SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Count Sheridan"/1) | (@(roleclean,performerclean) "Count Sheridan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 413 matches on Performance Comments, 304 matches on Author, 135 matches on Event Comments, 51 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The False Count

Dance:

Performances

Mainpiece Title: The False Count

Afterpiece Title: Tom Thumb

Afterpiece Title: The Battle of the Poets

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Henderson; Theodore-Levis; Fabian-Thompson; Officers-Fearon, J. Wilson; Raymond-Wroughton; Adelaide-Miss Satchell; Jaqueline-Miss Platt; Countess-Miss Younge .
Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Wishes

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: Lord Mayors Day

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Henderson; Theodore-Lewis; Fabian-Thompson; Officers-Fearon, Helme; Raymond-Wroughton; Adelaide-Mrs Kemble; Jaqueline-Mrs Morton; Countess-Miss Younge .
Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Poor Soldier

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Holman; Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Miss Brunton; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: Cymon

Dance: End: Tamborine Dance- [See17891021]; Afterpiece conclude: Dance-Byrne, Mrs Goodwin

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Love and War

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: A Divertisement

Performances

Mainpiece Title: At Hay The Count Of Narbonne

Afterpiece Title: The Virgin Unmaskd

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 4 years. [2nd piece 1st acted at cg, 3 May 1793, as To Arms; or, The British Recruit.] Morning Chronicle, 26 Feb.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Account-Book, 21 Apr.: Paid Mrs Pope for Dresses as per Bill #32 19s. 6d. Receipts: #293 18s. (138.5; 9.7; tickets: 146.6)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Narbonne-Pope (1st appearance in that character); Theodore-Holman; Fabian-Thompson; Officers-Powel, Claremont; Austin-Harley; Adelaide-Miss Wallis (1st appearance in that character); Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: The British Recruit or Whos Afraid

Afterpiece Title: Catharine and Petruchio

Song: In course 2nd piece: The Mid Watch-Incledon; 2nd piece to conclude: with a new Loyal Duet (composed by Shield) Tho' Hurricanes rattle tho' Tempest appear-Incledon, Bowden

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: The Irish Mimick

Cast
Role: Countess of Kent Actor: Miss Wallis

Afterpiece Title: Windsor Castle

Cast
Role: Countess of Kent Actor: Miss Wallis

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Sheridan; Sir Francis Wronghead-Yates; Count Basset-Austin; Manly-Havard; John Moody-Burton; Squire Richard-Vaughan; Lady Townly-Gentlewoman, 1st appearance on the stage; Lady Wronghead-Mrs Kennedy; Lady Grace-Miss Haughton; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Miss Hippisley; Trusty-Mrs Bennet.
Cast
Role: Lord Townly Actor: Sheridan
Role: Count Basset Actor: Austin

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Actors only: Sheridan, Holland, Davies, Packer, Ackman, a young Gentlewoman (1st appearance); Mrs Kennedy, Mrs Pritchard. With a new Prologue, and Epilogue. Essex-Sheridan; Southampton-Holland; Cecil-Davies; Queen Elizabeth-Mrs Pritchard; Countess of Rutland-Miss Mowat; Countess of Nottingham-Mrs Kennedy; Raleigh-Packer; Lt of Tower-Ackman; New Prologue-Sheridan; Epilogue-Mrs Pritchard (Winston MS 9).

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performances

Mainpiece Title: The Intrigues At Versailles Or A Jilt In All Humours

Performance Comment: Edition of 1697: Prologue-; Duke de Sanserre-Betterton; Guillamour-Verbruggen; Count de Brissac-Boen [Bowen]; Count de Fiesque-Hudson; Count de Tonnere-Bowman; Sir Plunder Bosies-Underhill; Countess de Sanserre-Mrs Bracegirdle; Countess de Brissac-Mrs Bowman; Madam de Vandosme-Mrs Barry; Daubroy-Mrs Willis; La Busque-Mrs Lawson; Grossiere-Mrs Leigh; Epilogue-Mrs Barry (as in a fret).
Event Comment: Mainpiece [1st time; T 5, by Thomas Sedgwick Whalley. Prologue, Epilogue by the author (see text)]. Account-Book, 20 May: Paid Whalley for Castle of Montval #100. Receipts: #288 19s. (224.18.6; 63.9.0; 0.11.6)

Performances

Mainpiece Title: The Castle Of Montval

Performance Comment: Characters by Kemble, Aickin, Holland, C. Kemble, Barrymore, Packer, Fisher, Mrs Siddons, Mrs Powell, Miss Heard. [Cast from text (R. Phillips, 1799), and European Magazine, May 1799, p. 328: Old Count-Kemble; Count of Colmar-Aickin; Count of Montval-Holland; Marquis of Vaublane-C. Kemble; Lapont-Barrymore; Blaise-Packer; Ambrose-Fisher; Countess of Montval-Mrs Siddons; Matilda-Mrs Powell; Teresa-Miss Heard; Prologue-Powell; Epilogue-Mrs Powell. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Old Count Actor: Kemble
Role: Count of Colmar Actor: Aickin
Role: Count of Montval Actor: Holland
Role: Countess of Montval Actor: Mrs Siddons

Afterpiece Title: Blue Beard

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman