Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Count Gaston di Brizzonie"/1) | (@(roleclean,performerclean) "Count Gaston di Brizzonie")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
684 results for: Keyword - Count Gaston di Brizzonie
We found 391 matches on Performance Comments, 251 matches on Performance Title, 59 matches on Event Comments, 10 matches on Author, and 0 matches on Roles/Actors.

101
11 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Performance Comment: As17991127, but Countess Wintersen-Miss Heard.
Cast
Role: Countess Wintersen Actor: Miss Heard.
Role: Count Wintersen Actor: Holland

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-C. Kemble; Figaro-Palmer; Antonio-Wewitzer; Bazil-Maddocks; Page-Miss DeCamp; The Countess-Miss Heard; Agnes-Miss Wentworth; Susan-Miss Mellon.
Cast
Role: Count Almaviva Actor: C. Kemble
Role: The Countess Actor: Miss Heard

Music: As17991127

Dance: As17991127

102
15 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Farley; Antonio-Munden; Bazil-Rees; The Page (with a song)-Mrs Mills (1st appearance in that character); The Countess-Miss Chapman; Susan-Mrs Glover.
Cast
Role: Count Almaviva Actor: Lewis
Role: The Countess Actor: Miss Chapman

Afterpiece Title: St

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

103
25 April 1713 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

104
02 March 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: As17930226

Ballet: Venus and Adonis. As17930226

105
05 March 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Divertisement, as17930216

Ballet: End Opera: Venus and Adonis. As17930226

106
09 March 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: As17930305

Ballet: Venus and Adonis. As17930305

107
12 March 1793 @ King's Theatre

Event Comment: The Public are most respectfully informed that Teodolinda, which was to have been produced to-morrow Evening, is unavoidably postponed on account of the indisposition of Bruni (Morning Herald, 11 Mar.)

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: As17930305

Ballet: Venus and Adonis. As17930305

108
16 March 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: As17930305

Ballet: Venus and Adonis. As17930305

109
09 April 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Le Faune Infidele, as17930406, but Gentili

Ballet: End Opera: Venus and Adonis. As17930226

110
23 April 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

111
30 April 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Le Faune Infidele, as17930420

Ballet: End Opera: Iphiginia in Aulide. As17930423

112
07 May 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Divertisement- [See17930126]

Ballet: End Opera: Iphiginia in Aulide. As17930423

113
10 December 1726 @ King's Theatre

Performances

Mainpiece Title: Pantalon Baron Di Sloffenburgo

Entertainment: With Variety of Incidents-; Serenades-; Singing- after the Venetian Manner

Dance: Poitier, Mrs Anderson, others

114
17 December 1726 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata Da Enea; Or, Dido Forsaken By Aeneas: With The Bloody Battle Between The Trojans And Moors, And The Destruction Of Carthage

Afterpiece Title: La Jenerosita per Forza di Pantalone Economo in Campagna: viz, The Forced Generosity of Pantalone in his Oeconomy at his Country Seat

Dance: Serious and Grotesque Characters-Poitier, Mrs Anderson, Wellman, Mrs Constantin, Gaetani, Mrs Argentina, Chevrier, Mrs Gaetani

115
21 December 1726 @ King's Theatre

Performances

Mainpiece Title: [il Convitato Di Pietra, O sca Don Giovanni Libertino: Viz

Dance: [Grotesque Characters-Poitier, Mrs Anderson, others

116
04 January 1727 @ King's Theatre

Performances

Mainpiece Title: L'honorata Poverta Di Rinaldo: Viz, The Honourable Poverty Of Rinaldo, False Accused By The Maganzesians: With Harlequin Guardian To His Master's Family And Defender Of His Castle

117
13 January 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Jealous Clown

Song: A Gentlewoman that never appear'd on this Stage before; End I: An English Opera Song-; accompanied with the German Flute-; II: Pur di Cesti, in Arminius-; III: A Diverting Song-a Gentlewoman of Fourscore; IV: Mad Dialogue of Purcell's-

Music: Music on the German Flute-a Gentleman for his Diversion

118
10 May 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Rover

Dance: I: Hornpipe-Jones, Mrs Ogden; II: Peasant-Poitier; IV: Tambourin-Miss Rogers; V: The Medley, as17320504

Music: II: Concert on the Stage- , never perform'd in England; the principal Violin-Petit; III: Music on the Stage-Eversman; V: A Grand Concerto Favorito di Vivaldi-; never perform'd in England, the Violino Principal, with Finale,-Petit on the Stage

119
16 December 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Fall of Phaeton

Song: II: Torna mi a Vegbeggiar-Miss Young; IV: Di Lor Mio-Miss Young

120
19 December 1740 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

121
26 December 1740 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

122
02 January 1741 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

123
09 January 1741 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

124
01 November 1742 @ Covent Garden

Performances

Mainpiece Title: Venice Preserved

Dance: Signor Grimaldi, detto Gamba di Ferro, Mlle Auguste. (Being the 1st time of his appearing on the English stage.

125
20 March 1744 @ King's Theatre

Performances

Mainpiece Title: L'errore Di Solomone

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.