SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Countess of Rutland"/1) | (@(roleclean,performerclean) "Countess of Rutland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 234 matches on Performance Comments, 57 matches on Event Comments, 51 matches on Performance Title, 19 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Event Comment: NNossiter play'd Rutland (Cross). [Murphy in Gray's Inn Journal, 15 Dec., notes: It is universally agreed by all who have seen the play [Essex] that Mrs Bland performs the queen with great Spirit and with more resemblance to a personage of rank, than is commonly seen on the stage."

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Barry; Burleigh-Sparks; Southampton-Smith; Raleigh-Usher; Queen-Mrs Bland; Nottingham-Mrs Vincent; Rutland-Miss Nossiter.
Cast
Role: Rutland Actor: Miss Nossiter.

Afterpiece Title: The Mock Doctor

Dance: IItalian Peasants, as17531120

Performances

Mainpiece Title: Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: [Principal Characters by Bensley, Kemble, Aickin, Bannister Jun., Whitfield, C. Kemble, Benson, Caulfield, Bland, Packer, King, R. Palmer, Phillimore, Mrs Powell, Mrs Jordan, Mrs Booth, Miss Miller, Miss Tidswell. Cast from text (J. Debrett, 1793 [sic]) conflated With Genest, VII, 183: King-Bensley; Bertram-Kemble; Lafeu-Aickin; Clown-Bannister Jun.; Dumain-Whitfield; Lewis [i.e. 2nd Lord ]-C. Kemble; Biron [i.e. 1st Gentleman ]-Benson; Jaquez [i.e. 2nd Gentleman ]-Caulfield; Tourville [i.e. Astringer ]-Bland; Steward-Packer; Parolles-King; Soldier (Interpreter)-R. Palmer; Soldier-Phillimore; Countess-Mrs Powell; Helena-Mrs Jordan; Widow-Mrs Booth; Diana-Miss Miller; Mariana-Miss Tidswell.
Cast
Role: Countess Actor: Mrs Powell

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Countess of Essex-Mrs Bracegirdle.

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: The School Boy

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: The School Boy

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: Miss in Her Teens

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: A Duke and no Duke

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Afterpiece Title: The Mayor of Garratt

Dance: End: Serious Dance-; End I Farce: Hornpipe-Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Countess Actor: Mrs Dancer

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Padlock

Dance: II: The Lilliputian Camp, as17680922

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Midas

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Thomasand Sally

Dance: End: The Lamplighters, as17681101

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: A Peep behind the Curtain

Dance: End: The Wake, as17680929

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Catherine and Petruchio

Dance: III: The Provenzales-Mas. Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Country Mad-Cap

Dance: As17770125

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Wandering Jew

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Mock Countess

Dance: II: Dutchwoman-Miss Robinson; III: French Gardener and His Mistress-Haughton, Mrs Walter; IV: Saraband, Minuet-Lally Jr, Miss Mears; V: English Maggot-Haughton, Mrs Walter

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: The Mock Countess

Dance: II: Irish Trot-a Youth of Ten, scholar to Davenport; III: Dutchman and his Wife-Davenport, Miss Price; IV: Long Whitson Holiday-Davenport, Miss Price; V: Les Bergeries-Essex, Haughton, Miss Robinson

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Mock Countess

Dance:

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Countess

Dance: Miss Rogers' Tambourine and (by Desire) Glover's Scot's Dance

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: The Mock Countess

Dance: Flanderkins by Duke and Mrs Ogden. Tambourine by Miss Rogers. Richmond Maggot by Le Sac and Miss Rogers

Song: As17350422