-Miss Younge. [These were spoken as here assigned, at all subsequent performances.]These were spoken as here assigned, at all subsequent performances.]
Cast
Role: Doricourt Actor: Lewis
Role: Courtall Actor: Robson

Afterpiece Title: Cross Purposes

2547
01 March 1780 @ Haymarket Theatre

Event Comment: [This was a puppet show, rewritten by Charles Dibdin from his Comic Mirror; it consisted of 7 different acts, presented in 3 Parts. The audience was both misled into thinking that it was to be performed by actual persons, and made angry because of the "almost unintelligible manner of conveying [the various acts], as the singers were scarcely audible, and the objects very indistinctly visible.' A riot ensued. Lighted candles were thrown on the stage against the curtain, chandeliers broken, benches torn up. The audience was not "satisfied" until Colman the proprietor of the theatre, disclaimed any concern with the entertainment, and Dibdin made an apology. Although announced for repetition on 3 Mar., it was not again performed. (See Dibdin, II, 65; Morning Chronicle, 2 Mar. )]

Performances

Mainpiece Title: Pasquin's Budget; Or, A Peep At The World

2548
27 March 1780 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Mattocks, Russel-street, Covent-garden. 2nd piece: Founded on Nancy; or, The Parting Lovers [by Henry Carey]. Books of the Interlude to be had at the Theatre. Receipts: #203 1s. (179.11; tickets: 23.10) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Spaniards Dismayed; or, True Blue for Ever

Afterpiece Title: The Touchstone

Dance: End 2nd piece: Dance of Sailors-see17800401

2549
14 April 1780 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Artifice

2550
21 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun