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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2376
25 February 1707 @ Queen's Theatre

Event Comment: Benefit Mrs Oldfield. Tickets for The Comical Lovers [advertised on 22 Feb. for this day] taken at this play

Performances

Mainpiece Title: The Tender Husband

2377
04 March 1707 @ Drury Lane Theatre

Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Performances

Mainpiece Title: Rosamond

2378
06 March 1707 @ Drury Lane Theatre

Event Comment: Mrs Moore's tickets for 3 March taken this day

Performances

Mainpiece Title: The Recruiting Officer

Song:

Dance:

2379
19 March 1707 @ York Buildings

Event Comment: Benefit Corbett. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music by William Corbett-; with several pieces for Flutes-; Concerti Grossi-; including a new Italian solo-Corbett, being his first public appearance

2380
25 March 1707 @ Drury Lane Theatre

Event Comment: Benefit Miss Santlow. The tickets given out for She Would and She Would Not taken on this day

Performances

Mainpiece Title: The Committee

Song: As17070204

Dance: Cherrier, Miss Santlow; particularly a new Dutch Skipper-

2381
26 March 1707 @ York Buildings

Event Comment: Benefit Keen. By Subscription of several Persons of Quality. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; particularly several new pieces for trumpets and flutes by Corbet-; a solo-Dean; a new cantata-one who never performed in public before; variety of singing-

2382
01 April 1707 @ Drury Lane Theatre

Event Comment: [Text by P. A. Motteux. Music adapted by Pepusch.] A new Opera. By Subscription. The Front Boxes and Side Boxes to be laid open into the Pit; where none are to be admitted but by the Subscribers' Tickets. And the Stage Boxes, Balconies, and Galleries are for the Benefit of the House

Performances

Mainpiece Title: Thomyris

2383
02 April 1707 @ Hickford's Room

Event Comment: At Hickford's Dancing Room in James's-street in the Hay-Market, over against the Tennis Court. At 7 p.m. Tickets 21s

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

2384
02 April 1707 @ York Buildings

Event Comment: Benefit Mrs Hall, Daughter to William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the greatest Masters

2385
04 April 1707 @ York Buildings

Event Comment: Benefit Signiora Margaretta Gallia. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with several new Songs and Sonatas never yet perform'd by Signior Joseph Saggioni-the best Masters; the Vocal part both in English and Italian-Signiora Maria Margaretta Gallia

2386
02 May 1707 @ Queen's Theatre

Event Comment: Benefit Mrs Porter. Tickets given out for Saturday 3 taken this night

Performances

Mainpiece Title: Liberty Asserted

2387
09 May 1707 @ Queen's Theatre

Event Comment: Benefit Knapp, Mynns, and Newman. At the Desire of several Ladies of Quality. [Tickets given out for Othello taken at this play.

Performances

Mainpiece Title: Venice Preservd

2388
13 May 1707 @ Drury Lane Theatre

Event Comment: [in Daily Courant, 7 May, Thomyris had been advertised by subscription for Saturday 10 and Thursday 15 at two guineas for three tickets on each day, the number not to exceed 420 in the front boxes, side boxes, and pit, all to be laid together.

Performances

Mainpiece Title: Thomyris Queen Of Scythia

2389
23 May 1707 @ York Buildings

Event Comment: Benefit Viner. At 8 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; including variety of sonatas-Bannister, Paisible, Lully, Dupar; singing-Leveridge, Mrs Lindsey; a sonata on the Flute D'Almain-Pietro; Corelli's Sixth Double Note Solo-Viner

2390
22 July 1707 @ Dancing School

Event Comment: At 7 p.m. Tickets 2s. 6d. At Queen Street and Frith Street

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

2391
19 November 1707 @ York Buildings

Event Comment: Note, The Words of the Songs and other Particulars of the Entertainment will be Printed and Sold to the Audience. Tickets 5s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Performers the music composed by Claxton Jr for the Entertainment of the Foreign Ministers and other Persons of Quality

Dance: Several Grotesque Dances-; particularly The Whip of Dunboyn-Claxton Sr

2392
10 February 1708 @ Queen's Theatre

Event Comment: Admission by tickets only to pit and boxes, not to exceed 400, at 7s. 6d. Stage Boxes half a Guinea. First Gallery 3s. Upper Gallery 1s. 6d. No Person to stand upon the Stage. Receipts: #77 17s. 6d

Performances

Mainpiece Title: Camilla

Dance: Cherrier, Debargues, Mrs Debargues

2393
26 February 1708 @ Queen's Theatre

Event Comment: [Words by P. A. Motteux.] Never perform'd before. The Dances, Choruses, and other Entertainments being properly introduc'd as on Foreign Stages. Admission to pit and boxes by tickets only (not to exceed 400) at half a guinea; stage boxes, half a guinea; first gallery 5s., upper gallery 2s. 6d. Receipts: #240 6s. 9d

Performances

Mainpiece Title: Loves Triumph

2394
22 March 1708 @ Drury Lane Theatre

Event Comment: Benefit Mrs Rogers. At the Desire of several Ladies of Quality. Tickets for Sir Fopling Flutter taken at this play

Performances

Mainpiece Title: Mithridates King Of Pontus

2395
26 March 1708 @ Stationer's Hall

Event Comment: Benefit Leigh. Tickets 3s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.

2396
17 April 1708 @ Queen's Theatre

Event Comment: Benefit Valentini. At the Desire of several Ladies of Quality. Admission to pit and boxes by tickets only at half a guinea

Performances

Mainpiece Title: Loves Triumph

2397
24 May 1708 @ Drury Lane Theatre

Event Comment: Benefit Pack. Note, That the Tickets which were deliver'd out for Hamlet will be taken at this Play

Performances

Mainpiece Title: The Pilgrim

2398
17 June 1708 @ Drury Lane Theatre

Event Comment: Benefit Boman. Note, That all the Tickets deliver'd out for The Relapse will be taken at this Play

Performances

Mainpiece Title: Sophonisba Or Hannibals Overthrow

2399
14 December 1708 @ Queen's Theatre

Event Comment: [Text translated by Owen Swiney. Music adapted by N. Haym.] By Subscription. None to be admitted into the Pit or Boxes but by the Subscribers' Tickets. Stage Boxes 15s. First Gallery 5s. Upper Gallery 2s

Performances

Mainpiece Title: Pyrrhus And Demetrius

2400
19 January 1709 @ Queen's Theatre

Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius