SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Count de Montijo"/1) | (@(roleclean,performerclean) "Count de Montijo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1042 matches on Performance Title, 759 matches on Performance Comments, 197 matches on Event Comments, 169 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Public are most respectfully informed that, on account of the danger to Gentlemen frequenting the Scenes, as well as to the Performers, and the other persons necessarily employed in working the machinery, in the scenes and decorations, no stranger can with safety remain upon the stage during the representation of this Opera; it has therefore become unavoidably necessary to shut up the communication between the audience part of the Theatre and the Stage during the performance of Alessandro e Timoteo, but the avenues will be opened as usual as soon as the Opera is over

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: A New Bacchanalian Divertisement Ballet-; La Fille Mal Gardee- As18000415 but no performers listed for either ballet

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Hyppomene et Atalante- [see18000304

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000422

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000422

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000419

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Laura et Lenza, as18000513

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000524

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet, as18000422; End Opera: Rinaldo e Leonora, as18000530

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000607

Event Comment: The Comic Opera [Il Capriccio Drammatico, advertised in Morning Herald, 7 July] is unavoidably deferred on account of the sudden indisposition of Sga Bolla

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet, as18000422; End Opera: Laura et Lenza, as18000628

Performances

Mainpiece Title: Colombine Avocat Pour Et Contre

Entertainment: Entertainments proper to the Play-

Performances

Mainpiece Title: Colombine Avocat Pour Et Contre

Entertainment: As17181203; Drunken Dance-; Les Postures-

Performances

Mainpiece Title: Colombine Avocat Pour Et Contre

Afterpiece Title: Le Mariage Force

Dance:

Performances

Mainpiece Title: The Intrigues At Versailles Or A Jilt In All Humours

Performance Comment: Edition of 1697: Prologue-; Duke de Sanserre-Betterton; Guillamour-Verbruggen; Count de Brissac-Boen [Bowen]; Count de Fiesque-Hudson; Count de Tonnere-Bowman; Sir Plunder Bosies-Underhill; Countess de Sanserre-Mrs Bracegirdle; Countess de Brissac-Mrs Bowman; Madam de Vandosme-Mrs Barry; Daubroy-Mrs Willis; La Busque-Mrs Lawson; Grossiere-Mrs Leigh; Epilogue-Mrs Barry (as in a fret).

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom-Edwin; Mayor-Moss (1st appearance in that character); Crazy-Barrett; Earl of Mercia-Gardner; Count Louis-Lyons; Harold-Davies; Maud-Mrs Kemble; Mayoress-Mrs Webb; Lady Godina [sic]-Miss Brangin; Emma-Mrs Bannister.
Cast
Role: Count Louis Actor: Lyons

Afterpiece Title: The Swop

Performance Comment: Principal Characters by Willimason, R. Palmer, Iliff, Barrett, Usher, Abbott, Kemble, Mrs Webb, Mrs Taylor, Mrs Kemble. [Cast from European Magazine, June 1789, p. 488: Major Rheinberg-Williamson; Count de Narcisse-R. Palmer; Count de Wurtzendal-Iliff; Notary-Barrett; Bertrand-Usher; Capt. Edelsee-Abbott [in European Magazine: Johnson]; Baron de Fortsheim-Kemble; Baroness de Fortsheim-Mrs Webb; Lisette-Mrs Taylor; Eleanora-Mrs Kemble; Prologue-R. Palmer.

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Biron-Smith; Count Baldwin-Packer; Carlos-Farren; Belford-R. Palmer; Child-Master Siddons; Sampson-Wrighten; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Siddons (from the Theatre Royal, Bath) .
Cast
Role: Count Baldwin Actor: Packer

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. [The Conde de Montijo, the Spanish Ambassador, present.

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Performances

Mainpiece Title: The Wrangling Lovers Or The Invisible Mistress

Performance Comment: Edition of 1677: Count de Benevent-Leigh; Don Diego de Sluniga-Smith; Don Ruis de Moncado-Medburn; Don Gusmun-Harris; Sanco-Underhill; Ordgano-Percivall; Prating Shop Keeper-Richards; Octavia-Mrs Hughes; Elvira-Mrs Barry; Jacinta-Mrs Gillo; Beatrice-Mrs Gibbs; Prologue-.
Cast
Role: Count de Benevent Actor: Leigh

Performances

Mainpiece Title: The Quaker

Performance Comment: As17960712 but added: Easy-Burton; Countrymen-_.
Cast
Role: Countrymen Actor: Abbot, Lyons, Chippendale

Afterpiece Title: Don Pedro

Performance Comment: Characters by Aickin, Palmer, C. Kemble, Bannister, Suett, Caulfield, Wathen, R. Palmer, Palmer Jun., Waldron Jun., Davies, Trueman, Abbot, Burton, Lyons, Ledger, Mrs Kemble, Mrs Harlowe, Miss DeCamp, Mrs Hopkins; Cast from Larpent MS: Count de Valdesoto-Aickin; Pedro de Rascafria-Palmer; Henrique-C. Kemble; Basco de Robeldondo-Bannister; NicolasSassenigo-Suett; Tayo-Caulfield; Roca-Wathen; Cerbero-R. Palmer; Lopez-Palmer Jun.; Martin-Waldron Jun.; President of the Inquisition-Davies; Ignacio-Trueman; Gomez-Abbot; Citizens-Burton, Lyons, Ledger (these not listed in MS); Celestina-Mrs Kemble; Mariguita-Mrs Harlowe; Cattania-Miss DeCamp; Benedicta-Mrs Hopkins; Prologue-R. Palmer; Epilogue-Miss DeCamp.
Cast
Role: Count de Valdesoto Actor: Aickin
Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preservd

Performance Comment: Earl of Surry-Holman; Earl of Pembroke-Pope; Earl William-Betterton; Robert Fitzwalter-Whitfield; Bishop of Winchester-Hull; Earl of Chester-Davenport; English Squire-Clarke; Earl of Lincoln-Waddy; French Prince-Toms; Viscount de Beaumont-Claremont; French Guard-Powel; Count de Nevers-Thompson; Herald-Farley; John de Warrenne-Miss Standen; Lady Surry-Miss Betterton.

Afterpiece Title: The Poor Sailor or Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red Cross Knights

Performance Comment: Characters by Aickin, C. Kemble, Barrymore, Clarke, Palmer, Wathen, Davies, Caulfield, Trueman, Davenport, Abbot, Chippendale, Lyons, Suett, Miss DeCamp, Mrs Bland, Miss Palmer. [Cast from test (Geo. Cawthorn, 1799), and European Magazine, Sept. 1799, p. 187: Count de Ladesma-Aickin; Ferdinand-C. Kemble; Roderic de Froila-Barrymore; Guzman-Clarke; Garcias-Palmer; Lerida-Wathen; Lanusa-Davies; Bertran-Caulfield; Antonio-Trueman; Percy-Davenport; Ripperda-Abbot; Leonardo-Chippendale; Servant-Lyons; Popoli-Suett; Eugenia-Miss DeCamp; Rosa-Mrs Bland; 1st Woman of the Harem-Miss Palmer; Vocal Parts-Trueman, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick, Ms Bland, Ms Griffiths, Ms Edward, Ms Hale, Ms Menage, Ms Gawdry, Ms Benson, Ms Butler, Ms Leserve, Ms Norton, Ms Masters; Prologue-Trueman. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Count de Ladesma Actor: Aickin

Afterpiece Title: The Purse

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Principal Characters by Lewis, Ryder, Aickin, Farren, Fearon, Macready, Thompson, Mrs Mattocks, Miss Brunton. [Cast from text (G. G. J. and J. Robinson, 1788), and European Magazine, Dec. 1788, p. 469: Count Valentia-Lewis; Duke of Murcia-Ryder; Peasant (Alberto)-Aickin; Marquis Almanza-Farren; Seville-Fearon; Granada-Macready; 2nd Peasant-Thompson; Servant-Evatt; Marchioness Merida-Mrs Mattocks; Amanthis-Miss Brunton; Epilogue-Mrs Mattocks. [This was spoken as, here assigned, at all subsequent performances.]This was spoken as, here assigned, at all subsequent performances.]
Cast
Role: Count Valentia Actor: Lewis

Afterpiece Title: A Bold Stroke for a Wife

Dance: As17880924

Performances

Mainpiece Title: Isabella

Performance Comment: See17961119, but Count Baldwin-Wroughton.
Cast
Role: Count Baldwin Actor: Wroughton.

Afterpiece Title: The Prisoner

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: Taken from a Comedy of Mrs Behn's. [The False Count.

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit or Viscount a la Mode

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.