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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Count de Montijo"/1) | (@(roleclean,performerclean) "Count de Montijo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1973 results for: Keyword - Count de Montijo
We found 1042 matches on Performance Title, 759 matches on Performance Comments, 197 matches on Event Comments, 168 matches on Author, and 0 matches on Roles/Actors.

1926
02 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

1927
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

1928
17 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

1929
30 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

1930
12 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

1931
29 November 1783 @ King's Theatre

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

1932
21 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bulkley [who is named in the Account-Book, but not on the playbill]. Paid Richards, Laceman, #91 11s. 6d. Receipts: #97 19s. 6d. (54/3/0; 25/14/0; 0/1/6; tickets: 18/1/0) (charge: #105 15s. 8d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: A Fete

Afterpiece Title: Too Civil by Half

Song: End of Act II of mainpiece A Soldier for Me, as17840412

1933
10 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.

1934
17 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Who's the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Song: In mainpiece an Interlude of

1935
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

1936
06 May 1785 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Manager an Actor in Spite of Himself

Afterpiece Title: The Contrivances

Dance: As17850416

1937
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

1938
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

1939
10 February 1786 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007

1940
07 March 1786 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860225

1941
25 May 1786 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: As17860523 throughout

1942
21 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Humourist

1943
18 December 1786 @ Covent Garden

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Barataria

1944
25 January 1787 @ Drury Lane Theatre

Event Comment: Richard Coeur de Lion [announced on playbill of 24 Jan.] isis deferred, on Account of the Indisposition of a principal Performer. Receipts: #225 9s. 6d. (177.11.0; 46.13.0; 1.5.6)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The First Floor

1945
16 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin's Invasion

1946
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

1947
03 December 1787 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Kemble as Hamlet, but for his "indisposition an apology was made, and the audience requested to accept of Wroughton in his place--a request...no sooner asked than had" (World, 4 Dec.).] The Country Girl and Richard Coeur de Lion [both advertised on playbill of 1 Dec.] are obliged to be deferred, on Account of the Indisposition of a principal Performer. Receipts: #105 19s. 6d. (83.2.0; 21.7.6; 1.10.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

1948
01 March 1788 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tantara Rara, Rogues All

Dance: End: New Divertisement-[see17880124]

1949
25 March 1788 @ Drury Lane Theatre

Event Comment: Richard Coeur de Lion [advertised on playbill of 24 Mar.] is obliged to be deferred, on Account of the Indisposition of a principal Performer. Receipts: #80 10s. (65.17.0; 13.7.6; 1.5.6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

1950
24 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Romp

Dance: As17881013